图形朝圣:JAGDA 2024展 · 为循环而设计丨Napp Studio & Architects

Napp Studio & Architects：本次展览通过借鉴神道教建筑形态构建空间结构，致敬日本平面设计界最具声望的奖项之一。这种设计隐喻象征着参观者”抵达-进入-汇聚”于”图形圣殿”的完整历程。

Napp Studio & Architects：This exhibition celebrates one of the most prestigious awards in the Japanese graphic design profession by creating a spatial configuration inspired by Shinto architecture. This analogy represents the journey of arriving, entering, and gathering within the “temple of graphics.”

▽JAGDA展览以神道建筑形态构筑「图形圣殿」，并通过可循环材料实现设计精神的可持续传递

设计以符合展期与预算的务实方式，将顶级平面展品的视觉美学与精湛木构工艺相融合。

The design harmonises the beauty of top-tier graphic design exhibits with high-quality craftsmanship of wood joinery – in a practical manner suited to the exhibition’s duration and budget.

▽采用裸露的、高品质的传统木构工艺（如榫卯或精确的杆件连接）来搭建主体结构，刻意展现材质与构造的纯粹美感，使展架本身也成为展品，与平面作品达成视觉上的和谐对话

尽管展期仅持续数周，但其影响力可显著延伸。松木杆等材料均采用可循环设计并实现功能转化——展后这些构件将改造成海报架等日常用品继续流通使用；钢结构框架则会被拆卸压缩储存，为未来展览提供可持续利用的资源。

Although the exhibition will run for only a few weeks, its impact can be extended significantly. The materials are repurposed, such as pine wood rods, and designed for reuse. After the exhibition, these will be transformed into everyday products, like poster frames, which can be distributed for continued use. Other materials, such as the steel frame, will be dismantled, stored compactly, and reused for future exhibitions.

▽主体结构大量使用​​标准化松木杆件​​，通过精确的切割与组合，形成具有神道建筑意象的现代几何形态

▽平面图

展览设计：Napp Studio & Architects

设计团队：Aron TSANG, Sean LAM, Tom KAM, Wesley HO, Valdy INDRAWAN

平面适配：Offscreen

施工单位：Hattrick Creative、Screw Up Studio

摄影师：Jimmy HO

展区面积：5000平方英尺

Exhibition Design: Napp Studio & Architects

Design Team: Aron TSANG, Sean LAM, Tom KAM, Wesley HO, Valdy INDRAWAN

Graphic Adaptation: Offscreen

Builder: Hattrick Creative, Screw Up Studio

Photographer: Jimmy HO

Area: 5,000 sq.ft

“ 以神道建筑之形构筑图形圣殿，用循环材料续写设计朝圣之旅。”