Bugye植物园“Sayuwon”·鸟之修道院丨韩国丨Iroje

Bugye 植物园“Sayuwon”·鸟之修道院由Iroje设计

Bugye Arboretum ‘Sayuwon’ Birds’ Monastery by Iroje (2021)

这座小型建筑最初是为韩国非军事区（DMZ）装置艺术项目而设计，并曾在包括日本原美术馆（Hara Museum of Contemporary Art）在内的多家美术馆展出。当水被引入 Sayuwon——一座韩国植物园（其总体规划及多座亭子亦由我们设计）并在其中形成池塘与水流时，这一设计得以真正落地。水体环境的变化促使场地需要一处新的庇护空间，以容纳具有生态多样性的群居鸟类。鸟巢在垂直方向上相互连接，因此我将其隐喻性地命名为“鸟之修道院”。人们也可以在此短暂停留，进行片刻的沉思。作为修道院主要材料的竹子，与周围环境自然融合；终有一天，它将倒塌消失，仅作为景观记忆留存于此。

This small architecture was originally designed for the Korean Demilitarised Zone installation art project and has been exhibited in several galleries including Hara Museum of Contemporary Art in Japan. The opportunity to realize the design appeared when water was stored and flew across Sayuwon, a Korean arboretum where we designed its masterplan and several pavilions within. The change to the pond and stream required a new shelter for flocking birds with ecological diversity. Nests were vertically connected, and I metaphorically named it “The Birds’ Monastery”. People can also stay for a short moment of reflection. Bamboo, the main material of this monastery blends well into its environment and one day it would collapse to remain as just a memory of the landscape.

▼Bugye 植物园“Sayuwon”·鸟之修道院外景，Exterior of the Bugye Arboretum ‘Sayuwon’ ‘Birds’Monastery ©Danny Kai

Myeongjeong由承孝相设计

Myeongjeong by Seung H-Sang (2019)

明净，是此生与来世交汇之所。它由一处庭院构成，在那里，人们只能仰望天空，从而忘却周遭的美丽风景；这是一个关于遗忘之水与红色安宁的世界，四周被小型圣所与狭窄而如生命般延续的通道所环绕。

Myungjeong is where this life and the next life intersect. It consists of a yard where one can only see the sky, forgetting the beautiful scenery, a world of forgetful water and red peace, surrounded by small sanctuaries and narrow passages of life.

▼Myeongjeong内部水池，Myeongjeong interior pool ©Danny Kai

▼Myeongjeong走廊，Myeongjeong corridor ©Danny Kai

▼Myeongjeong内部细节，Myeongjeong interior detail ©Danny Kai

Sodae/观景台由阿尔瓦罗·西扎 + 卡洛斯·卡斯塔涅拉设计

Sodae /Miradouro by Alvaro siza+carlos castanheira (2019)

这座观景设施是在阿尔瓦罗·西扎的请求下，与 Soyoheon 一同构想完成的，在葡萄牙语中被称为 Mirador，如今则被称为“鸟巢”。沿着一座倾斜、高达 20.5 米的塔楼攀登而上，游人可从近景与远景两个尺度，分别眺望东、西、南、北四个方向的园林景观。

The observatory, conceived together with Soyoheon at the request of Alvaro Siza, was called Mirador in Portuguese and is now called the Bird’s Nest. Climbing the 20.5m tilted tower, you will have close and distant views of the garden to the east, west, south and north.

▼Sodae/观景台外景，Exterior of the Sodae /Miradouro ©Danny Kai

Soyoheon艺术亭由阿尔瓦罗·西扎 + 卡洛斯·卡斯塔涅拉

Soyoheon Art Pavillion by Alvaro Siza + Carlos Castanheira (2017)

阿尔瓦罗·西扎曾为马德里 Oeste 公园构想了一项新的虚拟项目，用于展出毕加索的《孕妇》与《格尔尼卡》。而在 Soyoheon，取而代之的是诗人雕塑。这里是一处铭刻着生与死循环的空间——在韩国战争时期，这里曾是一片激烈的战场。

Alvaro Siza has created a new virtual project for Madrid’s Oeste Park, which will exhibit Picasso’s Pregnant Woman and Guernica.

Soyoheon, where sculptures of poets are installed instead of Picasso’s works, is a space where the cycle of life and death is engraved, having been a fierce battleground during the Korean War.

▼Soyoheon艺术亭与自然，Soyoheon Art Pavillion and nature ©Danny Kai

▼Soyoheon艺术亭室内光影，Soyoheon Art Pavillion Interior daylighting ©Danny Kai

▼Soyoheon艺术亭走廊，Soyoheon Art Pavillion corridor ©Danny Kai

▼Soyoheon艺术亭露台，Soyoheon Art Pavillion balcony ©Danny Kai

Symphony 6由安德烈亚·利维拉尼

Symphony 6-Andrea Liverani (2025)

“交响 6”位于花园顶端、明净亭旁，是一处多功能的户外演出空间，可承载包括韩国传统音乐、古典音乐与舞蹈在内的多样表演与文化活动。该项目由意大利建筑师安德烈亚·利维拉尼设计，以“帐篷”为概念，将钢结构与自然环境相融合，并采用受折纸启发的耐候钢（Corten Steel）结构体系。这一可容纳 250 个座位的空间，与八公山的壮丽景观相互呼应，在艺术性与功能性之间取得平衡，成为多元文化活动的承载场所。

Located next to the Myungjeong Pavilion at the top of the garden, Symphony 6 is a multipurpose outdoor performance venue that hosts a variety of performances and cultural events, including Korean traditional music, classical music, and dance. Designed by Italian architect Andrea Liverani, it features a “tent” concept that blends steel and nature, and features a Corten steel structure inspired by origami. This 250-seat space, in harmony with the magnificent scenery of Palgongsan Mountain, hosts a variety of cultural events that combine artistry and functionality.

▼Symphony 6外景，Exterior of Symphony 6 ©Danny Kai

▼Symphony 6细节，Symphony 6 detail ©Danny Kai

Photo essay by Danny Kai

Photos by danny kai