慢珊瑚设计×神仙居咖啡·壹高摄影|以柔性改造激活场域

「序」

当快餐文化裹挟众生，在流量轰鸣中，仍有这样一群执灯者：他们俯身于时光的褶皱里，将浮躁锻造成精钢，把喧嚣熔铸为琉璃。任凭窗外霓虹闪烁，独守工作台这方微光宇宙。匠心如弦，终将在时代的噪音中震颤出永恒的和鸣。

01

LIVE IN A MOUNTAIN

山居

神仙居作为充满 “仙人居住之地”神秘色彩的国家5A级旅游风景区，因其绵延的峭壁、奇峰云海与深厚的佛道文化而闻名。天然景观与人文信仰交织，这里是东方地貌神性与自然野性的共生之地。慢珊瑚团队此次受邀，将原本作为配套用房的场地转化为景区内沉浸式体验的关键节点。

Shenxianju, a national 5A-level tourist scenic spot full of the mysterious color of "a place where immortals live", is famous for its stretching cliffs, strange peaks, sea of clouds, and profound Buddhist and Taoist cultures. Intertwined with natural landscapes and humanistic beliefs, it is a place where the divinity of Oriental landforms and the wildness of nature coexist. The Slow Coral team was invited to transform the original supporting building into a key node of immersive experience in the scenic area.

作为自神仙居风景区入口通往标志性景观莲花台的必经节点，10000years 咖啡占据着游览动线的关键位置。它既是游客长途跋涉后的休憩驿站，也是串联自然景观与人文体验的重要枢纽，在山水画卷中悄然勾勒出功能与美学兼具的过渡场域。

Located at the necessary node from the entrance of Shenxianju Scenic Area to the landmark Lotus Platform, 10000years Coffee occupies a key position in the tourist route. It is not only a resting station for tourists after a long journey, but also an important hub connecting natural landscapes and humanistic experiences, quietly outlining a transitional field with both functions and aesthetics in the landscape painting.

设计介入之初，原有建筑为一处半完工状态的景区配套用房，空间形态与功能划分尚不明确。景区希望设计介入后，这一空间能够被充分激活，承载更多功能与内容，实现业态的复苏与再生。对此，我们并未选择重建或彻底翻新，而是以更为克制、灵活的微改造策略，保留原有结构，释放其潜在的空间价值，并赋予更加复合、多元的使用可能。

At the beginning of the design intervention, the original building was a semi-finished supporting facility in the scenic area, with unclear spatial form and functional division. The scenic area hoped that after the design intervention, this space could be fully activated to carry more functions and contents, realizing the recovery and regeneration of the business form. Instead of rebuilding or completely renovating, we adopted a more restrained and flexible micro-renovation strategy to retain the original structure, release its potential spatial value, and endow it with more complex and diverse usage possibilities.

改造不仅聚焦于物理空间本身，也包括品牌视觉与导视系统的整体策划与设计，在有限的资源下实现了一体化的空间更新与体验整合。

The renovation not only focused on the physical space itself, but also included the overall planning and design of the brand vision and wayfinding system, realizing an integrated space update and experience integration with limited resources.

空间中，顶面以“蝌蚪纹”作为局部装饰图腾，用以遮挡必要的设备设施。图案源自神仙居地域文化中关于自然生命起源与山水灵性的象征语汇，以极其克制的方式融入场域，形成文化肌理层面的认知共鸣。这种处理方式避免了符号的表层消费，也不以视觉装饰为目的，而是让空间在使用中自然呈现其文化背景，强化对“山中之所”的精神识别。

In the space, "tadpole patterns" are used as local decorative totems on the top surface to cover necessary equipment and facilities. The pattern is derived from the symbolic vocabulary about the origin of natural life and the spirituality of mountains and rivers in the regional culture of Shenxianju. It is integrated into the field in an extremely restrained way, forming a cognitive resonance at the level of cultural texture. This treatment avoids the superficial consumption of symbols and does not aim at visual decoration, but allows the space to naturally present its cultural background in use, strengthening the spiritual recognition of "a place in the mountains".

设计保留了原建筑中的人字梁，并以两个弧形顶棚覆盖其上，完成了空间的视觉柔化与设备隐藏的双重目的。顶棚内部不做任何多余修饰，以纯净的弧线回应山体曲线，强调结构与自然之间的对应关系。

The design retained the herringbone beams in the original building and covered them with two arc-shaped ceilings, achieving the dual purposes of visual softening of the space and hiding of equipment. The interior of the ceiling is not decorated with any superfluous decorations, and the pure arcs respond to the mountain curves, emphasizing the corresponding relationship between the structure and nature.

这种最简洁的方式，使空间获得了极高的静谧感和开放性，让人在其中不被设计本身干扰，专注于景观、光线与人的关系。弧形顶面并非形式表达，而是服务于结构整合与空间情绪的有效介入，构成了空间“去设计化”理念的核心体现。

This simplest way endows the space with a high sense of tranquility and openness, allowing people to focus on the relationship between the landscape, light and people without being disturbed by the design itself. The arc-shaped top surface is not a formal expression, but an effective intervention serving structural integration and spatial emotions, which constitutes the core embodiment of the "de-design" concept of the space.

02

SPACE

空间

设计延续了原建筑所遗留的红砖墙体与地面肌理，作为场地时间性的视觉延续。在此基础上，运用了耐候钢板作为空间的结构补充与气质对话——一种当代工业感与在地砖石语言之间的张力被有意保留。

The design continued the red brick walls and ground texture left by the original building as the visual continuation of the site's temporality. On this basis, weathering steel plates were used as the structural supplement and temperament dialogue of the space - a tension between contemporary industrial sense and local masonry language was intentionally retained.

为了弱化原有材料的硬度，设计加入了轻量的布幕系统，呈现“舞美策展”式的空间构想。布幕不仅是装饰，更是作为一种结构性的感知边界，柔化声场与光线，使得空间的体验更具沉浸感与包容性。

In order to weaken the hardness of the original materials, the design added a lightweight curtain system, presenting a "stage art curation" style spatial concept. The curtain is not only a decoration, but also a structural perceptual boundary, softening the sound field and light, making the space experience more immersive and inclusive.

设计进一步引入自然要素——我们在空间界面上延展水体，通过开窗与水平延伸，将室外的自然肌理引入室内，使空间边界变得模糊。水面与天光共同作用，形成多维度的感知回响，也激活了建筑与自然的对话关系。

The design further introduced natural elements - we extended the water body on the spatial interface, and introduced the outdoor natural texture into the interior through window openings and horizontal extension, making the spatial boundary blurred. The water surface and sky light work together to form a multi-dimensional perceptual echo, and also activate the dialogue relationship between architecture and nature.

空间在“引水”“引光”“引绿”的过程中，实现了内部气候的自然调节，同时形成一种“非封闭”的状态感，使人在此不再被围合，而是得以与周围的山体和场地共处。

In the process of "introducing water", "introducing light" and "introducing greenery", the space realizes the natural regulation of the internal climate, and at the same time forms a sense of "non-enclosed" state, so that people are no longer enclosed here, but can coexist with the surrounding mountains and the site.

空间的布局策略完全基于“策展”逻辑进行组织。家具采用可移动的组团形式，结合布幕、光影壁炉与顶面圆形镜面的反射装置，不仅营造出如舞台般的灵活场景，也通过镜面引导视线上移，使空间感得以延展，并与自然光线形成柔性互动。

The layout strategy of the space is completely organized based on the "curation" logic. The furniture adopts a movable group form, combined with curtains, light and shadow fireplaces and reflection devices of circular mirrors on the top surface, which not only creates a flexible scene like a stage, but also guides the line of sight upward through the mirrors, extending the sense of space and forming a flexible interaction with natural light.

不同的使用者可根据场景需要，自由组合形成休闲、沙龙、分享或临时展演等多元形态，使空间成为一种不断“生成”的状态。设计弱化了功能的边界感，强调空间作为容器的开放属性，让人而非设计成为主角。

Different users can freely combine to form diverse forms such as leisure, salons, sharing or temporary performances according to the needs of the scene, making the space in a state of continuous "generation". The design weakens the sense of functional boundaries, emphasizes the open attribute of the space as a container, and makes people rather than the design the protagonist.

空间宛如在山水中被激活的舞美剧场，通过最轻的设计手法实现人与场域、自然与文化的持续对话。

The space is like a stage art theater activated in the mountains and rivers, realizing the continuous dialogue between people and the field, nature and culture through the lightest design methods.

文章来自平台：慢珊瑚设计

 ABOUT PROJECT  

Case：

神仙

居

咖啡

Produced：瀚墨视觉

Photography：壹高

Photoassistant：陆中强

Retoucher：袁金龙

Design the whole case | 设计全案：

慢珊瑚设计

Project address | 项目地址：中国 台州

壹高

瀚墨（杭州）摄影有限公司

独立组长（合伙人）

2023全国十佳空间摄影师

从业8年，空间摄影7年

擅长空间影调营造

「 公司」

瀚墨视觉成立于2011年，早期以产品，服装，家纺等摄影为主，于2017年全线主攻空间摄影，目前涉及板块有，空间照片、空间视频，摄影培训、自媒体运营、文案撰写等。业务涉及，家装、地产、酒店、民宿、餐饮、工装等。

Hanmo Vision was founded in 2011, initially focusing on product, clothing, home textiles, and other photogr

phy. In 2017, it fully focused on spatial photography and currently covers various areas such as spatial photography, spatial video, photography training, self media operations, and copywriting.. The business involves home decoration, real estate, hotels, homestays, catering, workwear, etc.

「 团队」

团队一直维持在30人左右，也是目前国内人员规模最大的空间摄影机构之一，10年工龄以上小伙伴3人，5年以上7人，3年以上8人，也是同行业人员最稳定的摄影机构之一，团队拥有摄影分组6组，摄影师14名，摄影助理若干。

The team has been maintained at around 30 people, making it one of the largest spatial photography institutions in China. There are 3 colleagues with over 10 years of experience, 7 with over 5 years of experience,and 8 with over 3 years of experience. It is also one of the most stable photography institutions in the same idustry. The team has 6 photography groups, 14 photographers, and several photography assistants.

「 团建」

团队定期组织小伙伴进行“团建”活动，但我们从来不组织所谓增强团队凝聚力的团建，就是纯玩，让平时超强的工作节奏得以放松调节，同时工龄满5年以上的小伙伴还能享受每年一次的出国游。

The team regularly organizes "team building" activities for its members, but we never organize so-called team building activities to enhance team cohesion. It's just pure play, allowing the super strong work pace to relax and adjust. At the same time, members who have worked for more than 5 years can also enjoy an annual overseas trip.

「 成绩 」

瀚墨视觉小伙伴连续5年IDCHINA全国十佳空间摄影师殊荣。

协助设计师获得Andrew Martin、iF Design Award、Red Dot Design Award、International Design Awards、SBID International Design Awards、A'Design Award、APIDA亚太区室内设计大奖、CIDA中国室内设计大奖、艾特奖（IDEA-TOPS）、金堂奖、筑巢奖、金外滩奖等等....

拍摄项目发表设计腕儿，环球设计、安邸、家居廊等一级平台几百余篇，其中2023年入选环球设计年度top9篇，2024环球年度top11篇。

Hanmo Vision has been honored as one of the top ten space photographers in IDCHINA for five consecutive years.

Assist the designer in obtaining Andrew Martin iF Design Award、Red Dot Design Award、International Design Awards、SBID International Design Awards、A'Design Award、APIDA Asia Pacific Interior Design Award, CIDA China Interior Design Award, IDEA-TOPS Award, Golden Hall Award, Nesting Award, Golden Bund Award, and more

The shooting project has published over a hundred design works on first level platforms such as Universal Design, Andi, and Home Gallery. Among them, it was selected as one of the top 9 works for Universal Design in 2023 and the top 11 works for Universal Design in 2024.

荣誉Honor

「瀚墨视觉精选作品集」

「 合作 」

无间设计、沈墨设计事务所、时上设计、SLD梁志天设计、梁筑设计、梁景华设计、设谷设计、黄志达设计、近境制作、刘荣禄空间设计、Linepark杨钧、谢天、意内雅设计、青设会LANHOME、绿城家居、集艾设计、尚层设计、菲拉设计、DPD设计、他石设计、金螳螂设计、香谢蒂设计、常恩设计事务所、墨高设计、其然设计、无垠设计、BDSD吾界设计、CCD设计、

众典空间设计

、

A8空间、必杨设计、OTL本体建筑、大麦设计、泛域设计、广飞设计、集艾设计、容象设计、蓝城设计、法视界设计、一则设计、雅琴工作室、LSD进化设计、陆丹设计、绿城联合设计、明德设计、陌上设计、尚层设计、纳沃佩斯艺术设计、倪其生设计、福邸设计、集加设计、维几设计、一展设计、简狄设计、众睦设计、

SRD

赛瑞迪普设计

、

邱德光设计

等.....

「 联系 」

TEL:13375810464 （瀚墨视觉AE）

ADD：杭州市西湖区留和路139号（东信和创园）32幢2楼

「 投诉建议」

TEL:13588890464 （创始人叶松）

「 自媒体」

搜索：瀚墨视觉空间摄影、

空间摄影-叶松、松哥看设计