Cala Tamarit住宅丨马里丨Raúl Sánchez

该项目代表着未来居民——一对都从事数字工作、只需一台笔记本电脑即可工作的夫妻——对家园的设想。正因为他们的工作如此无形，他们希望未来的家与此截然相反：重物质而非非物质，重体量与质量而非轻盈，重体验而非即时感。习惯了在一个一切坚固的事物都融化成空气的环境中，他们渴望自己的家不仅提供遮蔽，更提供一种有形的、物理的体验。

This phrase sums up how the future inhabitants— a couple who both work in the digital world and need only a laptop to do so—envisioned their home. And precisely because their work is so immaterial, they wanted their future house to be the opposite: material over immaterial, volume and mass over lightness, experience over immediacy. Accustomed to an environment where all that is solid melts into air, they longed for their home to provide not just shelter, but a tangible, physical experience.

▼住宅概览，overview of the house © David Zarzoso

▼住宅泳池，pool for the house © David Zarzoso

▼住宅坐落在坡上，located on the slope © David Zarzoso

这座房屋的形态形成于两堵裸露的、带有色调的钢筋混凝土墙之间，墙面为当地规定的米色。在入口处，这些墙面向内折叠，形成一个下沉的入口庭院，入口通过一条位于两堵墙之间的楼梯进入。沿着这条楼梯下行，人们进入了一个几乎与外界隔绝的世界——被沉重的混凝土墙环绕（这些墙表面风化，带有模板和施工过程的印记），视野中只有天空和室内。室内空间避免了明显的空间层级：房间的形成是通过那些包含储藏室、浴室或厨房的实心块体之间留下的空间。这些块体并不是对齐的，而是错落的，摒弃了传统的走廊。通过房屋的流动性使得人们可以走多条路径到达同一目的地。

▼轴测图，axonometric © Raúl Sánchez

The house takes shape between two exposed, tinted reinforced concrete walls, rendered in beige as required by local regulations. Toward the entrance, these walls fold inward to form a sunken entry courtyard, accessed by a staircase that runs between the two walls. Descending this stair, one enters a world almost disconnected from the exterior—flanked by the heavy concrete walls (weathered and bearing the imprint of their formwork and construction process), with only the sky and interior of the house in view. Inside, the house resists clear spatial hierarchies: rooms take shape as the spaces left between solid blocks that contain storage, bathrooms, or the kitchen. These blocks are staggered rather than aligned, eliminating the traditional corridor. Movement through the house offers multiple paths to the same destination.

▼混凝土外墙，the concrete walls © David Zarzoso

▼下沉的入口庭院，a sunken entry courtyard © David Zarzoso

▼被沉重的混凝土墙环绕，flanked by the heavy concrete walls © David Zarzoso

因此，室内的体验是流动的和多样的，需要探索才能完全理解。从入口处，氛围既亲密又封闭，但远处地平线的景象始终在眼前。最终，人们会到达厨房，它完全开放，面向松树林的景观。从厨房和入口处，人们可以进入主客厅——一个双层空间，跨过门槛后就能看到这个空间的全貌。这个客厅则通过一个更加紧凑的区域延伸到入口庭院，为过渡到外部空间做好准备。双层客厅和厨房都打开到一个大露台，提供了广阔的景观视野。从那里，一条下坡小道通向游泳池区域，游泳池位于地形陡坡处，直面峡谷。在上层是三个卧室，每个卧室都有自己的浴室。地下层则设有游戏室、额外的卧室和储藏室。

The interior experience is therefore fluid and varied, requiring exploration to be fully understood. From the entrance, the atmosphere is intimate and enclosed, yet the view toward the distant horizon is always present. Eventually, one reaches the kitchen, fully open to a landscape of pine trees. From both the kitchen and the entry, one can access the main living room—a double-height space that reveals itself upon crossing the threshold. This room in turn extends toward the entrance courtyard through a more compressed zone, preparing the transition to that outdoor space. Both the double-height living room and the kitchen open onto a large terrace, offering expansive views of the landscape. From there, a descending path leads to the pool area, situated on the edge where the terrain drops into a ravine. On the upper floor are three bedrooms, each with its own bathroom. The basement level houses a playroom, additional bedroom, and storage spaces.

▼面向松树林的景观，fully open to a landscape of pine trees © David Zarzoso

▼厨房空间，kitchen space © David Zarzoso

▼双层空间，a double-height space © David Zarzoso

▼双层客厅空间，a double-height living room © David Zarzoso

对房屋的深入解读揭示了对比的游戏：混凝土的坚固通过使用方式得到了微妙的颠覆——悬臂阳台似乎没有支撑，楼上平面悬浮于空隙之上，或是一个看似分割连续板材的楼梯切面。这种双重解读同样适用于房屋的居住体验：封闭而又开放于景观；昏暗而又明亮；粗糙而又光滑。这个家抗拒简单的定义，而是接纳模糊的特质，增强了其现象学的影响力。

A close reading of the house reveals a play of contrasts: the solidity of the concrete is subtly subverted by how it’s used—cantilevered balconies that seem to lack support, upper planes resting on voids, or a staircase slice that appears to split continuous slabs. This dual reading also applies to the lived experience of the house: enclosed yet open to the landscape; dark yet bright; rough yet smooth. The home resists simple definitions, embracing instead ambiguous qualities that enhance its phenomenological impact.

▼楼上平面悬浮于空隙之上，upper planes resting on voids © David Zarzoso

家具的选择遵循相同的逻辑，将卡洛·斯卡帕、麦金托什、勒·柯布西耶、密斯·范·德·罗和米格尔·米拉等经典设计师的作品（均通过FENIX Originals提供）与现代设计师如马克西姆·哈洛特（Maxime Halot）和亚历克斯·贝洛提（Alex Bellotti）的艺术风格作品融合在一起，后者由巴塞罗那的EastWest Space代理。来自巴塞罗那Víctor Lope Arte Contemporáneo画廊的弗朗西斯科·苏亚雷斯（Francisco Suárez）和马尔戈西亚·扬科夫斯卡（Malgosia Jankowska）的艺术作品已经开始装饰墙面，这些墙面最初设计用来逐步展示一个不断增长的艺术收藏。

The selection of furniture follows the same logic, blending classics by Carlo Scarpa, Mackintosh, Le Corbusier, Mies van der Rohe or Miguel Milá (all sourced through FENIX Originals) with art-inflected pieces by contemporary designers like Maxime Halot and Alex Bellotti, represented by EastWest Space in Barcelona. Artworks by Francisco Suárez and Malgosia Jankowska—both from Víctor Lope Arte Contemporáneo gallery in Barcelona—have begun to occupy the walls, which were conceived to gradually host a growing family of art.

▼家具来自经典设计师的作品，

The selection of furniture follows the same logic, blending classics © David Zarzoso

▼卧室空间，bedroom space © David Zarzoso

▼卧室局部，bedroom © David Zarzoso

▼浴室空间，bathroom space © David Zarzoso

这座房屋全程安装了辐射地暖，并配备高效的空气热泵系统用于制冷和采暖。结合所有房间的自然交叉通风、精心的朝向和遮阳策略、雨水收集系统以及使用本地和简约材料的调色板，房屋实现了很高的环保性能。甚至混凝土的设计也考虑了减少碳足迹：大量的波特兰水泥被天然火山灰代替；回收集料代替了采石的石材；并添加了超塑化剂以减少水泥的使用量。此外，外立面使用了来自可持续管理森林的落叶松木。外立面的木质“肋骨”提供了遮阳功能，减少了过热，并帮助遮掩朝向邻居住宅的侧面窗户。房屋的布局也响应了场地的地形：部分房屋被嵌入地面，平衡了开挖与回填。地下室的位置被偏移，以便与场地的自然台地对齐。

The house features radiant floor heating throughout and an efficient aerothermal system for both cooling and heating. Combined with natural cross-ventilation in all rooms, thoughtful orientation and shading strategies, a rainwater harvesting system, and a palette of local and simple materials, the home achieves a high level of environmental performance. Even the concrete was designed to reduce its carbon footprint: much of the Portland cement was replaced with natural pozzolans; recycled aggregates were used in place of quarried stone; and superplasticizers were added to minimize cement usage. Additionally, the façade incorporates larch wood from sustainably managed forests. Wooden “ribs” on the façade provide shade to reduce overheating and help visually conceal windows on the side elevations that face neighboring homes. The house’s layout also responds to the site’s topography: it is partially embedded into the terrain, balancing excavation and backfill. The basement is offset to align with the site’s natural terraces.

▼天窗引入自然光线，skylight introducing the natural lighting © David Zarzoso

▼通往屋顶的楼梯，the staircase towards the roof © David Zarzoso

这座房屋位于塔拉戈纳郊外的卡拉·塔马里特（Cala Tamarit），坐落在一个理想的环境中，场地可通过两条道路进入，但只有从上方的街道才能进入。途中，地形变成了一条陡峭的峡谷，坡度超过100%，使得下方的区域不仅无法进入，几乎也无法使用。场地的朝向为东北至西南，并距离海边仅150米。所有的比例，无论是在平面图还是剖面图中，都遵循黄金比例。

Located in the idyllic setting of Cala Tamarit, just outside Tarragona, the plot has access from two roads, though entry is only from the upper street. Midway down, the terrain becomes a steep ravine with a slope exceeding 100%, making that lower portion not only inaccessible but practically unusable. The site is oriented northeast to southwest and lies just 150 meters from the sea. All proportions, both in plan and section, follow the golden ratio.

▼场地平面，site plan © Raúl Sánchez

▼泳池层平面，pool level plan © Raúl Sánchez

▼一层平面，ground floor plan © Raúl Sánchez

▼二层平面，first floor plan © Raúl Sánchez

▼屋顶平面，roof plan © Raúl Sánchez

▼立面，elevation © Raúl Sánchez

Architecture: Raúl Sánchez

Web:

Name of project: House at Cala Tamarit

Location: Cala Tamarit, Tarragona (Cataluña)

Team:

Architecture: Paolo Burattini, Flavia Thalisa Gütermann, Carlos Montes

Structure consultant: Diagonal estructuras

Engineering/MEP: Marés ingenieros

Quantity Surveyor: Jordi Juncosa

Photo: