“都市峡谷”公寓丨荷兰阿姆斯特丹

在阿姆斯特丹Oostenburgereiland的新城区中，一片极为狭长的地块上实现了一个紧凑的住宅组合体，其位置紧贴一座高层停车建筑的盲侧墙。Common Practice与Studio AAAN共同制定了包含64套住宅的总体规划，并设计了两栋特殊的中等租金公寓建筑，使尽可能多的公共与私人空间都能与静谧的庭院产生联系。

In the new urban district on Amsterdam’s Oostenburgereiland, a compact residential ensemble was realised on an exceptionally narrow plot along the blind side wall of a high parking building. Common Practice and Studio AAAN made the masterplan with 64 dwellings around a striking courtyard and designed two apartment buildings with special mid-rent housing, in which as many collective and private spaces as possible have a relationship with the serene courtyard.

▼项目外观，exterior of the project © Max Hart Nibbrig

▼项目外观，exterior of the project © Max Hart Nibbrig

▼建筑入口，entrance of the building © Max Hart Nibbrig

▼建筑入口，entrance of the building © Max Hart Nibbrig

在复杂的限制条件下，方案通过多种建筑手法寻求人性尺度与独特的居住体验。整体量体被划分为四栋建筑，每栋都有独立的入口门厅、居住类型与独特性格，同时又在背后由共享庭院将其联结。呼应区域工业过去的网格立面结构在街道层面产生差异化：高窗的基座、面向街道的住宅、如街角店铺般的社区空间，以及一系列高挑的门廊框景，通向隐藏的内部世界。通往公寓的入口大厅与公共自行车库均位于这些门廊内，并与庭院一起构成了一个连贯的“城市内部空间”。柔和起伏的基座在建筑群中连续延伸，并与停车楼的纪念性侧墙相连接。由此，“城市峡谷”不仅是为住宅提供额外采光的功能性空隙，也成为一个富有特色的交流场所，在日常生活中偶尔向街道开放，成为居民动线的一部分。

▼建筑模型，building model © Common Practice + Studio AAAN

Within the complex conditions, the plan seeks to find human scale and a special living experience with various architectural interventions. The mass is divided into four buildings, each with its own entrance hall, typology and character, and at the same time united at the rear around the shared courtyard. The rational composition of grid facades, referring to the industrial past of the area, is differentiated at street level: a plinth with high windows, street oriented homes, a corner-shop-like community room and a series of tall gates with vistas to a hidden inner world. The entrance halls to the apartments and collective bicycle storages are located in the gateways and form a continuous urban interior together with the courtyard. The soft undulating plinth continues throughout and makes a connection to the monumental side facade of the garage. This way, the “Urban Canyon” is not only a functional void, providing additional daylight to the dwellings, but also a characteristic meeting place that occasionally reveals itself to the street and plays a part in the daily routine of the residents.

▼内部庭院，interior courtyard © Max Hart Nibbrig

▼引入自然光线与自然通风，

introduce natural lighting and natural ventilation © Crispijn van Sas

在有限的面积中，公寓依然提供了灵活性与空间感，使其显得比实际更为宽敞。额外的滑动门可在白天将起居与卧室连为一体；背面的“半房间”可作为家庭办公室、客房或婴儿房使用。转角窗与通透的封闭式阳台使人得以斜向眺望前后立面，同时看到充满活力的城市与神秘的庭院。

Within their modest size, the apartments offer a degree of flexibility and spaciousness that makes them feel larger than they really are. An additional sliding door to connect sleeping and living spaces during the day. Additional “half rooms” at the rear can serve as home offices, guest rooms or baby rooms. Corner windows and transparent loggias allow diagonal views along the front and rear facades, to both the lively city and the mysterious courtyard.

▼入口通廊，corridor at the entrance © 左：Max Hart Nibbrig 右： Crispijn van Sas

▼入口庭院，courtyard at the entrance ©  Crispijn van Sas

▼入口门厅，lobby at the entrance ©  左：Crispijn van Sas 右：Max Hart Nibbrig

▼神秘庭院，the mysterious courtyard © Crispijn van Sas

▼室内走廊，indoor corridor © Max Hart Nibbrig

艺术作品《Stenen lezen》的设置为Amsterdam Oostenburg这片住宅组合的建成画上了最后一笔。这件作品以诗意的方式回应了城市规划中的挑战：狭长地块旁是高大的停车楼混凝土墙体。艺术家Maarten Heijkamp将这面混凝土墙视作一组地质石层，并创作了六幅具有特征性的卵石肖像。在实验性的创作过程中，他将卵石置于暗箱前，用“摄影之锤”将其放大的影像刻凿进湿黏土中。最终完成的陶制肖像墙既低调又富于动感。浮雕被精确地安置在停车楼的盲墙上，可从不同视角感受。这样，艺术品成为狭窄庭院建筑构成的一部分，三座大门廊从街道上框出视野并提供通行。多样的（转角）窗户——包括入口、楼梯间、电梯厅与公寓内的窗洞——让艺术作品融入居民的日常生活。随时间变化的掠光在肌理上游走，投射出细腻的阴影，呈现日光流动。这是艺术如何参与丰富城市空间的一个突出范例。

The placement of the artwork Stenen lezen (Reading stones) is the final gesture inthe completion of a residential ensemble in Amsterdam Oostenburg. A poetic response to the urban planning challenge of the narrow, elongated plot, dominated by the high concrete wall of the adjacent parking building. Artist Maarten Heijkamp regarded this concrete wall as a geological collection of rocks and made six portraits of characteristic pebbles. In an experimental making process, he placed these in front of his camera obscura and chiseled the enlarged projections with his ‘photographic hammer’ into wet clay.The realised ceramic portrait gallery is subtly present in the background and simultaneously dynamic. The reliefs are precisely positioned on the blind garage wall, in order to be experienced from different perspectives.In this way, the artwork becomes part of the architecture of the narrow courtyard, where three large gates provide views and access from the street. A composition of various (corner) windows in entrance and elevator halls, stairwells and apartments makes the artwork part of the residents’ daily routine. The changing raking light plays with the texture, creates refined shadows and shows the passing of the day. A remarkable example of how art can play a role in the enrichment of urban space.

▼卵石肖像装置，portraits of characteristic pebbles © Crispijn van Sas

▼卵石肖像装置，portraits of characteristic pebbles © Maarten Heijkamp

▼卵石肖像装置，

portraits of characteristic pebbles © 上：Crispijn van Sas 下：Maarten Heijkamp

总部位于阿姆斯特丹和鹿特丹的建筑事务所Common Practice与Studio AAAN的合作始于他们赢得一项青年建筑师竞赛。两家事务所都坚信“介于其间”的空间意义重大——那里是私人、集体与公共相互重叠的地方。在本项目中，他们从概念、总体规划到类型与材质的深化全过程共同推进。MIX architectuur负责设计地块中的停车楼及两栋公寓楼。Maarten Heijkamp受邀为庭院的墙面创作艺术作品。

The collaboration between the Amsterdam and Rotterdam based architecture firms Common Practice and Studio AAAN came about after winning a competition for young architects. Both firms believe strongly in the significance of the in-between as a place where the private, collective and public overlap. For this project they collaborated from concept and masterplan to the elaboration of the typology and materialisation. MIX architectuur designed the parking garage and two buildings with condominiums in the block. Maarten Heijkamp was asked to create an artwork for the wall of the courtyard.

▼场地平面，site plan © Common Practice and Studio AAAN

▼一层平面，ground floor plan © Common Practice and Studio AAAN

▼二层平面，second floor plan © Common Practice and Studio AAAN

▼入口A局部平面，Entrance A plan © Common Practice and Studio AAAN

▼入口C局部平面，Entrance C plan © Common Practice and Studio AAAN

▼立面图，elevation © Common Practice and Studio AAAN

Location: Amsterdam, Oostenburgereiland

Program: 39 apartments, community space, collective courtyard and bicycle parking

Masterplan: 64 apartments, buildings 5800m², courtyard 350m²

Architect: Common Practice and Studio AAAN

Artist: Maarten Heijkamp

Client: Housing Cooperation Stadgenoot

Contractor: Ten Brinke Bouw

Photography: Max Hart Nibbrig, Crispijn van Sas, Maarten Heijkamp