环球首发！×意德美嘉·叶松摄影×梁振兴摄像|谢骅骏设计：无尽的灵感

「序」

当快餐文化裹挟众生，在流量轰鸣中，仍有这样一群执灯者：他们俯身于时光的褶皱里，将浮躁锻造成精钢，把喧嚣熔铸为琉璃。任凭窗外霓虹闪烁，独守工作台这方微光宇宙。匠心如弦，终将在时代的噪音中震颤出永恒的和鸣。

首发 . 言禾内境｜IDEAMASS，无尽的灵感【环球设计3846期】

01

STACKED

STONES

 ARE BOUNDARY

叠石为界

在信息熵增、节奏失序的当代语境中，商业空间若想成为精神的引力场，而非消费的过道，其设计逻辑便需超越单纯的功能展陈，转而去思考更具隐喻意义的商业行为与品牌逻辑间的二次元性。

In the contemporary context of increasing information entropy and disrupted rhythms, if commercial spaces aim to become spiritual gravitational fields rather than mere consumption corridors, their design logic must transcend simple functional display and instead explore the metaphorical duality between commercial behaviors and brand logic.

摒弃喧嚣都市中直白暴露的商业语境，展厅入口以东方园林“聚石叠围墙”的隐逸智慧为蓝本。设计师通过适当的遮蔽与透视，在快节奏的都市场景中，编织一处静谧的“内向宇宙”。

幽深的路径成为空间的前奏，在一步步行走的过程中，逐渐滤去外界的喧嚣浮华，缓慢铺垫提纯情绪的感知力，形成更具有仪式感的入室邀请。

Abandoning the overt commercial context of bustling cities, the exhibition hall entrance draws inspiration from the reclusive wisdom of Oriental gardens, where "stones are piled to form walls". Through appropriate shielding and perspective, designers have crafted a quiet "introverted universe" within the fast-paced urban landscape.

The deep, winding path serves as a prelude to the space, gradually filtering out the hustle and bustle of the outside world with each step. It subtly enhances emotional perception and creates a more ritualistic invitation to enter.

穿过序厅，一道橡木实木花格屏风成为场景的过渡，其妙处在于“既通又隔，似通还隔”，在“藏”与“露”、“实”与“虚”的辩证间，演绎东方的空间美学。

视线穿透格栅的间隙，液态金属漆面给予场景恰到好处的光泽感与古今结合的碰撞性，下沉式客厅作为商业交谈与待客体验的第一重正式区域，以下沉的姿态形成对“界限”的消解，室内与室外森严的壁垒在此模糊，落地窗外葱郁的园景被不着痕迹地“借”入室内，形成内与外的呼吸对话，这不仅是视觉的延伸与场景的搭建，更是对木作产品本身所代表的自然材质无声的表达，通过构建人、空间与自然三者间微妙的共生之道，形成品牌精神的核心注脚。

Passing through the foyer, an oak lattice screen serves as a transitional element. Its ingenuity lies in "being both connected and separated, seemingly open yet closed", interpreting Oriental spatial aesthetics through the dialectic of "concealment" and "revelation", "solid" and "void".Through the gaps in the grille, the liquid metal finish imparts a perfect luster and a collision of ancient and modern aesthetics. The sunken living room, as the first formal area for commercial conversations and guest experiences, dissolves boundaries with its sunken form, blurring the strict divide between indoors and outdoors. The lush garden view outside the floor-to-ceiling windows is subtly "borrowed" into the interior, creating a breathing dialogue between inside and outside. This is not only a visual extension and scene construction but also a silent tribute to the natural materials represented by wooden products. By constructing a delicate symbiosis among people, space, and nature, it forms the core footnote of the brand spirit.

自然天光与人造光源在场景中形成精妙的共谋，设计师将灯带隐逸于木作柜体的缝隙中、吊顶边缘的暗影里，使其如生命体的脉络般悄然伸展，光循着顶部胡桃木条索状的肌理游走，如同五线谱中变幻的音符，以跳跃的姿态传达品牌的内在精神，形成建筑内与外的对话与回溯。

Natural skylight and artificial lighting form a subtle conspiracy in the scene. Designers have hidden light strips in the gaps of wooden cabinets and the shadows along the ceiling edges, making them stretch like the veins of a living being. Light travels along the cord-like texture of the walnut ceiling, resembling changing notes on a staff, conveying the brand's inner spirit in a dynamic rhythm and creating a dialogue and reflection between the interior and exterior of the building.

02

OVERLAPPING

 SYMPHONIES

叠透交响

面对长幅敞开的平面格局，设计师以“下沉”与“抬升”的错落对比，巧妙破解了单一维度的乏味，赋予空间以呼吸般的节奏感。

隔断的处理摒弃了生硬的阻断，代之以“叠”与“透”的交织艺术，空间因此呈现出一种流动的连贯性，功能区域相互渗透、彼此映照。环绕的落地窗景被完整保留，外部世界的画卷成为室内体验不可或缺的景深，内与外、功能与意境，在无界叙事中达成统一。

Facing the long, open planar layout, designers have cleverly broken the monotony

of a single dimension with the staggered contrast of "sunken" and "raised" elements, endowing the space with a rhythmic quality akin to breathing.The partition design abandons rigid barriers in favor of the interwoven art of "overlapping" and "transparency", creating a fluid continuity where functional areas interpenetrate and reflect each other. The surrounding floor-to-ceiling windows are fully preserved, making the external landscape an indispensable depth of field for the indoor experience. Inside and outside, function and artistic conception achieve unity in the boundless narrative.

意式橱柜系统以灵活多变的功能布局，优化操作流程，简化行为路径，于日常生活中注入仪式感与新鲜感。精选的拉米娜通体岩板台面嵌入可升降油烟机，结合超长2.2米大抽屉设计，不仅代表了纯粹的视觉美学，更以精密的构造与卓越的承载能力，成为精湛工艺与可靠品质的代名词。珍珠贝母艺术高光漆形成斑驳璀璨的视觉感与柔和平滑的触觉感受，带来新奇高质的备餐体验。

The Italian cabinet system optimizes operational processes and simplifies movement paths with its flexible functional layout, injecting a sense of ritual and freshness into daily life. The selected Laminam full-body rock slab countertop, embedded with a liftable range hood, combined with the extra-long 2.2-meter drawer design, not only represents pure visual aesthetics but also stands as a symbol of exquisite craftsmanship and reliable quality due to its precise structure and exceptional load-bearing capacity. The mother-of-pearl art high-gloss finish creates a mottled, resplendent visual effect and a soft, smooth tactile experience, offering a novel and high-quality meal preparation experience.

空间并非静止的容器，而是承载时光流动的剧场。来自室外的自然光线，被摇曳的枝桠肆意切割，再经北美橡木屏风的格栅温柔梳理，于墙面、地面投下瞬息万变的光影。这被自然与人工共同雕琢而成的阴影光斑，因时间的流动而不断变化，赋予静态空间以蓬勃的生命力与深邃的时间感。

Space is not a static container but a theater that carries the flow of time. Natural light from outside is freely cut by swaying branches and then gently filtered through the grille of the North American oak screen, casting ever-changing light and shadow on the walls and floor. These shadow spots, carved by both nature and human hands, continue to evolve with time, endowing the static space with vigorous vitality and a profound sense of temporality.

走廊区域，占据整面墙体的“空山柜”成为焦点：竖板与横板的错层设计，于平面上雕琢出细腻的光影层次与节奏。铝板与木材、石材的完美嵌合，既保留了铝的轻盈现代感，又平衡了木材的天然重量。这不仅是美学表达，更是IDEAMASS三十余年木作沉淀的厚积薄发，对材质的驾轻就熟与对工艺细节的极致追求，成就品牌“极简高定”理念的基石。

In the corridor area, the "Empty Mountain Cabinet" occupying the entire wall becomes the focal point: the staggered design of vertical and horizontal panels carves delicate light and shadow layers and rhythms on the plane. The perfect integration of aluminum panels, wood, and stone retains the light, modern feel of aluminum while balancing the natural weight of wood. This is not just an aesthetic expression but also a culmination of IDEAMASS's more than 30 years of woodworking expertise. Mastery of materials and an ultimate pursuit of craftsmanship details form the cornerstone of the brand's "minimalist high-end customization" philosophy.

北美胡桃木作为场景的主角，呈现着相同材质在不同空间面上的差异呈现，亦表达材质在各种使用场景下丰盈的使用感。赭锈红漆面在材质相对单一的环境中，为场景带来轻重缓急、层次分明的变化，一如五线谱的音律，抑扬顿挫且代表着无限的延伸。

As the protagonist of the scene, North American walnut showcases the same material in different spatial expressions, reflecting its versatile usability in various scenarios. The ochre-rust red paint adds layers and dynamics to the relatively monochromatic material environment, much like the rhythms of a musical staff—full of ups and downs and representing infinite extension.

深藏于空间尽端的VIP室，自成一方高度私密且极具包裹感的场域。其顶部弯折的木饰面结构，搭配凤羽漆工艺，代表着由洽谈空间顶面灯饰向此处的自然延伸，形成两处空间的自然联动，而在墙面尽头，坚硬的材质在精密的曲张工艺下，如帘幕般舒展垂落。这种自上而下的柔性介入，不仅消弭了空间的硬朗棱角，更氤氲出一种包容而沉静的整体气质，为深度交流筑就一方亲和的精神场所。

Tucked away at the end of the space, the VIP room forms a highly private and enveloping domain. The bent wood veneer structure on its ceiling, combined with phoenix feather paint technology, represents a natural extension from the lighting in the consultation area, creating a spatial linkage between the two zones. At the wall's end, rigid materials are stretched and draped like curtains through precise bending techniques. This top-down soft intervention not only softens the space's sharp edges but also creates an inclusive and serene atmosphere, establishing an intimate spiritual space for in-depth communication.

阳光通过系列化的极简北美橡木立柱系统，在茶室空间内的地面与墙面上，投下随时间推移而变幻的光影线条，以最纯粹的方式，演绎着光对建筑空间的本质塑造。而其静谧的矩阵式木作结构排列；结构严谨且功能多样的柜体设计；工艺与智能的完美结合；不同材质间的反复交错……都表达着品牌商业逻辑中所要呈现的内涵。

Sunlight filters through a series of minimalist North American oak column systems, casting shifting light and shadow lines on the floor and walls of the tea room as time passes. In its purest form, this (demonstrates) how light fundamentally shapes architectural space. The quiet matrix arrangement of wooden structures, the rigorous yet versatile cabinet design, the perfect integration of craftsmanship and intelligence, and the repeated interlacing of different materials... all express the connotations embedded in the brand's commercial logic.

独特的“骨骼线”工艺打造卧室体验区的背景，敞开式更衣区引入BASISTEM 巴斯蒂姆——卢加诺衣柜收纳系统，由立柱、背板与层板完成组合，将各收纳模块嵌入皮革背板，人性化设计的五金系统让置物层板可根据需求随意上下调节，提供多种完整的单元组合模块，从而形成访客对柜体内部结构更直观的认识，精选的尤加利木皮成为空间最自然的“肌肤”，而意象的品牌理念与商业逻辑则成为灌注其中的血肉，共同创造出一个完整的有机体。

The unique "skeletal line" craftsmanship forms the backdrop of the bedroom experience area. The open dressing area introduces the BASISTEM Lugano wardrobe storage system, composed of columns, back panels, and laminates. Storage modules are embedded in the leather back panel, and the humanized hardware system allows shelves to be adjusted vertically as needed, offering various complete unit combinations for visitors to intuitively understand the cabinet's internal structure. The selected eucalyptus wood veneer becomes the space's most natural "skin", while the brand's conceptual philosophy and commercial logic serve as its lifeblood, together creating a complete organic entity.

通过墙、面、柜一体的设计，形成兼具实用功能与美观理念的场景描述，结合智能语言系统，引入嵌合式灯光设计，在无主灯照明的前提下，提供自然充盈的光线。电动智能360°旋转木马包柜，将衣帽间1㎡的面积发挥得淋漓尽致，搭配升降式电动梳妆台设计，引入智能化生活语境，带动日常生活品质的提升。

Through the integrated design of walls, surfaces, and cabinets, a scene is created that balances practical function and aesthetic appeal. Combined with an intelligent language system and embedded lighting design, it provides abundant natural light without central fixtures. The electric intelligent 360° carousel bag cabinet maximizes the use of 1㎡ space in the cloakroom, while the lifting electric dressing table introduces an intelligent living context, enhancing daily life quality.

意德美嘉温州展厅，超越了传统商业空间的展示功能，试图完成一次以空间为媒介对品牌精神的深度探索。它将品牌三十载对木作的虔诚沉淀，融于“极简高定”的当代语境，完美诠释了“IDEAMASS”的无尽灵感。当访客循着光的脉络，游走于虚实相生的空间序列，感受自然与匠心交融的力量，品牌所追求的高品质居家生活，便在这无声的空间叙事中，完成一次直达内心的精神探索。

As visitors follow the path of light through the spatial sequence of  (interwoven reality and illusion), feeling the blend of nature and craftsmanship, the high-quality home life pursued by the brand undergoes a spiritual exploration that reaches the heart through this silent spatial narrative.

IDEAMASS Wenzhou Exhibition Hall transcends the display function of traditional commercial spaces, aiming to explore the brand spirit deeply through space as a medium. It integrates the brand's thirty years of dedicated woodworking heritage into the contemporary context of "minimalist high-end customization", perfectly interpreting the "endless inspiration" of "IDEAMASS".

03

PLANE GRAPH

平面图

文章来自平台：环球设计

 ABOUT PROJECT  

Case：

意德美嘉温州展厅

Produced：瀚墨视觉

Photography：叶松

Photoassistant：叶昌强

Retoucher：叶松

Photography：梁振兴

Video clip：梁振兴

Main 

project 

design

 | 主案设计：

谢骅骏

Design company

 | 

设计公司

：

言禾内境

Project address | 项目地址：中国 温州

叶松

瀚墨（杭州）摄影有限公司

摄影总监/创始人

设计腕儿合作摄影师

2020中国十佳空间摄影师

2021中国十佳空间摄影师

梁志天设计集团大陆区合作摄影师

温州商学院传媒与艺术学院实践导师

摄影风格：遵循自然

梁振兴

瀚墨（杭州）摄影有限公司

照片组组长，视频组独立组长

2022中国十佳空间摄像师

从业6年、空间摄影6年

擅长光影把控，创意构思，模特编排，氛围营造

谢骅骏

言禾内境

公司主理人

/

设计创意总监

「 公司」

瀚墨视觉成立于2011年，早期以产品，服装，家纺等摄影为主，于2017年全线主攻空间摄影，目前涉及板块有，空间照片、空间视频，摄影培训、自媒体运营、文案撰写等。业务涉及，家装、地产、酒店、民宿、餐饮、工装等。

Hanmo Vision was founded in 2011, initially focusing on product, clothing, home textiles, and other photogr

phy. In 2017, it fully focused on spatial photography and currently covers various areas such as spatial photography, spatial video, photography training, self media operations, and copywriting.. The business involves home decoration, real estate, hotels, homestays, catering, workwear, etc.

「 团队」

团队一直维持在30人左右，也是目前国内人员规模最大的空间摄影机构之一，10年工龄以上小伙伴3人，5年以上7人，3年以上8人，也是同行业人员最稳定的摄影机构之一，团队拥有摄影分组6组，摄影师14名，摄影助理若干。

The team has been maintained at around 30 people, making it one of the largest spatial photography institutions in China. There are 3 colleagues with over 10 years of experience, 7 with over 5 years of experience,and 8 with over 3 years of experience. It is also one of the most stable photography institutions in the same idustry. The team has 6 photography groups, 14 photographers, and several photography assistants.

「 团建」

团队定期组织小伙伴进行“团建”活动，但我们从来不组织所谓增强团队凝聚力的团建，就是纯玩，让平时超强的工作节奏得以放松调节，同时工龄满5年以上的小伙伴还能享受每年一次的出国游。

The team regularly organizes "team building" activities for its members, but we never organize so-called team building activities to enhance team cohesion. It's just pure play, allowing the super strong work pace to relax and adjust. At the same time, members who have worked for more than 5 years can also enjoy an annual overseas trip.

「 成绩 」

瀚墨视觉小伙伴连续5年IDCHINA全国十佳空间摄影师殊荣。

协助设计师获得Andrew Martin、iF Design Award、Red Dot Design Award、International Design Awards、SBID International Design Awards、A'Design Award、APIDA亚太区室内设计大奖、CIDA中国室内设计大奖、艾特奖（IDEA-TOPS）、金堂奖、筑巢奖、金外滩奖等等....

拍摄项目发表设计腕儿，环球设计、安邸、家居廊等一级平台几百余篇，其中2023年入选环球设计年度top9篇，2024环球年度top11篇。

Hanmo Vision has been honored as one of the top ten space photographers in IDCHINA for five consecutive years.

Assist the designer in obtaining Andrew Martin iF Design Award、Red Dot Design Award、International Design Awards、SBID International Design Awards、A'Design Award、APIDA Asia Pacific Interior Design Award, CIDA China Interior Design Award, IDEA-TOPS Award, Golden Hall Award, Nesting Award, Golden Bund Award, and more

The shooting project has published over a hundred design works on first level platforms such as Universal Design, Andi, and Home Gallery. Among them, it was selected as one of the top 9 works for Universal Design in 2023 and the top 11 works for Universal Design in 2024.

荣誉Honor

「瀚墨视觉精选作品集」

「 合作 」

无间设计、沈墨设计事务所、时上设计、SLD梁志天设计、梁筑设计、梁景华设计、设谷设计、黄志达设计、近境制作、刘荣禄空间设计、本体空间设计、Linepayk杨钧、谢天、肯思设计、意内雅设计、青设会LANHOME、必扬设计、绿城联合、绿城家居、蓝城瑞丽、金象设计、集艾设计、尚层设计、菲拉设计、DPD设计、共和设、逸伦联创国际、他石设计、金螳螂设计、香谢蒂设计、常恩设计事务所、力设计、墨高设计、尤木设计、其然设计、无垠设计、陌上设计、峪见设计、法视界设计、斯所设计、风境舍设计、BDSD吾界设计、CCD设计、

众典空间设计

等.....

「 联系 」

TEL:13375810464 （瀚墨视觉AE）

ADD：杭州市西湖区留和路139号（东信和创园）32幢2楼

「 投诉建议」

TEL:13588890464 （创始人叶松）

「 自媒体」

搜索：瀚墨视觉空间摄影、

空间摄影-叶松、松哥看设计