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戏构木屋工作室丨中国北京丨戏构建筑空间设计XIGO STUDIO

2025/07/09 12:35:20

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“戏构建筑空间设计”北京工作室位于朝阳区广渠路菁英梦谷产业园内部的一个公共楼梯间，在场地之初本是物业的仓库，在接手之前为一家奶茶店，原始格局为长条形，北向的采光。其场地位置在整个园区的入口处，有较大面积的立面和外摆区域，而室内却只有区区20㎡。周边相邻一个巨大的白色异形建筑，我们对其特有的场地环境所吸引，决定把它改造成为一家富有特点的工作室。

“XIGO STUDIO®” Architectural & Space Design Firm is located in the Elite Dream Valley Industrial Park on Guangqu Road, Chaoyang District, Beijing. The chosen site—a public stairwell within the park—was formerly a property warehouse and later repurposed as a milk tea shop prior to our acquisition. Characterized by a narrow, elongated layout with north-facing illumination, the space sits at the entrance of the entire park, boasting an expansive facade and outdoor seating area, while its interior spans a modest 20 square meters. Adjacent to a massive white heteromorphic structure, the site’s distinctive environmental qualities captivated us, prompting the decision to transform it into a one-of-a-kind studio.

▼项目外观，exterior of the project©立明

一家建筑空间设计工作室应该什么样？既然叫“戏构”它总归不该过于严肃。在设计定位上我们希望赋予它更多的生活感和趣味性。建筑从人类诞生的那一天起就伴随了人类发展进程，“小木屋”就是最早的住宅建筑原型，它传承了人类的记忆和情感。在楼梯下造一个“木房子”这与工作室所实践的住宅项目类型尤为契合，造房子就是造一个小世界，我们希望创造一个属于戏构设计的独特的小天地，将这个小平米的楼梯间，打造一个全新的拥有更多可能性的“家”。

▼叙事轴测图，narrative axonometric©戏构建筑空间设计

What should XIGO, an architectural space design studio, look like? Since its core philosophy is “戏构 (Xìgòu)”—translated as “Playful Structure”—it shouldn’t lean into stern formality. In terms of design positioning, we aim to infuse it with a stronger sense of life and playful spirit.

Architecture has accompanied human development since the dawn of our existence. The “log cabin,” as the earliest prototype of residential architecture, carries within it humanity’s shared memories and emotions. Building a “wooden house” beneath the stairs feels like a natural echo of the residential projects XIGO undertakes: constructing a home is, in essence, creating a small world.

We aspire to craft a unique little world belonging to XIGO, transforming this humble stairwell into a brand-new “home” brimming with possibilities—one that embodies the essence of “戏构 (Playful Structure)” in every detail.

▼楼梯下的木房子，building a “wooden house” beneath the stairs©立明

楼梯下的店铺

Shop Nestled Under the Stairs

工作室通常定义为办公场所，冷峻和明亮是固有印象。在一个产业园区内仅20㎡的楼梯间，它既不像写字楼中明亮开阔的办公空间，又不是人流密集对外的商铺。无论选办公还是开店面从传统选址角度讲，这个场地都很难说是一个优选空间。

▼空间分析图，spatial analysis©戏构建筑空间设计

A studio is typically defined as an office space, with inherent impressions of being cold and bright. In an industrial park, a 20-square-meter stairwell is neither like the bright and open office space in a commercial building nor a shop facing dense crowds. From the perspective of traditional site selection, whether for an office or a storefront, this site can hardly be said to be an optimal space.

▼楼梯下的木房子，building a “wooden house” beneath the stairs©立明

然而室内设计业态有其特殊性，选址既要考虑到客户的接待以及对外的展陈引流，同时也要考虑到一定的私密和办公属性，所以在一个相对小范围客流的产业园内打造一个够独特个性的店铺空间，对于纯设计类工作室的定位又恰到好处。

However, the interior design industry has its particularities. Site selection needs to consider both client reception and external exhibition for attracting traffic, as well as a certain degree of privacy and office functionality. Therefore, creating a uniquely personalized store space in an industrial park with relatively low passenger flow is just right for the positioning of a pure design studio.

▼重构原始的楼梯间场地，reconstructed the original stairwell site©立明

戏构将原始的楼梯间场地进行重构，因为有考虑到周边建筑环境的表皮和颜色特征，以黑色碳化木和白色砂岩漆区分为两个半区，黑色区域夹在了两个白色建筑体量之下，形成足够明显的入口立面，便于客流引导。

XIGO STUDIO has reconstructed the original stairwell site. Taking into account the skin and color characteristics of the surrounding architectural environment, the space is divided into two half-zones with black carbonized wood and white sandstone paint. The black area is sandwiched under two white building volumes, forming a sufficiently distinct entrance facade to facilitate passenger flow guidance.

▼黑色碳化木和白色砂岩漆区分为两个半区，the space is divided into two half-zones with black carbonized wood and white sandstone paint©立明

入口及立面特征

Entrance and Facade Features

入口设计在黑与白色区域交汇区域，通过凹型洞口的形式，给予立面更多的立体感和展示区，增加人们的窥视欲。凹型本身带有一定的向内延伸感，将天地之气吸纳其中，模糊室内外之间的区域边界。

The entrance is positioned at the juncture of the black and white areas, featuring a concave-shaped opening that enhances the facade’s three-dimensionality and creates a display zone, arousing people’s curiosity to peek inside. The concave form inherently implies an inward extension, metaphorically “absorbing the energy of heaven and earth,” which blurs the boundary between indoor and outdoor spaces.

▼入口区域，entrance area©立明

入口带有灰空间属性，是通过三扇门形成交通叙事的，任何一扇门的开启或封闭都意味着一种空间模式。闭店模式可以将卷帘门关闭，人在其中的办公模式可以将两扇房间门打通，形成完整的室内空间。

The entrance features the attribute of grey space, forming a traffic narrative through three doors. The opening or closing of any door implies a spatial mode. In the closed mode, the roller shutter door can be closed; in the office mode, the two room doors can be opened to form a complete indoor space.

▼给予立面更多的立体感和展示区，enhances the facade’s three-dimensionality and creates a display zone©立明

转角处用弧形以呼应对面场地和街道，给予友好的动线体验，同时也将场地红线进行部分退让。通过花池、座椅、橱窗等元素形成过渡空间，让内与外有所隔离，这些设计给予了人们回应这个建筑的更多可能，让驻足、拍照，互动体验等成为常态。

The corner is designed with an arc to echo the opposite site and street, providing a friendly traffic flow experience while partially retreating from the site red line. Transitional spaces are formed through elements such as flower beds, seats, and display windows, creating a buffer between the interior and exterior. These designs offer more possibilities for people to interact with the building, making it a common scene for stopping, taking photos, and engaging in interactive experiences.

▼转角处用弧形以呼应对面场地和街道，the corner is designed with an arc to echo the opposite site and street©立明

▼转角处用弧形以呼应对面场地和街道，the corner is designed with an arc to echo the opposite site and street©立明

弧形界面与楼梯结构柱脱离，下半部分花池又与结构黏合，借助场地之力，有一种结构向上的托举感，浑然一体，形成有呼吸感的建筑景观。玻璃考虑到室内的保温，也采用一体成型的双层中空玻璃，更加考验了工艺的难度，也增加了建筑的未来科幻感。

The arc-shaped interface is detached from the staircase structural columns, while the lower flower bed is integrated with the structure. By leveraging the spatial forces of the site, this design creates a sense of structural uplift that forms a seamless whole, shaping an architectural landscape with a “breathing” quality. For thermal insulation, the glass panels adopt integrated double-layer hollow glass. This not only poses challenges to the craftsmanship but also enhances the building’s futuristic sci-fi aesthetic through the sleek, seamless appearance of the glass.

▼弧形界面，the arc-shaped interface©立明

▼采用一体成型的双层中空玻璃，the glass panels adopt integrated double-layer hollow glass©立明

木屋的内外营造 Interior and Exterior Construction of a Wooden House

立面使用老榆木板，将黑色与白色、正面与侧面等不同区域角度进行串联，形成很强的贯通感和一体性。为了增加界面的丰富和室内采光，也开了各式各样的洞口，有长窗、有竖窗、有方窗，将这些通过榆木材质做成窗框赋予了橱窗展陈功能。榆木也可以做水吧台面，将店铺提升窗打开后，木材质将内外连通，并且台面的下方也增加了展陈区，让界面充满活力。

The facade uses old elm planks to connect different areas and angles, such as black and white zones, front and side surfaces, creating a strong sense of continuity and integrity. To enrich the interface and enhance indoor lighting, various openings are designed, including long windows, vertical windows, and square windows. These are framed with elm wood to serve as display windows for exhibition purposes. Elm wood is also applied to the bar countertop. When the store’s lift window is opened, the wooden material connects the interior and exterior spaces, while the area under the countertop is added as an exhibition zone, infusing the interface with vitality.

▼立面各式各样的洞口，various openings are designed©立明

室内也贯彻了小木屋的概念元素，作为接待和汇报使用，电视通过构建可任意转动，下方嵌入壁炉，温馨的火光让人们松弛下来，搭配墙面的稻草艺术漆古朴自然。内部的地面和顶面采用年轮木板拼接而成，在代表理性和模数的规整木板内却隐藏着自然且随机的曲线年轮纹理，这与场地形态和“戏构”的双重哲学极为契合。即“在理性中寻找诗意，在幻想中回归现实”。

The interior continues the conceptual elements of a log cabin, serving as a reception and presentation area. The TV is mounted on a rotating structure, while a fireplace is embedded below, where the warm glow of the fire helps people relax. The walls are finished with straw-textured art paint, exuding a rustic and natural charm.The floor and ceiling are paved with annual ring wood planks. Within the regular grid of rational, modular planks lie natural and random curvilinear annual ring patterns, perfectly echoing the dual philosophy of the site’s form and “Playful Structure”—”seeking poetry in rationality and returning to reality in fantasy.”

▼室内同样贯彻小木屋的概念，the interior continues the conceptual elements of a log cabin©立明

办公区域与小木屋形成鲜明对比，一边代表诗意而另一边就代表理性。其内部干净明亮，白色空间尽显纯净。电脑屏悬置于长窗下，在工作之余抬头便能看到蓝天和绿树。长条窗的高度控制在了头顶部，在增加采光同时也有一定的视线遮挡。

The office area forms a stark contrast with the log cabin—while one represents poetry, the other embodies rationality. Its interior is clean and bright, with white spaces exuding purity. Computer screens are suspended beneath long windows, allowing employees to look up and see the blue sky and green trees during breaks. The height of the long windows is designed to align with the top of the head, balancing natural light with visual privacy.

▼办公区域，the office area ©立明

▼从室内看向室外，view from indoors to outdoors©立明

向外的展陈 Outward-Facing Exhibition Design

小木屋的立面下部特意设置了较为低矮的橱窗展陈，在延伸出来的座椅内部。其高度设定的目的正是为了让人们蹲下观看和驻足，并且设置了不同高度的座椅尺度，正面为座，侧面为靠。不同高度的榆木坐台又与花池之间形成三种不同的积木搭接关系，立面丰富多变。

The lower part of the log cabin’s facade is specially designed with low-set display windows integrated into extended seating structures. Their height is tailored to encourage people to crouch down for viewing or pause to appreciate, while the seating features varying heights—with the front side serving as seats and the side as backrests. The elm platforms of different heights form three types of modular 搭接 (interlocking) relationships with flower beds, enriching the facade with dynamic layers.

▼向外的展陈，outward-facing exhibition design©立明

▼座椅与展陈区域相结合，Integration of seating and display areas©立明

橱窗内部作为存放方案模型与一些有意思的场景展示。我们将它定义为叙事性空间画卷，并以泡泡玛特的系列玩偶放置场景内部当比例人，营造娃屋的即视感。

The interior of the display windows serves as a showcase for design models and intriguing scene installations, defined as a “narrative spatial 画卷 (scroll)” that incorporates Pop Mart series dolls as scale figures. These dolls are arranged within the scenes to evoke the immersive atmosphere of a “dollhouse,” blurring the line between architectural display and playful storytelling.

▼营造娃屋的即视感，evoke the immersive atmosphere of a “dollhouse,”©立明

▼营造娃屋的即视感，evoke the immersive atmosphere of a “dollhouse,”©立明

右侧的另一卷展示了收藏的乐高大师建筑系列模型，以乐高小人作为场景展示。入口的展示墙，以结合杂志、奖杯、展板和工作模型作为日常陈列，结合工作内容实时更新。

The right-side display showcases a collection of Lego Architecture Series models presented with Lego minifigures for scene display, while the entrance display wall combines magazines, trophies, exhibition panels and work models for daily display, which is updated in real time according to work contents.

向外延伸的外摆区可以为园区人员提供日常聊天休憩的公共场所，并将花池也视作为展陈的一部分。天气好的时候洽谈便可移步至户外，让花花草草环绕其中。也可适时举办展览市集等活动，将室外部分充分利用。

The outward-extending outdoor seating area can serve as a public space for park personnel to chat and rest daily, with flower beds also regarded as part of the exhibition. When the weather is fine, negotiations can be moved outdoors, surrounded by flowers and plants. Activities such as exhibition fairs can also be held in a timely manner to make full use of the outdoor area.