深圳大悦城项目一层街区情景营造丨中国深圳丨Mur Mur Lab（设计团队:夏慕蓉,李智,曾芮）

城市的风景

Urban Landscape

在赢得深圳大悦城地铁12号线灵芝站风亭改造更新的竞标时，我们对于这个在漫长建造周期中被“一再搁置”的基础设施有着一些更延展的想法。

When we secured the contract for the renovation and revitalization of the Lingzhi Station Ventilation Pavilion on Shenzhen Metro Line 12 for the Shenzhen Joy City project, we began to contemplate more deeply about this infrastructure that had faced “repeated delays” throughout its protracted construction phase.

▼风亭组群鸟瞰，bird ‘s-eye view of ventilation pavilion© WDi

▼从街对面看向风亭，viewfrom across the street © WDi

延伸的思考

Extended Reflections

深圳大悦城位于老宝安25区，承载了老城居民诸多回忆。我们常常发觉，人的记忆有时是不够准确的。只有当人作为一个个体和周遭环境的物质系统相交互的时候，个体涌现的情绪、体验和感受，才是被锚固的日常。城市更新正是在编织一种集体的日常。

Shenzhen Joy City is situated in the old Bao’an District, Zone 25, a place rich with the memories of the area’s long-time residents. We often observe that human memory can be unreliable. It is only through the interaction of an individual with the tangible systems of their environment that the emotions, experiences, and sensations that arise become anchored in the fabric of daily life. Urban renewal, at its heart, is about weaving a collective everyday existence.

▼人视角，human perspective© WDi

在最初的设想中，以风亭这个封闭的基础设施作为锚点，我们创建一个大幅向外延展，更具包容性的开放系统。它可以将展览、活动、市集、都市里一个人独处的树洞空间……都包含在其中。

In our initial vision, we sought to transform the ventilation pavilion—a piece of infrastructure that is inherently closed—into a focal point for creating a more expansive and inclusive open system. This system would incorporate a variety of elements such as exhibitions, events, markets, and quiet spaces akin to a “tree hole” where one could find solitude in the city.

▼下沉入口处，sunken entrance© WDi

但在反复的沟通中，我们逐渐意识到这个有些理想主义的”宏大“设想显得过于激进。我们发现在一个已经被建构的系统中，我们所能做的“就是从中捕捉少许线索，或者重新建立某种平衡”。没有激进的推倒重来或是翻天覆地的变化，“它始终是一个延续的过程“。于是，关于风亭改造更新的讨论，重新回归到它作为一个城市基础设施所应展现的公共姿态的角度。

However, through ongoing discussions, we came to understand that this ambitious and somewhat idealistic “grand” vision was overly radical. We recognized that within an already established system, our role was “to glean a few insights from it or to restore a certain equilibrium.” There was no place for drastic demolition or sweeping changes; “it is, by nature, an ongoing process.” Consequently, the conversation about the renovation and revitalization of the ventilation pavilion shifted back to the question of the public presence it should embody as an urban infrastructure.

▼作为城市基础设施的一部分，as an urban infrastructure© WDi

城市的风景

Urban Landscape

地铁风亭很高，最高处就像一栋三层小楼。因为功能的必要性，它们基本完全封闭，衬在热闹的商业街前，像是留给城市的一组沉默空白。

The metro ventilation pavilion is quite tall, with its apex akin to a three-story building. Due to functional imperatives, they are almost entirely enclosed, standing in front of the bustling commercial street like a series of silent voids left in the cityscape.

▼封闭的表面，enclosed appearance© WDi

我们想：空白正好拿来画画

We considered: voids are ideal for drawing

重新制定的改造策略并不激进：我们梳理了现状风亭的体量，把它们尽量整合起来；再以一幅慕蓉的插画作为主要颜色参考，形成一组抽象的彩色铝板幕墙；最后我们在多组风亭之间增加了一条格栅曲廊，把它们连在一起。

The revised renovation strategy is not radical: we streamlined the existing mass of the ventilation pavilion and integrated them as much as possible. Then, using an illustration by Murong as the primary color reference, we crafted a series of abstract colored aluminum panel facades. Finally, we introduced a grille corridor between the multiple groups of ventilation pavilions, linking them together.

▼格栅曲廊作为连接，grille corridor serves as a connection© WDi

这个设计没有从“空间，结构，行为活动”这些建筑学本体的核心问题出发，而是把一幅彩色画直接作为一个“符号性”的解决思路。虽然有些冒险，但在这个混杂的老城既存环境中，这个“极简符号”的介入会为场地赋予巨大的直观的视觉能量。

This design does not originate from the fundamental architectural concerns of “space, structure, and behavioral activities,” but rather employs a colored painting as a direct “symbolic” approach. While somewhat daring, in the eclectic existing environment of the old town, the introduction of this “minimalist symbol” will infuse the site with significant immediate visual impact.

▼作为“极简符号”介入场地，as a “minimalist symbol”© WDi

在反复推敲中，铝板的色彩组合是我们特别关注的。先从电脑端模拟不同色块、色彩搭配的效果；而后研究单元铝板的构造做法。再到打样阶段，通过打印1：1彩色卡纸和实物样板比对的方式，完成色彩的校准。完成后立面的风景如晚霞。

During our deliberations, the color composition of the aluminum panels was a key area of focus. We began by simulating the effects of different color blocks and combinations on the computer; then we examined the construction techniques for the unit aluminum panels. In the prototyping stage, we calibrated the colors by comparing 1:1 color paper prints with physical samples. The completed facade evokes the image of a sunset glow.

▼铝板的色彩组合，the color composition of the aluminum panels© WDi

城市更新的一个特点是，它的周期总是相对漫长。当把一些事情消散、溶解到一个更长时间维度去看的时候，人是否可以变得更有耐心？

A defining feature of urban renewal is its typically lengthy cycle. When we dissolve and dissipate certain elements into a longer time frame, can people become more patient?

▼夜览，night view©WDi

▼总平面图，site plan©Mur Mur Lab

▼立面图，elevation ©Mur Mur Lab

▼轴测体块，axonometricmassing ©Mur Mur Lab

项目名称：深圳大悦城项目一层街区情景营造

委托方：中粮地产发展（深圳）有限公司

委托方管理团队：设计：冯霞，肖根明，吴梁丹，工程：毛启中

设计团队：夏慕蓉，李智，曾芮

结构顾问：许鸿盛

照明顾问：ELA寻光（降昭龙，王闯）

幕墙顾问：上海力扬幕墙设计（高雨山，陈鑫阳）

面积：约2400㎡

摄影：WDi

Project Name: Shenzhen Joy City ground floor re-build

Client: Zhongliang real estate（shenzhen）Co., Ltd.

Party A team: Design：Feng Xia, Xiao Genming, Wu liangdan, Construction: Mao Qizhong

Design Team: Xia Murong, Li Zhi, Zeng Rui

Structural Design: XU Hongsheng

Lighting design: ElA-Jiang Zhaolong，Wang Chuang

Curtain wall design: Shanghai Liyang Co., Ltd.-Gao Yushan, Chen Xinyang

Area：2400㎡

Photography：WDi