合肥美术馆丨中国合肥丨同济大学建筑设计研究院（集团）有限公司

文化塑源：合于一源、分而为二

Cultural Tracing; United in one source, divided into two Paths

文化溯源是指通过追溯历史脉络探究文化起源与演变，是当今文化领域的热点议题之一，在合肥美术馆的项目实践中，我们则从建筑学的角度审视，提出文化溯源的建筑化体现——文化“塑源”，即以一种城市雕塑的形式去塑造合肥文脉的原型。

Cultural tracing refers to exploring the origin and evolution of culture by retracing historical contexts. As one of the hot topics in today’s cultural field, it has been examined from an architectural perspective in the project practice of Hefei Art Museum. We thus propose an architectural embodiment of cultural tracing—namely,“Cultural Origin Shaping”, which means forging the prototype of Hefei’s cultural context in the form of an urban sculpture.

▼ 项目鸟瞰，Aerial-view of the project © 马元

《尔雅-释水》中曰：“归异出同流，曰肥”，合肥就是因东、南淝河发源于此，合于一源、分而为二，故称合肥。因此方案以两个中心对称的多曲面形体相交叠来表现两水相汇、合于一源的灵动形象。美术馆屋顶的起翘和交错的曲面就像是一朵凝固的白色浪花，恰好就落在了这天鹅湖畔。

▼ 设计理念，Design concept © TJAD

As stated inErya·Shui Shi (Explaining Waters):“When different streams flow from a single source, it is called ‘fei’.”Hefei derives its name precisely from this fact—the East Fei River and South Fei River originate here,unifying into one source and branching into two paths.Accordingly, the design adopts two centrally symmetrical multi-curved volumes intersecting and overlapping, so as to visualize the vivid imagery of the two rivers converging and sharing a common origin. The upturned, interlaced curved surfaces of the art museum’s roof resemble a frozen white spray, which rests just perfectly on the shore of Swan Lake.

▼ 北入口广场鸟瞰，Aerial View of the North Entrance Plaza © 马元

▼ 转角透视，Corner Perspective © 马元

归异出同：形式、空间与结构的一体化设计

Reconciling Diversity with Universality: The Integrated Design of Form, Space and Structure

在这次实践中，形式、空间结构的一体化设计是我们追求。4个混凝土卷筒作为结构核心，限定出展厅空间的同时，又塑造了流动的公共空间——峡谷般的廊道、位于“交汇的中心”的中庭。再结合两大空间-结构亮点——主入口桥式桁架、大尺寸悬挂旋转楼梯（半径约6.12m，由8根钢索悬拉，其独特挑战性属国内罕有），进而形成了“多种类结构构件组合的复杂多层结构体系”。

▼ 结构体系示意图，Structural System Diagram © TJAD

In this practice, the integrated design of form, space and structure was our pursuit. Four concrete cylinders serve as the structural cores, which not only define the exhibition space, but also shape fluid public spaces—canyon-like corridors and an atrium located atthe “convergence hub”. Combined with two major space-structure highlights—the main entrance bridge truss and the large-scale suspended spiral staircase (with a radius of approximately 6.12 meters and suspended by 8 steel cables, its unique structural challenge is rarely seen in China)—a“complex multi-layer structural system composed of a variety of structural components”is thus formed.

▼ 大厅，Lobby © 马元

▼ “峡谷”走廊，“Canyon” Corridor © 马元

流光游影：时空游走中的感知艺术

Flowing Light and Wandering Shadows: The Art of Perception in Spatiotemporal Drift

通高天窗引入的光束在混凝土卷筒的弧形表面上投下漫步的光影，使人们一步入美术馆时便能接受光的洗礼。中庭上空巨大、悬浮的铜色旋转楼梯犹如“交汇的漩涡”极为震撼，既是视觉的焦点，也是驱动空间流动的核心。引导着来访者在循迹而上中接近天空，在盘旋中回望与对视。水平通廊“峡峙”在南北两侧高大的混凝土“卷筒”之间，上方细长的天窗引导天光顺着“峡谷”侧壁向下蔓延，令人犹如漫游在水墨峡谷之中。▼ 旋转楼梯，Spiral Staircase © 马元

▼ 交汇的漩涡，Converging Vortex © 马元

▼ 旋转楼梯细部，Spiral Staircase details © 马元

我们之所以关注空间流动性，是因为它带来了人的流动、视线的流动，以及光影的流动，正是它们构成了空间动态感知的核心要素，同时亦和人与艺术品的交互异曲同工。因此，整个公共空间本身就可以成为一件艺术品，观众身处其中步移景异，从不同角度去发现不同的美。这也是建筑师的愿景，即通过设计去引发公众对美学自主的探索和发现。

We focus on spatial fluidity because it facilitates the flow of people, the flow of sightlines, and the flow of light and shadows. These elements constitute the core of dynamic spatial perception, and they share the same essence as the interaction between humans and artworks. Thus, the entire public space itself can be regarded as a work of art, where visitors witness ever-changing views with each step and discover unique beauty from different angles. This is the architect’s vision: to inspire the public to engage in independent aesthetic exploration and discovery through design.

▼ 开幕大厅，The Grand Lobby © 马元

▼展厅，Exhibition Hall © 马元

▼ 边庭楼梯，Side Courtyard Staircase © 马元

▼ 咖啡厅及艺术商店，Café and Art Shop © 马元

▼ 走廊的多重流动空间，Multi-layered Flowing Space of the Corridor © 马元

▼ 空间细部，Spatial Detail © 马元

转译：传统技艺的当代表达

Translation: Contemporary Expressions of Traditional Crafts

传统文脉的当代转译。在设计之初我们就研究了合肥的传统美术工艺，其中有一项“烙印葫芦”和“吴山铁字”对我们很有启发。我们希望通过转译的方式将传统工艺“映射”到设计中。

The contemporary translation of traditional cultural context. From the very beginning of the design process, we researched the traditional arts and crafts of Hefei. Two art forms in particular—Branded GourdsandWushan Iron Calligraphy—served as great sources of inspiration. We aimed to “translate” these traditional crafts into the design through a process of creative reinterpretation.

▼幕墙外观，Facade curtain wall © 马元

“桂花”浮雕UHPC幕墙——“烙印葫芦”是利用烙铁在葫芦上进行类似“凹浮雕”的创作。以合肥市花桂花为母题设计了一套“桂花”浮雕UHPC幕墙。设计充分发挥其新材料高强度的性能优势，单块UHPC尺寸为2.4m X 6.0m，可无须龙骨仅靠上下端直接连接上下层板间。每块单元板包含10个1.2mX1.2m四孔交织的桂花正方形花格，远看虚实有序，近看又有层岩与石雕般的表面和细节。

在照明设计方面，利用桂花图案的镂空孔洞内侧下部嵌入安装LED点光源，结合立面穿孔参数化设计的虚实渐变效果，营造出远观如繁星点点，近看如金桂满枝的典雅艺术氛围。

“Sweet Osmanthus”Bas-Relief UHPC Curtain Wall-Branded Gourds involves creating bas-relief-like patterns on gourds using a heated iron. Inspired by this craft, we designed a set of sweet osmanthus bas-relief UHPC curtain walls, taking Hefei’s city flower—the sweet osmanthus—as the motif. The design fully leverages the high-strength properties of this new material: each UHPC panel measures 2.4m × 6.0m and can be directly connected between the upper and lower floor slabs without the need for keel supports. Each panel features 10 square grids (1.2m × 1.2m each), with interwoven four-hole osmanthus patterns. From a distance, the panels present a striking rhythm of solid and void; up close, they showcase surface textures and details reminiscent of layered rock formations and stone carvings. In terms of lighting design, LED point light sources are embedded in the lower inner side of the hollowed osmanthus patterns. Combined with the parametrically designed gradient effect of solid and void on the facade, this setup creates an elegant artistic atmosphere—resembling twinkling stars from afar and branches heavy with golden osmanthus blossoms up close.

▼ “桂花”浮雕UHPC幕墙细部，Detail of “Osmanthus” Relief UHPC Façade © 马元

▼ UHPC近景灯光效果，UHPC Close-up with Lighting © 马元

▼ “桂花”浮雕UHPC幕墙细部夜景，Night View Detail of “Osmanthus” Relief UHPC Façade © 罗溪

“巢湖金粼”铜画卷幕墙——“吴山铁字”则是以锤代笔，以铁作墨，是一种金属的锻打工艺。我们借助锻打工艺，以3种不同尺寸的“铜画卷”（共9286片，尺寸为高300mm，长度500 - 600mm不等），通过像素化组合形成图底关系抽象的表现了石涛《巢湖图》独特的漫卷波涛，在面向主干道的东立面构建了一幅巨幅“巢湖金粼”铜画卷。“铜画卷”模块在平面方向上卷曲成“U”字形态，其开口方向和弧度使其视觉效果借助光影随着视角移动造成的微妙视差效果，形成波光翻腾的“动态图像”（随南北方位视角变换，还能形成图底关系反转）。使静态的幕墙兼具了动态的效果，也为建筑赋予了更多的美学维度。

▼铜画卷幕墙过程推敲模型，Design process © TJAD

“Chaohu Lake Golden Ripples” Copper Scroll Curtain Wall-Wushan Iron Calligraphy is a metal forging craft where a hammer serves as the brush and iron as the ink. Drawing on this forging technique, we created 9,286 copper scrolls in three different sizes (each 300mm in height and 500–600mm in length). Through pixelated arrangement, these scrolls form an abstract representation of the rolling waves depicted in Shi Tao’s Chaohu Lake Painting, constructing a magnificent “Chaohu Lake Golden Ripples” copper scroll mural on the east facade facing the main road. Each copper scroll module is curved into a U-shape in the horizontal plane. The direction of the opening and the curvature of the scrolls create subtle parallax effects with shifting light and shadow as the viewing angle changes, resulting in a dynamic image of shimmering, undulating waves. As the viewing angle shifts from north to south, the figure-ground relationship of the pattern even reverses. This design endows the static curtain wall with dynamic effects, adding more aesthetic dimensions to the building.

▼ “巢湖金粼”铜画卷幕墙，Chaohu “Golden Ripples” Copper Scroll Façade © 马元

▼ “巢湖金粼”铜画卷幕墙细部，Detail of Chaohu “Golden Ripples” Copper Scroll Façade © 马元

结语

Epilogue

合肥美术馆以崭新的姿态伫立于巢湖之滨，以极具辨识度的建筑语汇与空间形态激荡着现代艺术的创新活力。她是镌刻着城市印记的文化新地标，亦是绽放着当代艺术活力的美学新高地。

Standing in a brand-new posture on the banks of Chaohu Lake, Hefei Art Museum stimulates the innovative vitality of modern art with its highly distinctive architectural vocabulary and spatial form. It is a new cultural landmark engraved with the city’s imprint, and a new aesthetic highland blooming with the vitality of contemporary art.

▼ 夜览，Nightview © 马元

▼模型，Model © TJAD

▼ 一层平面图，First Floor Plan © TJAD

▼ 二层平面图，Second Floor Plan © TJAD

▼ 三层平面图，Third Floor Plan © TJAD

▼ 四层平面图，Fourth Floor Plan © TJAD

▼ 地下二层平面图，Basement Level -2 Floor Plan © TJAD

▼ 地下一层平面图，Basement Level -1 Floor Plan © TJAD

▼ 屋顶层平面图平面图，Roof Floor Plan © TJAD

▼ 屋顶百叶平面图，Roof Louver Plan © TJAD

▼ 屋顶构架平面图，Roof Stucture Plan © TJAD

▼ 剖面图，Section © TJAD

项目名称：合肥美术馆

项目类型：公共文化建筑

建设单位：合肥市文学艺术界联合会

代建单位：合肥市重点工程建设管理局

设计方：同济大学建筑设计研究院（集团）有限公司

项目设计：2018.12

完成年份：2025.9

项目地址：安徽省合肥市政务区文博园

建筑面积：36000㎡

设计团队：同济大学建筑设计研究院 建筑设计四院

项目总负责人：江立敏，谭劲松

建筑：张煜，罗溪，徐艳，秦宇洁，巢静敏，刘镕玮，马雪松，蒋伶佼，邱楚懿

结构：刘冰，殷维忠，程睿，张硕，沈葵，洪祎，高路巧

给排水：任军，金伟格，葛佳春

电气：顾玉辉，罗颜，蔡猛龙

暖通：钱必华，徐伟鹏，陆袁

幕墙：田利军，陈伟庭，欧阳海强、吴金剑、张磊

岩土：张准，刘佳星

照明：杨秀 卞晨 顾兴花 徐霞青 温海兰 马玥 刘苏玥

景观：何强 林久钞 李莉娟 刘媛媛 周耀辉 詹丽文

摄影版权：马元、罗溪

合作方：室内方案设计咨询：上海热气建筑设计有限公司

展厅设计咨询：南京金鸿装饰工程有限公司

材料：UHPC、铜、复合铜板

Project Name: Hefei Art Museum

Project Type: Public Cultural Building

Client: Hefei Federation of Literary and Art Circles

Construction Management Unit: Hefei Key Projects Construction Administration Bureau

Design Firm: Tongji Architectural Design (Group) Co., Ltd.

Design Start Date: December 2018

Completion Year: September 2025

Project Location: Wenbo Garden, Government Affairs District, Hefei City, Anhui Province

Building Area: 36,000 square meters

Chief Project Managers: Jiang Limin, Tan Jinsong

Architecture: Zhang Yu, Luo Xi, Xu Yan, Qin Yujie, Chao Jingmin, Liu Rongwei, Ma Xuesong, Jiang Lingjiao, Qiu Chuyi

Structure: Liu Bing, Yin Weizhong, Cheng Rui, Zhang Shuo, Shen Kui, Hong Yi, Gao Luqiao

Water Supply & Drainage: Ren Jun, Jin Weige, Ge Jiachun

Electrical Engineering: Gu Yuhui, Luo Yan, Cai Menglong

Heating, Ventilation & Air Conditioning (HVAC): Qian Bihua, Xu Weipeng, Lu Yuan

Curtain Wall: Tian Lijun, Chen Weiting, Ouyang Haiqiang, Wu Jinjian, Zhang Lei

Geotechnical Engineering: Zhang Zhun, Liu Jiaxing

Lighting Design: Yang Xiu, Bian Chen, Gu Xinghua, Xu Xiaqing, Wen Hailan, Ma Yue, Liu Suyue

Landscape Design: He Qiang, Lin Jiuchao, Li Lijuan, Liu Yuanyuan, Zhou Yaohui, Zhan Liwen

Photography Copyright: Ma Yuan, Luo Xi

Cooperation Partners: Interior Concept Design Consultancy: Shanghai Reqi Architectural Design Co., Ltd.

Exhibition Hall Design Consultancy: Nanjing Jinhong Decoration Engineering Co., Ltd.

Materials: UHPC (Ultra-High Performance Concrete), Copper, Composite Copper Plate