水雕塑（卢布尔雅那）丨斯洛文尼亚丨P PLUS architects等

2026/01/13 11:15:48

查看完整案例

微信扫一扫

下载

在卢布尔雅那市中心，一座水雕塑在赢得公共设计竞赛九年后得以实现。该作品被构想为对城市公共空间在空间与象征层面上的双重贡献，在密集的城市肌理中引入了一个独特的微环境——一个小型的城市“平台”。其连续而圆润的形态在城市喧嚣之中营造出一个相对独立、近乎亲密的空间。雕塑以连续的空间环形展开，既框定又引导视线，形成一系列不断变化的视觉体验。对于行人而言，它呈现出一种动态的轮廓，从不同角度观看都会展现出不同的形态。

In the very centre of Ljubljana, a water sculpture has been realised nine years after winning a public design competition. Conceived as both a spatial and symbolic contribution to the city’s public realm, it introduces a distinct micro-ambient within the dense urban fabric – a small urban “platform” whose continuous, rounded form establishes a separate, almost intimate space amid the city’s bustle. Shaped as a continuous spatial loop, the sculpture frames and directs views while generating a sequence of ever-changing visual experiences. For passers-by, it presents a dynamic silhouette that reveals itself differently from every vantage point.

▼水雕塑与街景，Water sculpture in the urban context © Ana Skobe

这座雕塑并非只是一个可以绕行的物体，而是一种空间体验。它邀请行人进入其中，成为雕塑的一部分。作品并不将观者与艺术品分隔开来，而是通过行走、触摸、停坐和在其线条所围合的空间中停留，将人纳入其中。它创造了一个不仅可以被观看，更可以被亲身体验的场所。

The sculpture is not an object to be merely walked around. It is conceived as a spatial experience that invites passers-by to become part of it. Rather than separating the observer from the artwork, it incorporates them through movement, touch, sitting and inhabiting the space within its lines. It creates a place that is not only seen, but also experienced.

▼环形空间，Loop form with running water © Ana Skobe

在象征层面上，雕塑表达了运动、流动、循环、流体性与连接的主题。它既是对饮用水的致敬，也是对自然永恒循环的隐喻。作品象征着世界的动态平衡，以及基于持续流动、转化和万物互联的自然过程。水在雕塑内部的流动成为这一交织关系的象征——一种不间断的流动，将可见与不可见、物质与非物质、个体与整体连接在一起。

On a symbolic level, the sculpture speaks of movement, flow, circulation, fluidity and connection. It is a tribute to drinking water and a metaphor for the eternal cycles of nature. It represents the dynamic balance of the world and natural processes based on constant flow, transformation and the interconnectedness of all forms of life. The movement of water within the sculpture becomes a metaphor for this interweaving – an uninterrupted flow linking the visible and the invisible, the material and the immaterial, the individual and the whole.

▼雕塑作为城市微平台，The sculpture as an urban micro-platform © Ana Skobe

因此，这座水雕塑超越了纯粹的审美或功能角色，成为一个用于沉思、表达对自然敬意并提醒人类自身责任的空间。材料的选择——不锈钢——具有明确的意图：其反射表面将周围环境与行人纳入其中，使雕塑不断变化。在一天中不同的时刻以及不同的天气条件下，其外观持续转变，有时甚至近乎“去物质化”。在晴朗的天空下，它呈现出一种面貌；在云层之下则显得截然不同；在西向阳光中泛起黄橙色的光泽，而在雨中又展现出全新的表情。

In this way, the water sculpture transcends a purely aesthetic or functional role, establishing itself as a space for contemplation, respect for nature and a reminder of the responsibility we bear as part of its cycle. The choice of material – stainless steel – is deliberate: its reflective surface incorporates the surroundings and passers-by, continuously transforming the sculpture. At different times of day and under varying weather conditions, its appearance shifts and at moments almost dematerialises – under clear skies it reads differently than beneath clouds; in the western sun it glows in yellow-orange tones, while in the rain it once again takes on a new expression.

▼进入与穿行的空间体验，An immersive spatial experience © Ana Skobe

这座新的水雕塑已成为城市居民与访客共同认可的重要空间地标。正如其最初构想那样，它并不围合或分割空间，而是以柔和的方式连接空间与人群，如今它也真正以这种方式运作并融入城市生活。

The new water sculpture has become a distinctive spatial landmark for both residents and visitors to the city. Just as it was originally conceived as a spatial intervention that does not enclose or divide, but softly connects space and people, it now truly functions and lives in this way.

▼细部，Detail © Ana Skobe