日内瓦PHARE灯塔丨瑞士日内瓦丨BUREAU（Daniel Zamarbide等）

很少有项目类型能像灯塔一样，承载如此强烈且富于启发性的诗意。灯塔既是场所也是物体，它激发着对远方的遐想，也象征着归来，是航行者风暴后重返陆地的安全标识，是一种承载并传递光芒的存在。灯塔本身正是其使命的化身——承光、导光。

▼轴测图，Axonomy © BUREAU

Few programmes offer such strong and evocative poetic substance as a lighthouse. The lighthouse is a place and an object that inspires reverie, the imagination of distant places but also of return, of a landmark, a symbol of safety after stormy voyages. The lighthouse is the very embodiment of what it carries, of why it exists: to carry and bring light.

▼外观概览，Exterior overview © Dylan Perrenoud

▼外观近景，Exterior close view © Dylan Perrenoud

这一独立的建筑不可避免地与特定的景观条件紧密相关，并且往往坐落于极其优美的环境中，因为灯塔通常位于陆地的边缘，是海上旅人归航时看到的最后或最初的一道垂直地标。

This unitary object is inevitably and closely linked to specific landscape conditions, often very beautiful, since the lighthouse is located at the edge of the landmasses, becoming the last – or first – vertical sign that the maritime traveller will see upon returning from their journey.

▼日内瓦河岸，Geneva waterfront © Dylan Perrenoud

▼入口，Entrance © Dylan Perrenoud

▼入口细节，Entrance detail© Dylan Perrenoud

日内瓦港的环境或许缺乏人们通常与灯塔剪影联系在一起的那种戏剧性景观。因此，本项目选择在日内瓦湖宁静的景致中强调其不可否认的美感。项目由此明确了其作为基础设施的定位：在某种意义上，它拒绝采用传统灯塔具象、刻板且固定的建筑形象，而以一种与护岸块石景观相呼应的基础设施姿态取而代之。

The context of the Geneva harbour may not offer the dramatic landscapes that we generally associate with this iconic silhouette. It is therefore in the calm of the Geneva Lake landscape that the Lighthouse will emphasise this undeniable beauty. The project thus deliberately confirms its vocation as infrastructure. In a way, it rejects the figurative, stereotypical and well-established architectural presence of the iconic lighthouse, replacing it with an infrastructural presence set against a landscape of riprap.

▼与护岸块石景观相呼应，Set against a landscape of riprap© Dylan Perrenoud

本灯塔向 20 世纪初苏联工程师弗拉基米尔·舒霍夫（Vladimir Shukhov）的双曲面结构致敬。阿兹奥戈尔灯塔（Adziogol Lighthouse）只是他众多超轻结构探索中的一个代表。▼建造过程，Construction process © Dylan Perrenoud

▼建造细节，Construction details© Dylan Perrenoud

The lighthouse is a tribute to the hyperboloid structures of Vladimir Shukhov, the Soviet engineer of the early 20th century. The Adziogol lighthouse is just one of his many explorations of ultra-light structures of this type.

▼静谧而精致的场地，Silent and delicate site © Dylan Perrenoud

这种轻盈特质与日内瓦河岸的环境再契合不过——宛如海市蜃楼般，是由景观与透明性共同构成的建筑。在这里，灯塔不再是一个物体，而是一种结构，一件在天空中时隐时现、具备消散感的人工构筑物。与这种垂直的轻盈形成对比的是它稳固的矿物质基座——它确实是从岩石中“生长”出来的，是对港口常见的块石的一种改造与延续。

This lightness seemed perfectly suited to the context of Geneva waterfront. A mirage, an architecture made of landscape and transparency, where the lighthouse is not an object but a structure, an artefact that plays with its appearance and disappearance, its evanescence in the sky. In contrast to this vertical lightness, it stands on a solid, mineral, anchored base. It rises, literally, from a rocky base, a modified version of the mineral blocks found throughout the harbour.

▼从岩石中“生长”出来，Rises from a rocky base © Dylan Perrenoud

这个静谧而精致的场地提供了一个独特的机会：通过恰到好处且有力的建筑介入，强调它向湖面延伸的端点特质，并作为灯塔结构的支撑基础，共同形成一片新的景观。

The site, silent and delicate, presents a unique opportunity to create a landscape, to accentuate this point of extension into the lake with a strong and well-placed development that serves as a support for the lighthouse structure.

▼台阶，Stairs © Dylan Perrenoud

因此，这处场所的体验将是多层次且丰富的，包括建筑之外与建筑之内。项目的三层空间提供不同的感受：基座层作为生活空间，通过一扇长幅观景窗获得完整的全景视野，并形成安定的室内环境；这样的室内氛围令人联想到艺术家兼建筑师 César Manrique 在兰萨罗特岛上的神奇空间创作。上层舱室则以一种紧凑而高效的船舱式体验俯瞰湖面，提供完整的全景视角。项目的最终关键元素是一盏可动态升降的灯笼。灯具通过整合在灯塔柱体与结构中的导向系统实现升降。因此，灯塔不仅成为一种结构与景观的动态装置，也能与湖面、港口形成互动，无论远景、近景或更亲近的尺度。

The experience of the place will thus be multifaceted and rich, both outside and inside the new construction. Indeed, the three floors of the proposal offer a variety of experiences. In the base, a living space, there is a panoramic view and a protected interior, centred on a long panorama window. This interior evokes the magical constructions of the artist turned architect César Manrique in Lanzarote. In the upper cabin, a compact and efficient boat cabin experience overlooks the lake and offers a full panoramic view. The final important element of the project is a dynamic lantern. The light fixture can be raised and lowered using a guidance system incorporated into the pillars and structure of the lighthouse. The lighthouse thus offers a set of dynamic landscape and structural elements that can interact with the lake and the harbour, with the distant, the near and the intimate.

▼基座层，Base © Dylan Perrenoud

▼上层舱室，Upper cabin © Dylan Perrenoud

▼全景视野，Panoramic view © Dylan Perrenoud

▼螺旋楼梯，Spiral staircase © Dylan Perrenoud

▼观景窗，Panorama window © Dylan Perrenoud

▼储藏空间，Storage space© Dylan Perrenoud

▼室内细部，Interior details© Dylan Perrenoud

Daniel Zamarbide 日内瓦 2025 春

Daniel Zamarbide Geneva Spring 2025

▼平面图，Plan © BUREAU

▼立面图，Elevation © BUREAU

▼剖面图，Section © BUREAU

Project: BUREAU (Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide) | | @daniel_zamarbide Concept design: Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide

Competition: Jolan Haidinger, Chiara Pezzetta, Ignacio Martínez Pendás, Laëtitia Chauveau, Matilde Mozzi, Inés Acito Project execution: Daniel Zamarbide, Carine Pimenta, Pierre Musy

Construction supervision: Daniel Zamarbide, Pierre Musy

Publication drawings: Pierre Musy, Valentin Racine

Context: Competition for the Lighthouse at the end of the north jetty of the port of the Société Nautique de Genève

Location: Geneva Lake, Geneva, Switzerland (CH)

Program: Lighthouse – Cold infrastructure

Gross floor area: 160 m2

Usable floor area: 120 m2

Status: Completed, 05-2025

Photography: Dylan Perrenoud

Client: Société Nautique de Genève

Specialists and Building Companies: Schnetzer Puskas Ingenieure, Karakas & Français, Ecoservices, Haller Wasser + partner, Ruch Metallbau + Panoramah, Orllati, Fulliquet & Tansini, Puchat, CS Stores