The REACH, Kennedy Center for the Performing Arts

Washington, DC, United States

As a “living memorial” for President John F. Kennedy, the Kennedy Center for the Performing Arts takes an active position among the great presidential monuments in Washington, D.C. Through public events and stimulating art, the Kennedy Center offers a place where the community can engage and interact with artists across the full spectrum of the creative process. The REACH expansion, designed by Steven Holl Architects, adds much-needed rehearsal, education, and a range of flexible indoor and outdoor spaces to allow the Kennedy Center to continue to play a leadership role in providing artistic, cultural, and enrichment opportunities.

The REACH at the John F. Kennedy Center for the Performing Arts

The design for The REACH merges architecture with the landscape to expand the dimensions of a living memorial. The landscape design includes a narrative reflection on the life of President Kennedy: a grove of 35 gingko trees, which will drop their golden autumn leaves in late November, acknowledges John F. Kennedy’s position as the 35th President of the United States; and a reflecting pool and mahogany landscape deck are built in the same dimensions and mahogany boards of Kennedy’s WWII boat, the PT109.

In complementary/contrast to the monumental original Kennedy Center building by Edward Durell Stone, The REACH’s three pavilions are fused with the landscape. They shape outdoor spaces between them, and frame views to the Washington Monument, Lincoln Memorial and Potomac riverfront. The three pavilions are interconnected below green roofs to expand the Kennedy Center’s interior space with 72,000 sf of open studios, rehearsal and performance spaces, and dedicated arts learning spaces. Embedding much of the expansion under a public landscape offers maximum green space to the community and gives landscape views from the interior spaces.

The open landscape provides both large and intimate spaces to gather and visit at all times of the day. Simulcast projections of live performances from within the Kennedy Center will be projected onto the north wall of the largest pavilion in front of a broad lawn. The landscape serves as a green roof over the interior spaces below, the largest in Washington, D.C. at approximately 69,000 sf. The varied gardens will provide opportunities for casual performances and events and other flexible locations for enhanced engagement, further positioning the Center as a nexus of arts, learning, and culture in the years ahead.

The titanium white board-formed concrete pavilions engage with the landscape, gently curving to catch natural light for the interior. The concrete finish is made up of 4” tongue and groove Douglas fir boards that lined CNC plywood forms. From a distance the concrete appears monolithic and seamless but when examined up close has the scale of wooden boards that relate to the body and hand, while simultaneously showing an imprint of the building process.

While all different in form, resisting any defined geometric description, the three pavilions are connected through their ruled-surface geometry. This strategy creates a language of forms, from conical sections to hyperbolic paraboloids, a visual acoustics echoing across the pavilions, cupping space between them, and dispersing sound on the inside.

Inside the building, a newly developed crinkled concrete texture lines the walls of rehearsal and performance spaces, integrating acoustical qualities directly within the structural cast-in-place concrete walls.

Natural light is given to all spaces via translucent, clear and curved glass. Through etching the glass, and sandwiching translucent white films between layers, luminous surfaces diffuse light deep into the interior, and glow outward at night. Windows are positioned to provide views through the full depth of the interior, from the entry lobby though rehearsal and event spaces to the river and landscape beyond, encouraging creative curiosity and dynamic interaction.

With The REACH, the Kennedy Center’s direct connection to the Potomac River is finally achieved, more than 50 years after it was lost in Stone’s initial design. A new pedestrian bridge, which appears to float over the park way, allows easy access to and from the Rock Creek Trail and the Georgetown waterfront.

The newly expanded campus positions the Kennedy Center as a 21st century, future-oriented arts institution, and celebrates President Kennedy and his significant contribution to the arts and American culture.

Client

John F. Kennedy Center for the Performing Arts

Location

Washington, DC, United States

Years

2012–2019

Size

landscape area 130,000 sq ft , interior 72,000 sq ft

Status

Complete

architect

Steven Holl Architects

Steven Holl (design architect, principal)

Chris McVoy (senior partner in charge)

Garrick Ambrose (project architect, senior associate)

Magdalena I. Naydekova (assistant project architect)

Bell Ying Yi Cai, Kimberly Chew, J. Leehong Kim, Martin Kropac, Elise Riley, Yun Shi, Dominik Sigg, JongSeo Lee, Alfonso Simelio (project team)

associate architects

BNIM Architects

project manager

Paratus Group

structural engineer

Silman

MEP engineer

ARUP

civil engineer

Langan Engineering & Environmental Services

climate engineer

Transsolar

lighting consultant

L’Observatoire International

cost estimator

Stuart-Lynn Company

code consultant

Protection Engineering Group

facade consultant

Thornton Tomasetti

landscape architect

Edmund D Hollander Landscape Architects Design

traffic and parking

Gorove Slade Associates

food service consultant

JGL Food Service Consultants

regulatory consultant

Stantec

acoustic/AV/IT/security consultant

Harvey Marshall Berling Associates

pre construction manager

James G. Davis Construction Corporation

vertical transportation consultant

Vertran

concrete consultant

Reg Hough Associates

Timeline

The REACH Kennedy Center Celebrates 5 Years September 20, 2024

Steven Holl interviewed for Detailed Podcast June 12, 2023

CBS Sunday Morning, “The ‘luminist architecture’ of Steven Holl” January 29, 2023

JFK Center for Performing Arts receives the Barrier-Free America Award September 22, 2022

America’s President of Hope November 9, 2020

NEW FILM CELEBRATES THE REACH AT THE KENNEDY CENTER FOR THE PERFORMING ARTS April 16, 2020

AWARD: The REACH Expansion and Hunters Point Library both receive 2020 AIA NY Design Awards January 17, 2020

ON THE COVER: Architect Magazine, “American Lyric: The Inclusive Patriotism of Steven Holl Architects’ Kennedy Center Expansion” October 28, 2019

The REACH at the Kennedy Center for Performing Arts opens to the public September 5, 2019

Kennedy Center for the Performing Arts Reach Expansion Construction Update June 3, 2019

Washington Post, “How the REACH was designed with community in mind” April 22, 2019

The REACH—The Kennedy Center’s First-Ever Expansion—to Open to the Public on September 7, 2019 June 5, 2018

Kennedy Center Expansion Pedestrian Bridge Unanimously Approved by the Commission of Fine Arts and National Capital Planning Commission in Washington, D.C. July 15, 2016

Kennedy Center Expansion receives $20 million in new gifts September 21, 2015

Boeing to Donate $20 Million toward Kennedy Center Expansion July 29, 2015

The John F. Kennedy Center for the Performing Arts Breaks Ground on the Kennedy Center Expansion Project December 4, 2014

The Kennedy Center will break ground for its Expansion Project on December 4 November 26, 2014

The John F. Kennedy Center For The Performing Arts Announces An Expansion Project To Be Designed By Steven Holl Architects January 29, 2013