循环手册（Circularity Handbook）丨法国尼斯

第19届威尼斯国际建筑双年展于2025年5月10日至11月23日举办，本届主题为“智能、自然、人工、集体”（Intelligens. Natural. Artificial. Collective.），提出了一个关乎全球生态未来的关键命题：我们如何通过设计，让自然、人工与集体智慧共生共构？在总策展人卡洛·拉蒂（Carlo Ratti）的《循环经济宣言》（Circular Economy Manifesto）引领下，本届双年展致力成为首个达成“零废弃”的展览，实现展览的可持续模式，呼吁全行业重新定义“建筑展览”这一临时性空间的存在方式。

The 19th International Architecture Exhibition – La Biennale di Venezia is scheduled to take place from May 10 to November 23, 2025. This year’s theme, “Intelligens: Natural, Artificial, Collective”, presents a critical proposition for our ecological future: How can design enable the natural, artificial, and collective intelligence thrive together? Under the guidance of Chief Curator Carlo Ratti and his Circular Economy Manifesto, the Biennale aims to become the first to achieve a “zero-waste” exhibition, redefining the very notion of the architectural exhibition as a temporary space through a sustainable lens.

▼《循环手册》装置实景照片，The Circularity Handbook©PILLS Architects

策展人卡洛·拉蒂评价:“建筑必须从资源提取与浪费的模式，转向再利用与再生的模式。包括《循环手册》在内的这些项目融合了低技术与高技术，通过循环原则重新想象建筑材料、建造流程和生活系统。它们使用废弃物、低碳与生物基材料，表现出循环思维既生态负责，也富于文化想象。”

“《循环手册》项目展现出可持续转型的系统性突破。”

Carlo Ratti’s Comments

“Architecture must move from a model of extraction and waste to one of reuse and regeneration. These projects, including Circularity Handbook, both low-tech and high-tech, reimagine building materials, construction processes, and domestic systems through circular principles. Using waste, low-carbon and bio-based resources, they demonstrate how a circular mindset can be both ecologically responsible and culturally inventive.”

“The Circularity Handbook demonstrates a systemic breakthrough in the sustainable transition.”

▼《循环手册》装置实景照片，The Circularity Handbook©PILLS Architects

PILLS受总策展人卡洛·拉蒂（Carlo Ratti）邀请，参与主展区特别项目“循环手册”的研究编写及装置设计。作品位于军械库（Arsenale）主展区的核心区域，包含两个组成部分：其一为《循环手册》（Circularity Handbook），一本为所有参展者编写的可持续展览指南；其二为一组衍生自手册内容的空间装置——一座可循环拆卸的构筑物，将文本转化为可感知的视觉体验。两者相辅相成，共同构建出一个框架，探索展览全生命周期中的可持续路径。

Invited by Carlo Ratti, PILLS is participating in the main exhibit’s Special Project with the research, writing, and design of the Circularity Handbook and its Spatial Installation. Positioned in the core area of the Arsenale, the work comprises two main components: The Circularity Handbook — a sustainability guide tailored for all participants of the Biennale; A spatial installation derived from the handbook — a modular, demountable structure that translates text into a tangible, immersive experience. Together, the two parts form a cohesive framework, exploring sustainable pathways across the full lifecycle of an exhibition.

▼《循环手册》装置实景照片，The Circularity Handbook©PILLS Architects

作为一项聚焦建筑展览的可持续转向的研究工作，《循环手册》集合了PILLS与意大利威尼斯建筑大学（Università Iuav di Venezia）的研究成果，并融合纸艺艺术家、平面设计师、机械装置设计师、交互设计师等多个学科背景团队，回应本届双年展对“系统性转型”与“知识共享”的呼吁。

As a research project focused on the sustainable transformation of architectural exhibitions, “The Circularity Handbook” brings together the collaborative outcomes of PILLS and the Università Iuav di Venezia. It integrates contributions from a diverse group of professionals—including paper artists, graphic designers, mechanical installation designers, and interaction designers—responding to the Biennale’s call for “systemic transformation” and “knowledge sharing.”

▼《循环手册》实体手册照片，Photo of the Handbook©PILLS Architects

一、知识共享：循环展览的实践方法和开源共创

I. Shared Knowledge: Practices of Circular Exhibition and Open-Source Collaboration

策展团队解读及外媒报道:

“这份《循环手册》是一本极佳的材料循环策略、案例与资源汇编，特别聚焦于威尼斯的在地经验。我们鼓励各位参展者在材料采购和布展过程中参考此手册的内容。”

“《循环手册》展开时呈现出丰富的空间层次，展览结束后又可被压平，便于运输与回收。与之配套的手册作为实用指南帮助参展者实现Ratti提出的“零废弃”目标。穿行于军械库时，我常思索那些大型（尤其是高预算）装置是否真正遵循了‘循环协议’——而最成功的案例，恰恰以既明确又富有创意的方式回应了这一诉求。”

Curatorial Team’s Remarks & International Media Coverage

“This document (Circularity Handbook) is a fantastic compilaiton of Material Circularity strategies, examples, and resources, with the special focus of local expertise in Venice. We encourage you to refer to it as you source materials and install them in the exhibition venue.”

“Circularity Handbook has depth when unfolded and displayed but can be flattened after the Biennale for easy transport and recycling. The installation is accompanied by a handbook that was made to help the contributors achieve Ratti’s zero waste goal. Moving about the Corderie, I often wondered how some of the larger, especially high-budget installations abided by the mandate, if at all, but the most successful ones heeded the call in explicit, yet creative ways.”

▼《循环手册》实体手册照片，Photo of the Handbook©PILLS Architects

《循环手册》（Circularity Handbook）由PILLS与威尼斯建筑大学联合编写，平面设计由typo_d完成，策展团队负责校对与审阅。手册旨在提供一套可实际操作、贴合威尼斯本地实践的“零废弃展览”方法论与案例研究。它不仅是一份指南，更是一个可持续更新、开放参与的系统性框架，呼应本届双年展的愿景。

The Circularity Handbook was co-written by PILLS and Università Iuav di Venezia, with graphic design by typo_d, reviewed and edited by the curatorial team. The handbook proposes a set of actionable, locally grounded strategies for achieving zero-waste exhibitions in the context of Venice. More than just a guide, it is an evolving, participatory framework aligned with the Biennale’s vision of systemic change.

▼《循环手册》实体手册照片，Photo of the Handbook©PILLS Architects

手册围绕展览生命周期的四个阶段——设计、建造、展览期间与展后管理——提出具有针对性的策略与行动指引，涵盖材料选择、模块化设计、可回收装配、低碳运维等多个维度，并辅以实际案例作参考。通过收集与整理建筑展览领域的可持续实践，手册系统性地展望了可循环理念在展览全生命周期中的深度融入与实践方法。

Focusing on the four life stages of an exhibition — design, construction, operation, and post-exhibition management — the handbook outlines targeted strategies on topics such as material selection, modular design, recyclable assembly, and low-carbon operations. Supplemented with case studies, it provides a systematic outlook on embedding circularity throughout the exhibition lifecycle.

▼《循环手册》实体手册照片，Photo of the Handbook©PILLS Architects

1.1流动的知识平台

A Flowing Platform for Knowledge

除了正文内容，《循环手册》附有两个重要的开源附录，提供知识共享的基础设施。

附录A：由威尼斯建筑大学（IUAV）维护的本地可持续资源数据库，汇集了威尼托（Veneto）地区的材料供应商、回收商与再生合作方，未来可以持续更新，服务于威尼斯双年展；

附录B：碳排放记录平台，该线上数据表格鼓励每位参展者记录其展品的碳足迹，共同建设一个透明的环境评估数据池。

这种“手册—平台—社区”的结构，使手册从一本工具书，逐渐演化为一个流动的节点，为建筑展览行业的绿色转型提供动力。

Beyond the main content, the handbook includes two key open-source appendices as shared knowledge infrastructures:

Appendix A: A local sustainable resource database, maintained by IUAV, mapping material suppliers, recyclers, and regeneration partners across the Veneto region. It serves as a growing resource for future Biennale editions.

Appendix B: A carbon footprint tracking platform encouraging participants to record and share the emissions data of their exhibits, contributing to a transparent environmental data pool.

This “Handbook–Platform–Community” structure transforms the handbook from a static guide into a dynamic hub, empowering the green transition of architectural exhibitions.

▼《循环手册》电子手册节选，Excerpt From the Digital Handbook©typo_d

1.2传统的全新演绎

A New Interpretation of Tradition

Formally, the printed handbook draws inspiration from traditional Chinese scrolls and calligraphy. Its vertical layout merges Eastern and Western content structures. Case study links appear as digital seals — QR codes embedded like red stamps in classical manuscripts. The book is printed on xuan paper, historically used for ancient Chinese texts, and embedded with seeds. After the exhibition, the book can decompose into the soil, symbolizing a full-circle return from knowledge to nature — a material response to the circular theme.

▼《循环手册》实体手册照片，Photos of the Handbook©Pills Architects

二、异体同构：循环手册的空间转译与时间哲学

II. Isomorphic Translation: From Handbook to Space, From Text to Time

在此次双年展中，PILLS通过衍生空间装置，将手册文本转译为可互动、可参与的空间叙事。装置是一本可开合的巨型立体书，承载时间、文明与生态循环的多重语义。装置原型取自折叠立体书与中国传统纸艺，轻量化尺度庞大的结构，实现装置的重复利用，以呼应双年展的零废弃目标。

For this Biennale, PILLS developed a spatial installation as an embodied, participatory translation of the handbook. The installation takes the form of a giant pop-up book, carrying layered meanings of time, civilization, and ecological cycles. Inspired by folding books and traditional Chinese paper art, the structure is lightweight yet large-scale, ensuring reusability and aligning with the Biennale’s zero-waste goal.

▼《循环手册》装置实景照片，Photos of the Installation©Pills Architects

2.1可循环建造的折纸书

II.1 A Foldable Book for Circular Construction

装置采用“模块化预组件”（subassembly）与“可拆卸设计”（design for disassembly）相结合的构造方式，确保展后可高效拆卸、运输与重复利用。经过在工厂阶段反复测试转轴精度、结构稳定性与纸铝贴合性能，并通过高精度纸艺模切工艺，装置如同书一般能够展开合上，收缩成展开体积的1/3。在运输环节收起来，能最大限度减少体积、运输成本与碳排放。

©张柏舟，闫书航

The installation combines modular subassemblies with a design-for-disassembly approach, allowing it to be easily dismantled, transported, and reused post-exhibition. After rigorous testing in the factory, from hinge precision and structural stability to paper-aluminum adhesion, and with high-precision paper-cutting techniques, the structure behaves like a book: it unfolds and collapses to one-third of its open volume. This compactibility minimizes shipping volume, cost, and carbon emissions.

▼《循环手册》装置结构计算，Structural Calculation of the Installation©和作结构

▼《循环手册》装置主结构示意，Main Structure of the Installation©Pills Architects

材料方面融合铝、纸张与光伏板：核心结构由铝构成，外覆传统古籍常用的皮纸，呼应“立体书”所强调的质感与肌理。背部嵌有光伏板，为剪纸发光元件与电机系统提供清洁能源，构建起“自我供能”的独立系统，实现能源的内部循环。

Material-wise, the installation fuses aluminum, paper, and photovoltaic panels: the core frame is aluminum, wrapped in traditional Chinese paper (pi zhi), echoing the texture of ancient texts and the tactile logic of pop-up books. Solar panels are embedded on the reverse side, powering the lighting and motor system for the paper-cut components — a self-sufficient energy loop supporting internal sustainability.

▼《循环手册》装置背部照片，Back View Photo of the Installation©Suhenda Demir

2.2时空嵌套的循环寓言

II.2 A Nested Allegory of Time and Civilization

装置的叙事结构由三重同心圆嵌套构成，象征农耕文明、工业文明与生态文明的时空演进。其环状构型回应“道生一，一生二，二生三，三生万物”的宇宙观。中心的日月图腾标示着日月更替的自然循环，自内向外展开，装置讲述了人与建造环境之间不断演化的关系：从最初的适应，到主动改造，最终回归共生。最外层为《循环手册》的叙事镜像，将其四大章节转译为对应的四个象限，构建出叙事与画面的层层嵌套。图样设计从汉代画像砖和剪纸艺术中汲取造型灵感。

The installation’s narrative is structured through three concentric rings, symbolizing the temporal evolution from agrarian to industrial to ecological civilizations. Its circular form echoes the Daoist cosmology: “The Dao gives birth to One, One gives birth to Two, Two gives birth to Three, and Three gives birth to all things.”

▼《循环手册》装置实景照片，Photos of the Installation©Pills Architects

装置的整体设计灵感源自中国传统的时间观。不同于现代所熟悉的“钟表时间”，东方哲学更关注时间在自然中的流动——季节更替、昼夜轮转、万物生长与衰退，皆体现出一种“循环”而非“线性”的时间理解。“顺应自然节奏”的思想构成了装置的设计基础：它试图将时间转化为一种可“看见”、可“走进”的空间形态，在观者的行走中体认古代的循环理念，并与当代的循环愿景建立联结。

The installation’s conceptual foundation lies in Chinese philosophies of time. In contrast to modern “clock time,” Eastern thought emphasizes time’s cyclical flow in nature — seasons, day and night, growth and decay — forming a non-linear understanding of time. This idea of “attuning to natural rhythms” forms the basis of the design: time becomes a visible, walkable space through which the audience can experience ancient notions of cyclical temporality and connect them to contemporary visions of sustainability.

▼《循环手册》装置实景照片，Photos of the Installation©Pills Architects

2.3异体同构的叙事闭环

II.3 A Narrative Loop of Isomorphic Elements

在双年展现场，装置与《循环手册》之间的地面设置了一幅投影动画，该互动投影由中央美术学院设计学院教授费俊设计，将循环图解转化为动态媒介。该图解参考中国古代城邦地图与哲学中的“轮回观”，以目录式的视觉结构，连接手册内容与空间装置，成为场域中的核心视觉枢纽。

At the Biennale site, a projected animation is installed on the ground between the handbook and the spatial installation. This circular diagram, referencing ancient city maps and cosmological “cycle” concepts, serves as a visual index linking the handbook’s content to the spatial design.

▼地面交互投影，Interactive Ground Projection©冯瑞

四象限构成的图解在投影中依序展开各章节图标，触发相应的多媒体信息：小节标题、动画图解与材料说明同步弹出，使空间本身转化为一个可感知、可互动的叙事界面。图像、文字与动态内容的融合，使《循环手册》、立体书装置与投影三者构成一个结构互映的叙事闭环——异体同构、彼此回应，共同构建出一个多维的循环叙事系统。

As the four-quadrant diagram unfolds in the animation, each chapter icon triggers corresponding multimedia content — including subtitles, animated diagrams, and material descriptions. The exhibition space itself becomes an interactive narrative interface. The fusion of image, text, and motion completes a narrative loop across the handbook, spatial installation, and projection — distinct in form but structurally aligned. Together, they construct a multi-dimensional storytelling system of circularity.

▼展览现场照片，On-site Photos©冯瑞

三、从手册到系统，构建一个“循环的展览”

III. From Handbook to System: Constructing a Circular Exhibition

从知识手册到空间装置，从视觉隐喻到材料实践，PILLS在2025年威尼斯建筑双年展的特别项目中，搭建了一座横跨学科、媒介与语义的桥梁。该项目不仅是关于建筑展览可持续转型的试验，也是围绕“循环智慧”在设计、构造、传播与再生层面的系统性探索。《循环手册》及其空间装置共同构成一个完整的叙事，探索循环展览的可能路径与范式。

From research and writing to spatial design, from visual metaphor to material practice, PILLS’ special project at the Biennale Architettura 2025 builds a cross-disciplinary, cross-media, and cross-semantic bridge. This work is not only a prototype for the sustainable transformation of architectural exhibitions but also a systemic exploration of “circular intelligence” across design, construction, communication, and regeneration. Together, the Circularity Handbook and its Spatial Installation form an integrated narrative — probing the possibilities and paradigms of a truly circular exhibition.

▼《循环手册》装置实景照片，Photos of the Installation©Pills Architects

3.1循环语境下的跨域协同与知识共创

III.1 Co-Creating Konwledge Across Disciplines in a Circular Framework

The Circularity Handbook is not only a spatial presentation but also an interdisciplinary research practice centered on the sustainable transformation of architectural exhibitions. The handbook brings together diverse research findings, shaped by a graphic design team into a knowledge tool that juxtaposes visuals and ideas. Meanwhile, the spatial installation integrates the efforts of paper artists, mechanical installation designers, and interaction designers, responding to the concept of circularity through material strategies and mechanical language. Together, they create a collaborative platform that merges design, art, and sustainable thinking.

▼《循环手册》装置实景照片，Photos of the Installation©Pills Architects

召集人，主持设计师：PILLS_王子耕

“《循环手册》是为本届威尼斯双年展所有参展人提供的实用性指南，这个特别项目也彰显了策展团队的价值观。装置部分的概念是一个大的折纸书。我们依靠这种形势的变化体现展前运输策略、展中快速搭建及呈现、以及展后再利用的可能性。它本身就是一个自循环的展示系统范本。展示的纹样按时间线索建构了手册的叙事性，地面的交互投影链接起文本和图像之间的逻辑关联。”

Coordinator & Principal Designer: PILLS_Zigeng Wang

“Circularity Handbook is a practical guide designed for all participants of this year’s Venice Architecture Biennale. As a special project, it also reflects the values of the curatorial team. The concept for the installation is a large pop-up book. This folding form embodies strategies for pre-exhibition transport, fast on-site assembly and display, and post-exhibition reuse. The installation itself is a prototype of a self-circulating exhibition system. The narrative patterns of the display follow a timeline that constructs the story of the handbook, while the interactive projections on the ground link the logic between text and image.”

装置制作：JIN ARTS_肖进

“对于《循环手册》整个作品落地的过程，给我们团队最大的感受就是“一个敢想，一个敢干！”王老师提出循环、零废弃理念的时候，我是高度认同的，并深感荣幸能够参与到这个富有意义的项目中。但在这个项目的落地过程中，遇到了不少挑战，比如，为实现“轻盈与力量共生”的设计语言，让纤薄的纸张与下层铝板刚性结构更加自然地贴合，并要使5.2米高、790kg重的主体结构实现动态开合，我们团队小伙伴们通过反复材料测试与工艺验证，最终实现视觉语言与结构功能的统一，把这种前瞻的理念变成了现实。希望大家喜欢。”

Installation Fabrication: JIN ARTS_Jin Xiao

“The greatest impression our team had during the implementation of the Circularity Handbook was: ‘One dares to imagine, the other dares to do!’ When Mr. Wang proposed the concept of circularity and zero-waste, I immediately resonated with it and felt honored to participate in such a meaningful project. The process was not without challenges. For example, to achieve the design language of ‘lightness and strength coexisting,’ we needed to make the thin paper naturally adhere to the rigid aluminum structure beneath. Also, we had to ensure the 5.2-meter-tall, 790kg main structure could dynamically open and close. After multiple material tests and craft validations, our team finally unified visual language and structural function, turning this forward-looking idea into reality. We hope everyone enjoys it.”

手册平面：typo_d_马仕睿

“在和王子耕老师及团队的不断沟通中我逐渐意识到《循环手册》的实体书需要以一种明确的具有中国东方文明的姿态来展现由西语编排的内容。我们通过将最正常的西文旋转90度，从而让翻阅以中国古典竖排的、左开右翻的书籍形式展开，从而回应了设计的诉求。”

Graphic Design: typo_d_Shirui Ma

“Through ongoing communication with Mr. Wang Zigeng and the team, I gradually realized that the physical book of the Circularity Handbook should be presented with a clear embodiment of Chinese Eastern civilization, even though the content is arranged in Western languages. We rotated standard Western text 90 degrees so that the book unfolds in the form of traditional Chinese vertical layout, opened from left to right, thereby responding to the design intent.”

装置结构：和作结构_张准

“与折纸不同，结构设计面临的主要问题是装置的折板厚度不可忽略，而且折叠后需要空腔来容纳二级结构(景片)，另外还需避免二级结构在展开过程中相互干涉。因此以折纸书为基础，需要对板块边界的线性铰进行特殊设计，并重新规划二级结构展开方式，这和卫星帆板的折叠设计更为接近。低成本、模块化拆装、快速搭建也是结构设计的一部分。设计中除了工业成品还尽量利用机加工方式提高精度。体系规划完成后再对结构展开过程进行数值分析模拟，并以最简单的单自由度方式实现整体开合，降低机构复杂度。”

Structural Design: AND Office_Zhun Zhang

“Unlike origami, structural design faces the challenge that the thickness of the folded panels is not negligible, and space must be reserved to house secondary structures (visual scenes) after folding. Moreover, the secondary structures must not interfere with each other during unfolding. Based on the pop-up book concept, we had to specially design the linear hinges at the edges of the panels and re-plan the unfolding method of the secondary structures—a process more similar to satellite panel deployment. Low cost, modular assembly, and fast setup were also essential structural goals. Besides industrial components, we used CNC machining to improve precision. After planning the system, we simulated the unfolding process through numerical analysis and achieved overall mobility with the simplest single-degree-of-freedom mechanism, reducing mechanical complexity.”

动态投影：某集体_费俊

“《循环手册》从当代视角出发，表达了基于‘循环’的可持续发展理念。我的团队主要负责其中的多媒体互动内容。这一部分与主装置呼应，旨在引导观众自发探索‘循环’路径，为观众打造跨媒介的艺术体验，激发其对材料、空间与可持续性关系的思考和行动。通过从实体装置到手工纸本，再到动态影像的跨媒介合作，项目构建起一个关于资源循环的叙事场域，培养公众对环境保护的深层认知与行动自觉。”

Interactive Projection: MOUJITI_Jun Fei

“The Circularity Handbook expresses the idea of sustainability based on ‘circularity’ from a contemporary perspective. Our team was mainly responsible for the multimedia interaction. This part echoes the main installation, guiding audiences to explore circular pathways and creating a cross - media artistic experience. It encourages reflection and action regarding the relationships among materials, space, and sustainability. From the physical installation to the handmade book to dynamic projection, the project builds a narrative field about resource circulation, cultivating deeper public awareness and proactive environmental engagement.”

纹样设计：崔小清

“接到《循环手册》任务的时候是大年廿八，也是第一个在除夕夜里在创作的项目。开始看到文字描述的内容时感觉工作量巨大，担心时间来不及，实际推进中发现不光工作量大还涉及很多结构折叠的问题，所幸在大家的共同努力下实现了这件了不起的作品。”

Pattern Design: Xiaoqing Cui

“When I received the Circularity Handbook project, it was Chinese New Year’s Eve. It became the first project I ever worked on during the New Year’s holiday. At first, reading the text descriptions made me worried the workload would be overwhelming. In reality, it involved not just a large amount of work, but also complex structural folding challenges. Thanks to everyone’s effort, we realized this remarkable work.”

纹样设计：唐征维

“长久以来西方都习惯了用他们的视角解释世界历史，似乎是习以为常的事情。这次威尼斯双年展是一次机会以中国文化的视角从宏观的角度展开了人类循环发展的历史图景。《循环手册》正是饱含着东方的智慧与哲学，向世界展示了中国文化深厚的逻辑与传统，以及思辨与先锋。”

Pattern Design: Zhengwei Tang

“For a long time, the West has been accustomed to explaining world history from its own perspective—something we’ve come to take for granted. This year’s Venice Biennale offered an opportunity to unfold a panoramic view of human circular development from a Chinese cultural lens. The Circularity Handbook embodies Eastern wisdom and philosophy, showcasing the profound logic, tradition, critical thinking, and avant - garde spirit of Chinese culture to the world.”

材料顾问：融设计图书馆_张雷

“作为传统手工艺材料的研究者，融设计图书馆团队受王子耕老师的邀请，成为《循环手册》装置的材料顾问。装置的概念起源于一本打开的立体书，因此中国传统造纸工艺被锁定为最重要的表面材料。造纸术之所以伟大，因为其就地取材和物尽其用的两大智慧，也是可持续设计在传统造物实践中的体现。传统的自然材料和轻型的工业铝材出现在《循环手册》艺术装置中，也映射了农耕与工业文明的碰撞。”

Material Consultant: Rong Design Library_Lei Zhang

“As researchers of traditional craft materials, our team at Rong Design Library was invited by Mr. Wang Zigeng to act as material consultants for the Circularity Handbook installation. The concept originated from an opened pop-up book, so traditional Chinese papermaking was chosen as the most crucial surface material. The greatness of papermaking lies in its wisdom of local sourcing and full material utilization—both key tenets of sustainable design in traditional practices. The coexistence of natural traditional materials and lightweight industrial aluminum in the installation also reflects the encounter between agrarian and industrial civilizations.”

灯光设计：HdA_田欢，胡燕凯

“从构思到落地，装置灯光始终伴随着‘不确定性’——结构可变、材质未知、安装受限。但正是这些限制，让光的介入更具张力。我们不断权衡，最终以最克制的方式让装置‘发光’。从一开始，它就不仅仅是被照亮的物体，而是希望它自己变成‘一盏灯’。当它真正亮起的那一刻，‘循环’理念通过光的层层递进转化为可感知的节奏与秩序，呈现东方美学在当代表达中的自然生长，也回应了我们对‘光’与‘结构’关系的全部想象。”

Lighting Design: HdA_Huan Tian, Yankai Hu

“From conception to completion, the lighting design was always accompanied by ‘uncertainty’—variable structure, unknown materials, limited installation. But it was precisely these constraints that gave the light more tension. After constant weighing, we ultimately used the most restrained method to let the installation ‘glow.’ From the beginning, it was never just an object to be lit; we wanted it to become ‘a light’ itself. When it finally lit up, the concept of ‘circularity’ was transformed into a perceivable rhythm and order through layers of illumination, presenting the natural growth of Eastern aesthetics in contemporary expression and fulfilling our vision of the relationship between ‘light’ and ‘structure.’

《循环手册》及其空间装置共同构成一个完整的叙事，以此回应本届双年展对“系统性转型”与“知识共享”的呼吁，探索循环展览的可能路径与范式。

The Circularity Handbook and its spatial installation together form a cohesive narrative, responding to the Biennale’s call for “systemic transformation” and “knowledge sharing.” Through this, the project explores possible pathways and paradigms for circular exhibitions.

▼现场搭建过程照片，Construction Progress©Pills Architects

项目名称：循环手册（Circularity Handbook）

召集人、主持设计师：王子耕

项目负责人：沐璨琦

商务统筹：袁文娟

展期：2025年5月10日至2025年11月23日

地点：威尼斯双年展军械库展区（Arsenale）

循环手册

研究编写：PILLS 王子耕，沐璨琦，周贤铭，袁婧，易于歆

内容贡献：威尼斯建筑大学 Valeria Tatano, Massimiliano Condotta, Martina Bortolotti, Chiara Scanagatta, Elisa Zatta

书籍设计：typo_d 马仕睿，臧立平，鲁忠泽，金绣辰

循环装置

装置设计：PILLS 王子耕，沐璨琦，任宇晴

装置制作：肖进艺术 肖进，朱娴，吕爽，王志峰，宋晓雯，陈楠，崔晓艳，孙文玉，吕亚乾，吕少卜，郭继明，蔡玲莉，陈启超，李琳，陈刚，王玉辉，冯建壮，吕帅，陈竣宏，邹家平，阳鹏昌，郝世光

纹样设计：崔小清，唐征维

结构设计：和作结构建筑研究所 张准

多媒体交互设计：某集体ART+TECH 费俊，刘思涵，邵美琦，王子昭

灯光设计：HdA汉都灯光设计 田欢，胡燕凯，贾鑫，林汝枫 ，陈忠卿

材料顾问：融设计图书馆 张雷，Christoph John, Jovana Zhang，卢靖毅，王幸泽

现场搭建：We Exhibit S.r.l. Lili Xu，Nicolas D’Oronzio，Laura Valentino，Elena Pagliaricci， Grazia Sechi，Olympia Simpopoulou

运输：上海特锐艺术展览服务股份有限公司 张润，陈铮子，高洁

赞助（按音序）

东鹏新材，华彩光电，上海芯龙，深圳市十分阳光新能源有限公司，万科公益基金会，肖进艺术，雅昌文化（集团）有限公司

顾问

谢晓慧，刘学颂，徐宁，雷雨霫，莫万丽，翁佳

特别感谢

齐燕，魏杰, 钱华，曹丹, 尤洋，管睿，Lili Xu，Lisa Li，张桂贤

Project Title: Circularity Handbook

Coordinator & Principal Designer: Zigeng Wang

Project Manager: Canqi Mu

Business Coordinator: Silvia Yuan

Exhibition Period: May 10 – November 23, 2025

Venue: Arsenale, Biennale Architettura 2025, Venice

Circularity Handbook

Research & Writing: PILLS / Zigeng Wang, Canqi Mu, Xianming Zhou, Jing Yuan, Yuxin Yi

Content Contributors: Università Iuav di Venezia / Valeria Tatano, Massimiliano Condotta, Martina Bortolotti, Chiara Scanagatta, Elisa Zatta

Book Design: typo_d / Shirui Ma, Liping Zang, Zhongze Lu, Xiuchen Jin

Circularity Installation

Installation Design: PILLS / Zigeng Wang, Canqi Mu, Yuqing Ren

Installation Production: JIN Arts / Jin Xiao, Xian Zhu, Shuang Lü, Zhifeng Wang, Xiaowen Song, Nan Chen, Xiaoyan Cui, Wenyu Sun, Yaqian Lü, Shaobo Lü, Jiming Guo, Lingli Cai, Qichao Chen, Lin Li, Gang Chen, Yuhui Wang, Jianzhuang Feng, Shuai Lü, Junhong Chen, Jiaping Zou, Pengchang Yang, Shiguang Hao

Pattern Design: Xiaoqing Cui, Zhengwei Tang

Structural Design: Archi-Neering-Design (AND Office) / Zhun Zhang

Interactive Multimedia Design: MOUJITI ART+TECH / Jun Fei, Sihan Liu, Meiqi Shao, Zizhao Wang

Lighting Design: HDA Shenzhen Handu Lighting Design Consultant Co. / Huan Tian, Yankai Hu, Xin Jia, Rufeng Lin, Zhongqing Chen

Materials Consulting: Róng Design Library / Lei Zhang, Christoph John, Jovana Zhang, Jingyi Lu, Xingze Wang

Construction: We Exhibit S.r.l. / Lili Xu, Nicolas D’Oronzio, Laura Valentino, Elena Pagliaricci, Grazia Sechi, Olympia Simpopoulou

Transportation: Trojans Art Services Co., Ltd / Run Zhang, Zhenzi Chen, Jie Gao

Supporters (listed in alphabetical order)

Artron Art Group, COLORS, Guangdong Dongpeng Holdings Co., Ltd, JIN ARTS, SHIEHUR, SHYLON Optoelectronic Technology, Trojan Art Services Co., Ltd, LTD, Vanke Foundation

Advisors

Xiaohui Xie, Xuesong Liu, Ning Xu, Yuxi Lei, Wanli Mo, Jia Weng

Acknowledgements

Yan Qi, Jie Wei, Hua Qian, Dan Cao, Yang You, Rui Guan, Lili Xu, Lisa Li, Kam Zhang