Plaj住宅丨葡萄牙丨extrastudio

2025/10/30 10:36:20

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本项目业主在葡萄牙旅行时，无意间发现了一块待售的小地块，临海而居，靠近一个位于里斯本以北约一小时车程的小村庄。洛里尼亚（Lourinhã）以葡萄牙的水果生产中心而闻名，同时邻近埃里塞拉（Ericeira）与佩尼谢（Peniche）——世界上最著名的两处冲浪胜地。

Our clients were on a trip through Portugal when they stumbled upon a small piece of land for sale by the sea, close to a village situated about one hour north of Lisbon. Lourinhã is known as the country’s center for fruit production, and for its proximity to Ericeira and Peniche, two of the world’s best surfing spots.

▼项目全貌，Overall view© Clemens Poloczek

▼建筑近景，Close view© Clemens Poloczek

这块地是一条陡峭而狭长的土地带，位于乡间的腹地，距离海滩仅五分钟步行路程，可俯瞰大海、山谷以及远处的村庄全景。洛里尼亚从来都不是富裕地区；当地的建筑朴素而简洁，自然地融入了景观之中——这种与土地的和谐关系，在近几十年的建筑中似乎被遗忘了。▼项目模型，model©extrastudio

The plot, a steep, narrow strip of land in the heart of the countryside, is a five-minute walk from the beach, and offers panoramic views over the sea, the valley, and the village in the distance. Lourinhã has never been a wealthy area; buildings are modest and simple, and sit naturally in the landscape, in a way that has somehow been forgotten by buildings from recent decades.

▼建筑自然地融入景观之中，The building blends naturally into the landscape © Clemens Poloczek

度假屋使人摆脱日常琐事，从而获得一定程度的自由与实验性。它应当是慷慨、非正式、具象的建筑，带有自身的节奏与时间感。设计者希望为这座房子创造一个极度简洁的形体，将传统地方建筑的元素以当代的方式重新组合。▼北向轴测图，north axo©extrastudio

▼南向轴测图，south axo©extrastudio

Free from daily obligations, a holiday house allows a certain level of freedom and experimentation. It should be generous, informal, physically present, imposing its own time and pace. We wanted to make a radically simple form for this house, combining elements used in historic local buildings in a way that is only possible in the present.

▼建筑立面，Facade© Clemens Poloczek

▼立面近景，Facade close view© Clemens Poloczek

与地形的关系是设计的关键：房屋尽可能轻盈地接触地面，让原有地势在下方自然延续。四面承重墙支撑着一个十字形的平台，房屋就悬浮其上。平台仅在一点与倾斜的地面接触，以形成入口，其余各侧均延伸出漂浮的露台，将室内空间向外扩展，为每个房间创造独立的避世角落。

The relationship with topography was fundamental: the house touches the ground as lightly as possible, allowing the existing terrain to flow below. Four load-bearing walls support a cruciform podium, onto which the house sits, hovering over the land. The platform touches the sloping ground once only to allow entry, while all other sides accommodate terraces that float in the air in all directions and that extend interior space to the outside, giving each room its own private refuge.

▼室外露台，Terrace© Clemens Poloczek

▼泳池，Swimming pool© Clemens Poloczek

▼室外露台与泳池，Terrace and swimming pool© Clemens Poloczek

建筑体量中被切出一个中庭入口，以形成一个开放的天井，由大型滑动门围合。建筑平面组织于同一层上，厨房、餐厅与起居空间共享一片开敞的空间，并对称地向北、东与西三侧开放，而三间卧室则朝向南方。

A void is cut from the solid form of the house to make an open-air courtyard entrance, enclosed by a large, sliding gate. Organised on one level, kitchen, dining, and living share a generous space, which opens symmetrically to north, east, and west, while the three bedrooms face south.

▼室内主要空间，Interior space© Clemens Poloczek

建筑的封闭面积被限制在最大120平方米以内，但其内部通过充分利用体量的高度，弥补了占地的局限，营造出一种出人意料的庄重与尺度感。起居空间中设置了大型天窗以强化这种印象；在其他区域，一系列精确嵌入结构几何的圆形采光孔，让来自天窗的光线贯穿整栋房屋，照亮最幽暗的角落。每年有四个月，在日落前，一束光会依次照亮每个房间，并在夏至与冬至时达到最强。简洁的建筑策略鼓励灵活与非正式的使用方式。窗户可完全嵌入墙体，使房屋瞬间转变为一个露天空间，让室内外边界消失，例如沐浴这样的行为也能成为开放的体验。

Restricted to a maximum enclosed area of 120m2, the interior compensates for the small footprint by taking full advantage of the volume’s height, creating an unexpected sense of grandeur and scale. A large skylight reinforces this impression in the living room, while elsewhere a series of oculi, designed precisely within the structure’s geometry using a 3D model, allow direct light from the skylight to cut through the house, reaching its darkest areas. For four months of the year, a beam of light illuminates each room before sunset, reaching peak intensity at the summer and winter solstices.Simple architectural devices enable and encourage flexibility and informality. The windows recede completely into the walls, transforming the house into a large alfresco space, extending the indoors outdoors and allowing moments like bathing to become open-air experiences.

▼厨房岛台一角，Kitchen© Clemens Poloczek

在施工过程中，业主与施工方的密切交流让时间、偶然与工人的经验共同在建筑中留下印记。灰色抹灰墙保持裸露，使室内呈现单色调。新的圆窗与壁龛在条件允许处被增添，楼梯间的钢门被红色玻璃取代，室内墙面选用伊朗银色洞石与蓝绿色大理石，与整体色调相呼应；原计划为灰色的外立面，最终也染上了新的色彩。屋外，一座狭长的泳池平行于海岸线，隐藏在野生松林之间。场地几乎未被改动，所有原有树木均被保留，并在坡地上种植了新的果树方阵，以延续周围的农业景观特征。

Close dialogue between the clients and builder during construction allowed time, chance and workers’ knowledge to leave their marks on the house. Grey plastered walls were left bare, making a monochrome interior. New portholes and niches were added where possible, a steel door in the stairwell was replaced with red glass, Iranian silver travertine and blueish-green marble were chosen to match the interior walls, and the exterior, intended to be grey, finally gained colour. Outside, a long swimming-pool stands among wild pine trees, parallel to the sea. The landscape was barely touched. All existing trees were retained and a grid of fruit trees was planted on the slopes, to preserve the agricultural character of the surroundings.

▼天窗，Skylight© Clemens Poloczek

建筑完工后，业主邀请设计者前来入住。空气中唯一的声音，是浪花拍打海岸的回响，以及来自山谷那头的人声。夜幕降临时，不知名的鸟儿在歌唱，附近溪流中的青蛙低鸣，与我们为伴。

Our clients invited us to stay at the house after its completion. The only sounds in the air were the waves breaking onto the shore and voices from the far side of the valley. At night, birds we did not know warbled, and croaking frogs from a nearby creek kept us company.

▼项目区位，site plan© extrastudio