《刺青:皮肤上的故事》展陈设计

展览《Tattoo Off》由Massimiliano Maxx Testa策展，与同期举办的《刺青：皮肤上的故事》相呼应，展出了六位极具影响力的国际刺青艺术家的一些代表作品。这些艺术家是多种新风格的先驱者，涵盖超写实风、装饰风、绘画风、黑灰风格以及Trash Polka风格。

The exhibition “Tattoo Off”, curated by Massimiliano Maxx Testa, at the same time as the exhibition “Tattoo. Stories on the skin”, presents some masterpieces by six of the most significant and highly regarded international tattoo artists, precursors of new styles: hyper-realistic, ornamental, pictorial, Black&Grey and Trash Polka.

▼入口，entrance ©Alessandra Bello

▼展览概览，overview of the exhibition ©Alessandra Bello

▼介于幻想与工业之间的氛围，a setting halfway between visionary and industrial ©Alessandra Bello

▼霓虹灯划定时间节奏，neon lights mark time ©Alessandra Bello

M9博物馆的顶层因此被划分为两个区域，用以容纳这两个展览。一个长达30米、高达5米的帷幕横贯空间，帷幕上饰有锦缎图案，这些图案由传统刺青风格中的经典图像拼接而成，起到分隔与联结两个展览空间的双重作用。

▼平面图，plan © 120 Grammi laboratorio di architettura

The top floor of M9 has therefore been divided into two areas to make room for both exhibitions. A drape over 30m long and 5m high decorated with brocade patterns, obtained by assembling iconic figures of the most traditional tattoo styles, separates and unites the two spaces.

▼帷幕作为空间的隔断，drape divided the space ©Alessandra Bello

同样的锦缎图案也作为展陈基础，用以呈现刺青照片，并采用传统展览的方式装裱陈列。

▼由传统刺青风格中的经典图像拼接而成，

assembling iconic figures of the most traditional tattoo styles © 120 Grammi laboratorio di architettura

The same brocade becomes the basis for setting up the photos of the tattoos, framed as in more traditional exhibitions.

▼同样的锦缎图案也作为展陈基础，the same brocade becomes the basis for setting ©Alessandra Bello

▼探索刺青的广阔世界，explore the vast world of tattooing ©Alessandra Bello

展览《刺青：皮肤上的故事》由Luca Beatrice与Alessandra Castellani共同策展，从人类学、历史、艺术和社会视角出发，探索刺青的广阔世界。

The exhibition “Tattoo. Stories on the skin”, curated by Luca Beatrice and Alessandra Castellani, explores the universe of tattoos from an anthropological, historical, artistic and social point of view.

▼探索刺青的广阔世界，explore the vast world of tattooing ©Alessandra Bello

▼细部，detail ©Giovanni Roveran

▼细部，detail ©Giovanni Roveran

整个三楼被转化为一个地下施工现场般的空间，营造出一种介于幻想与工业之间的氛围。展览通过一层帷幕引领观众进入作品悬挂其中的展区，霓虹灯划定时间节奏，随处可见的浴室镜子则让观众成为展览的主角。

The exhibition transforms the third floor into a sort of underground construction site, a setting halfway between visionary and industrial. A curtain opens the scene to a space in which the works are suspended, where neon lights mark time and bathroom mirrors, hanging everywhere, make the visitor the protagonist of the exhibition.

▼细部，detail ©Giovanni Roveran

▼平面图及立面图，plan & elevation ©120 Grammi laboratorio di architettura

▼平面图，plan ©120 Grammi laboratorio di architettura

▼局部立面图，partial elevation ©120 Grammi laboratorio di architettura

Client: Fondazione M9, Museo del ‘900

Exhibition design: 120 Grammi laboratorio di architettura

Group of work: Carlo Pavan, Nicola Pavan, Giorgia Soini, Giorgio Trivellin

Curators: Luca Beatrice, Alessandra Castellani; in collaboration with Luisa Gnecchi Ruscone and Jurate Piacenti

General coordination: Giuseppe Saccà, Elena Cadamuro, Elena Dekic

Comunication: Silvia Pellizzeri, Marta Pettinau

Photo: Alessandra Bello, Giovanni Roveran