ACME作品丨文化雅韵与空间的共情

/ 雨 /

吴敬梓 〔清代〕

轻暖卷帘衣，孤亭暮雨微。落红辞密树，新绿满遥扉。

阶下苔痕长，梁间燕子归。西窗灯影暗，枯坐欲忘机。

Light and warm roller blind clothing, the lonely pavilion is rainy. Falling red ci dense tree, fresh green full of far away.

The moss marks are long under the steps, and the swallows return between the beams. The lights in the west window are dark, and they are sitting and wanting to forget the machine.

项目位于安徽省滁州市全椒老城区，襟襄北路与文昌路交叉口，周边教育，商业，医院、银行、教育配 套设施齐全。毗邻吴敬梓的故居纪念馆，位于滁州全椒县城北郊走马岗，隔着襄河与吴敬梓故居“探花地”旧址相望。

Project is located in the old town of Quanjiao, Chuzhou City, Anhui Province, at the intersection of Jingxiang North Road and Wenchang Road. The surrounding facilities include education, commerce, hospitals, banks, and education facilities. Adjacent to Wu Jingzi’s former residence memorial hall, it is located in Zoomagang, the northern suburb of Quanjiao County, Chuzhou, across the Xianghe River and Wu Jingzi’s former residence "Thanhuadi" site.

优雅、自然、永恒，设计师以之为画笔，将客餐厅绘制成了一张新的项目名片：有雅趣、有闲情，美好而适意。这里并非要打造一场故作姿态的盛宴，而是在平凡的日常里，看见对美的坚守和向往。用现代设计语言转译传统中式木构，营造元素混合的多样化空间体验。

Elegant, natural, and timeless, the designer uses it as a brush to draw the guest restaurant into a new project business card: elegant and fun, leisurely, beautiful and comfortable. This is not to create a feast of pretentious gestures, but to see the persistence and yearning for beauty in ordinary daily life. Translate traditional Chinese wooden structures with modern design language to create a diversified space experience with mixed elements.

在低饱和度木饰面与深色系大理石的围合中，将传统的东方元素拆解为简洁明了的自然元素，由此构成的块面木质框架与金属线条贯穿所有空间，塑造出富有层次感的空间体验。运用明暗不同、肌理质感各异的块面设计手法，融入带有节奏感的材质元素，营造出动态感与静谧感共存的空间。

In the enclosing of low-saturation wood veneer and dark-colored marble, the traditional oriental elements are dismantled into simple and clear natural elements. The block wooden frame and metal lines formed from this run through all spaces, creating rich layers. A sense of space experience. Using block design techniques with different shades and textures, and incorporating rhythmic material elements, it creates a space where dynamics and tranquility coexist.

在不经意的角落，长条形的落地灯与粗犷的厚重石材、神秘的亚克力装饰同时出现，打破整体沉稳淡雅的空间气氛。整体设计，在现代与传统、简约与古朴间寻求平衡。

In casual corners, long strips of floor lamps appear at the same time as rugged heavy stones and mysterious acrylic decorations, breaking the overall calm and elegant atmosphere of the space. The overall design seeks a balance between modernity and tradition, simplicity and simplicity.

大面积的木质元素，搭配间或出现的线性金属元素，使老人房充满质朴细腻触感的同时，不失简明轻快的气息。简洁明了的几何元素、融合和谐的色调、亲和自然的材料质感，一同造就了对空间的重构。

The large area of wooden elements, combined with the occasional linear metal elements, makes the elderly room full of simple and delicate touch, without losing the concise and light atmosphere. Concise and clear geometric elements, fusion of harmonious colors, and natural material texture, all together create a reconstruction of the space.

步入二层的主卧，在沿袭原有结构形式的坡屋顶之下，浅色调的木饰面和少量金属、玻璃元素，再加之材质、灯光、绿植等融入，都在光影和色彩配比中，不疾不徐勾勒出空间格调与意韵雅致，积淀起一座艺术馆阁。融撒在墙上的一片阳光里，不时向人传递着一份独有的优雅与温馨。卸下城市的浮华与喧闹，回归到自然的畅享生活。

The bedroom design is also the same. The natural and modern form and background color, together with the integration of materials, lighting, green plants, etc., are all in the light, shadow and color ratio, which quickly outlines the space style and elegance, accumulating an art Pavilion. The sunlight scattered on the wall conveys a unique elegance and warmth to people from time to time. Get rid of the glitz and hustle and bustle of the city, and return to the natural enjoyment of life.

“所有活着的人类，都是海里一条巨大的鱼；

出生的时候他们从海的此岸出发。他们的生命就像横越大海，有时相遇，有时分开……死的时候，他们便到了岸，各去各的世界。”

                      ——《大鱼海棠》

"All living humans are a huge fish in the sea;

When they were born, they set off from this shore of the sea. Their lives are like crossing the sea, sometimes meeting, sometimes parting...When they die, they reach the shore and each go to their own world. "

女孩房则塑造清醒而独立的大儿童状态，是关于自我与世界间关系的思考。而对于小孩自己房间的设计之于生活，如同巢之于鸟，是一天翱翔后的停歇之处。如何塑造出可容纳独立思考又能观察世界的女孩居所，是此儿童房的探索所在。

The girl's room creates a sober and independent state of older children, which is about thinking about the relationship between the self and the world. The design of a child’s own room is to life, what a nest is to a bird, it is a resting place after a day of flying. How to create a girl's residence that can accommodate independent thinking and observe the world is the exploration of this children's room.

在地下层的隐秘客厅，空间是流动而连贯的，遍布整个空间的线条感将多样的空间连接起来。超高的挑空，从顶部序列垂下的吊灯之间，穿插着圆滑的曲面元素，似一幅刚柔并济而流动的空间场景。艺术的生活，是一种源于个人的取向与选择，它呈现在人们的独特品位里，也附著于那些人们喜欢的藏品里。

The basement is super-high, and between the chandeliers hanging from the top sequence, there are sleek curved elements interspersed, like a rigid and flexible space scene that flows together. The life of art is a kind of personal orientation and choice, which is presented in people's unique taste and attached to the collections that people like.

有屋、有院、有天、有地，不仅满足了当代国人对家不变的畅想，更延续了传统东方意境下注入新的理想。我们希望我们的设计不仅体现在高端材料和精湛的工艺上，更希望用最简单的形式表达现代中式的自然美学，营造意境、轻奢、祥和的氛围。

There is a house, a courtyard, a sky, and a land, which not only satisfies the unchanging imagination of the contemporary Chinese people about home, but also continues the infusion of new ideals under the traditional oriental artistic conception. We hope that our design is not only embodied in high-end materials and exquisite craftsmanship, but also express modern Chinese natural aesthetics in the simplest form, creating a mood, light luxury, and a peaceful atmosphere.

项目地点 | 

安徽省滁州市全椒

项目面积 | 

364㎡

主创设计 | 

张梦伊

完成时间 | 

2021年06月

项目摄影 | 

ENV恩万建筑摄影

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