上东区艺术宅邸改造丨美国纽约丨Nicolas Schuybroek事务所

上东区这栋宅邸，曾为著名艺术收藏家拉里·高古轩所有，并于数十年前由建筑师弗朗索瓦·德·梅尼尔操刀改造，在纽约文化圈内积淀出令人神往的传奇地位。这座由旧时马车库改建的建筑，以独特手法融合了空间奢华感、现代主义风格与渐褪的九十年代风华，其内部三层空间各达300平方米，拱形立面窗与皮埃尔·夏洛的玻璃屋形成对话，底层更设有一方瓷砖铺就的泳池空间。

A house on the Upper East Side, once owned by renowned art collector Larry Gagosian and renovated several decades ago by architect Francois de Mesnil, had over the years attracted somewhat of a tantalisingly iconic status on the cultural scene of New York City. A curious collision of spatial luxury, modernism and faded 90s glamour, the former coach house boasted three generous levels of 300 square meters each, an arched facade window resembling that of Pierre Chareau’s Glass House, and a tiled ground floor swimming pool.

Larry Gagosian

著名收藏家/前业主

Nicolas Schuybroek

室内设计师

Francois de Mesnil

建筑师

为迎接新一位艺术收藏家入驻，改造工程以重塑契合建筑传奇色彩的入门体验为起点——将原先狭长平淡的入口序列，转化为一场精心设计的空间序曲。方形前厅内，水磨石地坪映衬着稀有的夏洛双联壁灯，河原温与珍妮·霍尔泽的艺术作品相映成趣，延伸式天花洒下朦胧的顶光。受卡洛·斯卡帕启发的空间构图，在此揭开贯穿整个底层的动态空间序列。

Its transformation – for another art collector – began by imagining an updated opening ‘moment’ worthy of its social mystique, replacing a previously narrow and unremarkable experience of stepping inside. A square antechamber with terrazzo floors, displays a rare pair of Chareau sconces and artworks by On Kawara and Jeny Holzer, a stretch ceiling emitting a blur of zenithal light. Its composition, informed by the work of Carlo Scarpa, marks the start of a dynamic interior sequence across the ground floor.

石灰华滑门轻盈开启，展现出通往生活区域的雕塑感阶梯。而在登临上层之前，一条深邃的黑色大理石廊道将人引入画廊风格的会客厅。空间中的材质与家具营造出灵动氛围：醒目的锡制吧台、纯白皮埃尔·保兰Alpha沙发组、斯卡帕亲手设计的家具，与让·普鲁维的整体建筑构件相得益彰。这段空间序列最终收束于阅览室——以深灰色灰泥墙面围合的避世茧居。

Double travertine doors slide open to reveal a new sculptural travertine staircase leading up to the living spaces. Yet first, a more absorbing dark corridor of black marble channels into a gallery-style entertaining space for dinners and parties. Materials and furniture cast a playful, dynamic atmosphere: a bold tin bar, a white Pierre Paulin ‘Alpha’ sofa set, furniture by Scarpa himself, and integrated architectural elements by Jean Prouvé. This culminates in a small reading room, an escapist cocoon with deep, dusty grey-coloured plaster walls.

二层空间将厨房、储藏室、电梯、楼梯间及壁炉等功能体量集约布置于核心区，周边则留作开阔的起居区域。拉希德·约翰逊的三幅巨作与定制粗金属架系统，共同框定着让·鲁瓦耶沙发组。锡制厨房通过整面玻璃门墙与露台相连，室外石灰华种植槽中伫立着西蒙·李的雕塑作品。

On the first floor, closed off volumes for functions such as the kitchen and pantry, elevator, staircase and fireplace are grouped around the core, leaving the space beyond for living. Three large-scale paintings by Rashid Johnson and custom raw metal shelving system frames Jean Royère sofas. While the kitchen, built in tin, is newly connected with a wall of glass doors to a terrace of travertine planters and a sculpture by Simon Lee.

Rashid Johnson《Anxious Red Painting》

（2020）

RASHID JOHNSON《Bruise Paintings "Last Days"》

（2022）

RASHID JOHNSON《For My People》

（2023）

在 Vitra 众多经典名椅中，有一张由法国建筑大师 Jean Prouve 于30年代推出，看似中庸平凡，事实上蕴含的设计语彙经典而丰富，足以称为椅界标准的──Standard Chair。这款80年来不败的经典餐椅有多威呢，有一个小故事可以说：几年前连锁速食业麦当劳想在罗浮宫隔壁开新店，结果惹来全国一片骂声，为了平息法国人骄傲的怒火，麦当劳就在整间门市使用了 Jean Prouve 当餐椅，可能想说只要在美丽的椅子上用餐，永远拿不到星的速食也能吃得优雅吃得美，就算是刁钻的法国人也该妥协吧！

上层卧室区及顶层主卧套间采用更趋温润的材料组合。主卫浴间从双台盆至浴缸、墙面，整体覆以经水刀处理的白色大理石，呈现柔和亚光质感。这个极简而注重触感的方寸之地捕捉着柔和的东北光线。滑门通向骨色麂皮包裹的男女衣帽间，材质过渡精妙至难以分辨灰泥墙面与麂皮的分界。卧室内侧的书房空间吸纳西南光线，配备普鲁维书桌与嵌入式书柜，暗藏式滑门可直达露台。

The upper floors, with the bedrooms and penthouse master suite, have a slightly warmer material palette. The master bathroom is clad – entirely, from double sinks to the tub and walls – in white marble with a water-jet finish giving a soft, yet matte surface texture. It's a minimal, tactile pocket that catches the soft north-east light. Sliding doors lead to ‘his and hers’ dressing rooms clad in pale, bone-coloured suede fabric, so soft and subtle that it’s hard to see where the clay plaster walls meet the suede. A small study off the bedroom catches the south-west light, with a Prouvé desk and library enclave, while pocket doors open onto the terrace.

这种以“瞬间场景”、收藏级设计及建筑整合为线索的叙事手法贯穿整座建筑。石灰华材质、45厘米宽黑冷杉木地板与黏土灰泥墙面构成的极简建筑体量，通过天窗的几何切割与地坪镶嵌得以打破，重塑出垂直流动的光影轨迹。建筑内部经过掏空重组，重构了与立面窗的视觉关系，并通过增建含主卧套间与屋顶露台的新顶层实现空间扩展——所有这些改造均严格遵循区划法规，确保从街面视角保持隐蔽。

This narrative of ‘moments’, collectible design and architectural integrations continues throughout the house. Minimal interior architecture of travertine, 45cm wide black douglas fir flooring and clay-plastered walls are broken up by the geometry of skylights and floor inserts carving out a newly vertical flow of light. The plan was hollowed out, transforming interior relationships to the facade window, and expanded with a new penthouse level with a master suite and rooftop terrace, all carefully concealed from the street in alignment with local planning rules.

本次改造既实现了对建筑原有身份的深刻重塑，又延续了与其地段地位相称的空间魅力。建筑立面依然承担着从街巷步入感官秘境的中介职能，但此次改造在内部织入了具有心理转换效能的静谧空间——这些空间随着高度攀升逐渐远离都市喧嚣，愈发展现出茧式包裹的宁谧特质，将纽约特有的锐利美感悄然化解于无形。

The design is a deep transformation from its former identity, whilst still commanding an allure and dynamism worthy of its status and location. The facade still performs as a gateway from the street into another entirely consuming sensory zone, yet this time, it is woven with psychologically-shifting pockets of core quietness, which, rising up and away from the attractions and demands of the city, become ever more cocooning and calming, leaving the hard-driving and beautiful tension of New York City behind.

创始人 / Nicolas Schuybroek

Nicolas Schuybroek事务所由Nicolas Schuybroek于2011年创立，秉持小规模的理念。Nicolas Schuybroek建筑师事务所的核心团队包括Nicolas Schuybroek、Vincent Bauquis、Max De Decker、Thierry Pouilliart、Barbara Huszar、Nick Lammens、Tiago Clérigo、Azul Klix和Julia van de Graaf。我们的工作哲学无法被局限于或用我们处理的项目类型或规模来描述。每个项目都是独一无二的，深受环境、客户的愿望和期望以及我们与客户建立的紧密关系的影响。

我们的工作需要时间、激情和耐心。我们享受其中。

我们的工作是对深层次实质和温暖的追求。在早期设计阶段，这个过程通常会变得形而上学。自古以来，人类一直在建造以保护自己，但我们的工作为这一定义增添了额外的层次。尽管建筑通常被描述为其本质上的物质主义，我们追求建筑作为创造宁静、保护甚至治愈氛围的方式。

我们的工作深深植根于Gesamtkunstwerk的概念，即建筑、室内、艺术和家具融为一个“建筑物”的概念。我们对创造“炫耀型”建筑不感兴趣，而是通过拥抱材料和物体的本质。我们所做的可能看起来很简单，但只是表面现象。我们努力激发情感，定义一种新型的空间诗学。

我们的工作可以被描述为富有禅意、温暖、永恒、极简、宁静而宁和。我们致力于通过比例、几何、流线、空间和线条精心雕琢的空间和体积。使用原始、真实、简单和高贵的材料，帮助我们创造具有灵魂的简约建筑。这个事务所规模小，但却是国际化的。一个由来自不同背景的承诺深厚的团队，使我们能够承担远超出我们国界的项目，拥抱不同文化，以多种语言进行沟通。

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