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无意间（MOMENTS IN WIND）丨中国景德镇丨圆末

2025/09/08 21:22:48

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模块化的山水园林

A Modular Landscape Garden

無意間分为“無空间”、“意空间”和两者的连接“間”。“無空间”和“意空间”一相对私密，一通透开放，加上庭园式的“間”，流畅贯通而各彰其能。空间内部通过高矮、大小不一的模块化的区隔，形成如园林般的参差错落，虚实相映，以求在有限的空间内得曲折尽致的无尽意。

Wu Yi Jian is composed of the “Wu Space,” the “Yi Space,” and the connecting “Jian.” The Wu Space is relatively private, while the Yi Space is open and transparent. The garden-like Jian fluidly links the two, allowing each to express its own character. Within the interior, modular partitions of varying heights and sizes create a layered composition reminiscent of a traditional Chinese garden—where the interplay of solid and void brings out infinite interest within a finite space.

▼空间概览，Overall view© 王宸阳

無 · 无意之意

WU · The Meaning in the Unintended

“無空间”的职能以展览为主，多设置展台与展墙，一面封闭以构成展览气场的营造，一面对山景树林的渐次引入，或全或半，或高或低，是内与外、人与自然的对话。用一池水倒映窗外三宝蓬绝美的风景，与秋天的落叶形成虚与实的叙事。

▼轴测图，axo© 圆末设计

The Wu Space functions primarily as an exhibition area, featuring display stands and walls. One side is enclosed to create an immersive exhibition atmosphere, while the other gradually opens toward the surrounding mountains and trees—sometimes fully, sometimes partially, sometimes high, sometimes low—becoming a dialogue between interior and exterior, between humanity and nature. A pool of water reflects the breathtaking scenery of Sanbaopeng outside the window, weaving a narrative of reality and illusion with the falling autumn leaves.

▼入口处，Entrance© 王宸阳

▼看向室外景色，Looking outside© 王宸阳

▼虚与实的叙事，Narrative of fiction and reality © 王宸阳

私密的茶室在心理上的他处，是主空间之外的远地，想象的异域，是一个三两步可以逃离世俗的地方，是“在家的出家”。

The secluded tearoom is, in the mind, an “elsewhere”—a distant, imagined land beyond the main space. It is a place where, in just a few steps, one can escape worldly concerns; a retreat at home.

▼私密的茶室，The secluded tearoom © 王宸阳

意 · 通透而灵动

YI · Transparency and Fluidity

“意空间”兼顾展览展示、提供吧台饮品小食、课程活动等功能，所以这里设计得更为开阔和通透。它更像一个可居可游的流动空间，在看似一览无余里蕴含的是丰富和灵动。

The Yi Space integrates exhibition and display functions with a bar serving drinks and light snacks, as well as spaces for workshops and events. Designed to be more open and transparent, it is a flowing space for both dwelling and wandering—appearing fully visible at first glance, yet layered with richness and vitality.

▼吧台处，Bar area© 王宸阳

間 · 一方庭院

JIAN · A Courtyard Between

黑川雅之曾在《日本的八个审美意识》里写到间：“间是由‘气’创造的空间，充满的丰沛的能量。”设于两个空间之间的庭院似乎创造了另一种气韵流动。

Masayuki Kurokawa wrote in The Eight Aesthetic Senses of Japan: “Jian is a space created by ‘qi,’ filled with abundant energy.” The courtyard positioned between the two spaces seems to create its own flow of spirit and atmosphere.

▼通向庭院，Leading to the courtyard© 王宸阳

以身体为尺度的艺术与生活

Art and Life Measured by the Body

园林是动静皆宜的隐居之地。《园冶》中说，曲折有度，进退自如。無意間的设计恰恰在兼顾功能之外，打造了以身体为尺度的藏纳空间。在这里，首先能感受到的是松弛，自然，客户来了，可以在茶室讨论方案；朋友来了，可以在山谷溪边喝茶或饮咖啡、酒水；游客来了，可以在虫鸣鸟叫声中自在地行卧坐躺。以身体为尺度，是让空间来服务人，跟随身体的感受，自然地找到它想待的位置。

A garden is a retreat for both movement and stillness. As stated in The Craft of Gardens, “Curves have measure; movement and stillness are at ease.” Beyond meeting functional needs, Wu Yi Jian is crafted as a space that holds and shelters according to the scale of the human body. Here, the first sensations are relaxation and ease: when clients visit, discussions can unfold in the tearoom; when friends arrive, tea, coffee, or wine can be enjoyed by the valley stream; when travelers come, they can walk, recline, or sit at leisure amid birdsong and insect hum. Measuring space by the body means letting it serve people—following the body’s inclinations to naturally find where it wants to be.

▼主要展览空间，Mainexhibition space© 王宸阳

▼松弛的氛围，Relaxed atmosphere © 王宸阳

这里的一切家居陈设，除了是無意間自然风格的作品，还可体验、触摸、感知。艺术不是高高在上或者隔绝于玻璃展柜中，只有融进生活，才能体现艺术的关切与温度。

All furnishings here are not only works in the natural style of Wu Yi Jian, but also objects to be experienced, touched, and felt. Art is not meant to be aloof or sealed away in glass cases; only when it is woven into daily life can it convey genuine care and warmth.

▼展览空间细部，Exhibition space details © 王宸阳

空间的自然生长

The Natural Growth of Space

“一切伟大的艺术，都不会只是呈现自己单方面的生命。它们为观看者存在。”無意間承载的，是如水般流动的内容，而它的参与者，除了我们，除了观者，还有近树远山，日升月落，四季分明，甚至每一处微小的器物、植物。落成只是第一步，剩下的，是自然而然的缓慢生长。

“All great art never exists solely for itself. It exists for those who behold it.” What Wu Yi Jian carries is content that flows like water, and its participants include not only us and its visitors, but also the nearby trees, distant mountains, the rising and setting of the sun, the cycle of seasons, and even the smallest objects and plants. Completion is only the first step; what follows is the slow, natural growth that unfolds in its own time.

▼平面图，floor plan© 圆末设计