丨新西兰

Architects:Haworth Tompkins

Area:3700m²

Year:2025

Photographs:Simon Devitt

Manufacturers:Regupol America,AMF Heradesign,Abodo Wood,Aspect Furniture,Autex Acoustics,Batten & Cradle,Big River Panels,Carboline,Forbo/Marmoleum,Kirwin and Simpson,Mammoth Insulation,Markham Global,Red Stag Timber,Resene,Rooflogic,Sawmill Direct,Symonite,Thermosash

Project Manager:Octa

Main Contractor:Hawkins

Structural Engineering:Ruamoko Solutions

Lighting Design:Cosgroves

Acoustic Engineering:Marshall Day Acoustics

Category:Theater

Design Team:Roger Watts, Steve Tompkins, Toby Johnson, Danny Lane, Nick Royce, Jason Ho

Interior Architect:Cathy Lee, Hollie Norman

Architectural Technician:Elise Walding, Isabelle Thompson, Lottie Vandervis

Architectural Graduate:Georgia Bartley

Architects:Jeffrey Jiang, Martijn van der Tol

Athfield Architects Design Team:Jon Rennie, Matthew Webby, Charles Collins

Client:Christchurch City Council / The Court Theatre

Theatre Consultant:Charcoalblue

Landscape Architect:Botanic Landscape Architects

Facade Engineer:Mott MacDonald

Facade Structural Engineer:BG&E

Quantity Surveyor:AECOM

Planning:Planz

Geotech Engineer:PDP

City:Christchurch

Country:New Zealand

Sustainability — As a long-term partnership between Christchurch City Council and The Court Theatre sustainability was from the outset an underlying driver for the project. The following summarises key aspects of sustainability incorporated into the building's design.

1. Hybrid low-carbon structural system — Engineered timber structural elements have been used extensively where structurally and acoustically appropriate in conjunction with a hybrid precast concrete and steel structural elements. Concrete has been used efficiently in the design to achieve the demanding seismic and acoustic requirements while timber is used for both its carbon sequestering properties, as well as the beauty and warmth it brings to the feel of the building.

2. High performance thermal envelope — In order to minimise heat losses and gains, insulation levels and building air tightness are key strategies to minimise long term energy use. At the time of design, insulation values were in excess of double national building code requirements paired with exposed thermal mass where possible to minimise energy use and moderate internal temperatures.

3. Assisted passive ventilation and cooling — Passively assisted ventilation and cooling has been employed within the foyer and main theatre space. Developed from Haworth Tompkins' UK work, passive ventilation strategies have been adapted to a New Zealand context. Via acoustically attenuated vents and externally expressed chimney, when outdoor temperatures are suitable, the main auditorium benefits from free cooling even during a performance.

4. Air source heat pumps — Electric air source heat pumps are used to provide efficient heating and cooling to the building in conjunction with the passively assisted ventilation and cooling. The building draws on the electricity from New Zealand's extensive renewable hydro generation.

5. Accessibility for all — The building is fully accessible. In particular the auditorium includes wheelchair positions on all levels, level changes are minimised and the building is provided with facilities to maximise access. The palette of materials has been selected with legibility in mind.

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