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垂虹小筑:苏州吴江婚礼堂丨中国苏州丨南沙原创建筑设计工作室等多家单位

2026/02/04 17:03:52

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设计背景

Design Background

吴江婚礼堂坐落于苏州市吴江垂虹景区北侧, 其文脉可溯源至始建于北宋的垂虹桥。历经千年演变，场地内汇聚了垂虹桥遗址、华严塔、计成纪念馆等重要文化节点，是太湖与运河交汇时期，最负盛名的水系格局，刻录着吴江千年历史沉积的格局变迁。

Wujiang Wedding Hall is located on the northern side of the Chuihong Scenic Area in Wujiang District, Suzhou. Its cultural roots could be traced back to the Chuihong Bridge, originally built during the Northern Song Dynasty. Over the course of a millennium, the site has accumulated a series of significant cultural landmarks, including the ruins of Chuihong Bridge, Huayan Pagoda, and the Ji Cheng Memorial Hall. Together, these elements form a historic landscape shaped by the convergence of Taihu Lake and the Grand Canal, bearing witness to the layered transformations of Wujiang’s urban and cultural history.

该片区与松陵公园、古城墙遗址、吴江文庙联袂，构成吴江“运河八景”中的“垂虹秋色”胜景，是吴江居民日常休闲与活动的高频场所。近年来，更是以运河水系与滨水绿地为主脉，通过系统性的更新与整合，让人文历史重焕生机与活力。

The area, together with Songling Park, the remains of the ancient city wall, and the Wujiang Confucian Temple, constitutes the renowned scenic ensemble known as “Autumn Colors at Chuihong” one of the “Eight Views of the Grand Canal in Wujiang.” It has long served as a vibrant setting for the daily leisure and social activities of local residents. In recent years, systematic renewal and integration centered on the canal water system and waterfront green spaces have revitalized the area, allowing its historical and cultural heritage to regain new vitality.

▼《吴江县志》中描绘的松陵八景之塔寺朝阳-由万科城市研究院提供，“Pagoda and Temple in the Morning Sun,” one of the Eight Scenic Views of Songling depicted in Wujiang County Gazetteer — courtesy of Vanke Urban Research Institute

▼清末时期的垂虹桥与华严塔影像-由万科城市研究院提供，Historical image of Chuihong Bridge and Huayan Pagoda from the late Qing dynasty — courtesy of Vanke Urban Research Institute

项目原址为一栋两层高的咖啡店及门球场，位于两条道路交汇的转角位置，已闲置多年。项目改造在保留原有建筑结构基础上，引入婚姻登记处、社区商业空公共活动等功能，让历史文脉与现代生活相融合。

The original project site consisted of a two-story cafe and a gateball court located at the intersection of two streets, which had been vacant for many years. The renovation preserves the existing structural framework while introducing new functions such as a marriage registration office, community-oriented commercial spaces, and public activity areas. Through this transformation, the project seeks to weave together historical context and contemporary urban life.

▼婚礼堂与周边环境鸟瞰，Aerial view of the wedding hall and surroundings © James Young

设计策略

Design Strategy

现状建筑呈L形布置，体量封闭，不仅在视觉层面上形成了硬性阻隔，切断了城市公共空间与垂虹景区之间的景观渗透与视线关联，在城市界面上难以感知垂虹景区的自然风貌与空间意境；同时，这种封闭的建筑布局还阻碍了步行系统的连续性，市民无法从北侧顺畅地步入垂虹景区，削弱了景区的可达性与公共服务价值，也破坏了城市与自然景观有机融合的空间格局。

The existing building adopts an L-shaped configuration with an enclosed massing. Visually, it forms a rigid barrier that interrupts the spatial and visual connection between the urban public realm and the Chuihong Scenic Area, making it difficult to perceive the natural landscape and spatial atmosphere of the site from the surrounding streets. Moreover, this inward-looking layout disrupts the continuity of the pedestrian network, preventing citizens from accessing the scenic area smoothly from the northern side. As a result, the accessibility and public service value of the site are significantly weakened, undermining the organic integration between the city and its natural landscape.

▼改造前，Before renovation © NODE

▼改造策略，Design strategy © NODE

设计通过拆除街角处遮挡视线、阻碍通行的墙体，在南北向形成一条贯通的公共通廊——既是婚礼堂的主入口，也是一条从城市街道看向华严塔的视觉通廊，显塔露景，让华严塔融入城市环境中，重建城市与垂虹景区之间的空间关联。

By removing the walls at the street corner that blocked views and hindered circulation, the design creates a continuous north–south public corridor. This corridor serves not only as the main entrance to the Wedding Hall but also as a visual passage connecting the urban street to Huayan Pagoda. Through this intervention, the pagoda is revealed and visually reintroduced into the urban setting, reestablishing the spatial relationship between the city and the Chuihong Scenic Area.

▼改造后，After renovation © James Young

通过这一介入，原本割裂的城市界面被重新缝合，婚礼堂建筑链接城市公共空间与垂虹景区的媒介。

Through this intervention, the previously fragmented urban interface is reconnected, and the Wedding Hall becomes a mediator linking the urban public realm with the Chuihong Scenic Area.

▼透过华严塔眺望婚礼堂，View of the wedding hall through the Huayan Pagoda © James Young

▼苏州吴江婚礼堂，Wujiang Wedding Hall © James Young

空间与功能组织

Spatial and Functional Organization

改造后的建筑，功能杂糅拼合，是集行政服务、公共活动与商业功能于一体的复合型空间。设计以层层递进的游览路线，组织不同功能空间，在行走中逐步展开空间层次，营造出步移景异的空间体验。

After renovation, the building accommodates a hybrid program, integrating administrative services, public activities2, and commercial functions into a composite spatial system. The design organizes these diverse functions along a progressively unfolding circulation route, allowing spatial layers to be revealed gradually through movement and creating a rich and dynamic experiential sequence.

▼轴侧分析图，Axonometric © NODE

▼首层平面图，GF plan © NODE

由打开后的首层主入口进入，水景作为前置空间，自然而然引导访客进入。主入口两侧分别布置婚姻登记处办公等候区与餐饮花店空间。婚姻登记处与驳岸景观相融，提升等候时的的体验；餐饮花店采用双向开启的界面，无缝衔接街道与公园，实现商业功能与公共空间的有机串联。

Entering through the newly opened main entrance on the ground floor, visitors are gently guided inward by a water feature that forms an inviting forecourt. Flanking the entrance are the waiting and service areas of the marriage registration office on one side, and a café and flower shop on the other. The registration office is integrated with the waterfront landscape, enhancing the experience of visitors while they wait. Meanwhile, the café and flower shop adopt a dual-facing frontage, seamlessly connecting the street and the park, and enabling an organic integration between commercial functions and public space.

▼从垂虹景区看向婚礼堂，View from Chuihong Scenic Area © James Young

▼从街道走向二层，View of the path from the street to the second floor © James Young

上行至二层，路径分叉为中西两个颁证厅，形成差异化的空间体验——西厅以高天窗设计引入自然光，结合简约的室内设计，塑造出静谧庄重的仪式感；中厅则以竹钢为主材，通过借景手法将室外园林景观引入室内，竹材本身的纹理与自然景观交织，传递出温暖雅致的人文意蕴。

Ascending to the second floor, the circulation route branches into two certification halls—a Western-style hall and a Chinese-style hall—each offering a distinct spatial character. The western hall features a high skylight that introduces ample natural light, combined with a minimalist interior to create a serene and dignified ceremonial atmosphere. In contrast, the Chinese hall employs bamboo-steel as its primary material and uses a “borrowed scenery” strategy to draw the outdoor garden landscape into the interior. The natural texture of the bamboo interweaves with the surrounding scenery, conveying a warm, elegant, and culturally rich ambiance.

▼中西式颁证厅，Chinese- and Westernhalls © James Young

▼从西式颁证厅看向中式颁证厅，View from the western hall toward the Chinese hall © James Young

空间布局进一步向外延伸：原建筑西侧的门球场改造为戏台，作为垂虹景区北侧的出入口；其二层平台与中西颁证厅连通，形成一个整体观景平台，访客可在此驻足，欣赏垂虹景区的全景风光。

The spatial layout is further extended outward. The former gateball court on the western side of the original building has been transformed into an open-air stage, serving as an entrance and gathering space on the northern edge of the Chuihong Scenic Area. Its second-floor platform connects directly with the two certification halls, forming an integrated viewing terrace where visitors can pause and enjoy panoramic views of the scenic landscape.

▼戏台与婚礼堂形成一个整体观景平台，The stage and wedding hall form an integrated viewing platform © James Young

建筑设计采取“对外屏蔽、对内开放”的双立面策略。临城市一侧以相对内敛的界面作为缓冲，削弱城市交通噪音带来的干扰；面向公园一侧则以开放、通透的立面形态展开，通过多层廊道、观景平台与连续的休憩空间，将建筑活动引入公园景观之中，实现空间的渗透融合。

The architectural design adopts a dual-façade strategy of being “shielded outward and open inward.” Facing the city, the building presents a relatively restrained interface that serves as a buffer, mitigating the impact of traffic noise and urban disturbance. Toward the park, however, the façade opens up with a transparent and permeable form. Through multi-level corridors, viewing platforms, and continuous resting spaces, architectural activities are drawn into the surrounding landscape, enabling a seamless integration between built space and natural environment.

▼从戏台看向婚礼堂，View of the wedding hall from the stage © James Young

这种多功能的复合布局赋予建筑全天候的活力与吸引力，使其成为兼具空间厚度与人文温度的城市公共空间。在这里，无论是办事群众、文化爱好者还是休闲游客，都能找到契合自身需求的场景，获得独特的体验，建筑成为城市公共空间与垂虹景区的价值共生的载体。

This multifunctional and composite layout endows the building with vitality and attractiveness throughout the day, transforming it into an urban public space characterized by both spatial depth and human warmth. Here, administrative visitors, cultural enthusiasts, and casual tourists alike can find spaces suited to their needs and enjoy distinctive experiences. The building thus becomes a carrier of shared value, fostering a symbiotic relationship between the urban public realm and the Chuihong Scenic Area.

▼婚礼堂处于城市与垂虹景区之间，The wedding hall sits between the city and the Chuihong Scenic Area © James Young

空间与结构

Space and Structure

原建筑为框架结构，二层屋顶由平屋顶与坡屋顶组合而成。为满足中西颁证厅空间特征及视线通廊的需求，设计选择性拆除原建筑的围护构件及平屋顶结构部分，保留坡屋顶的主体结构框架，在此基础上开展后续空间与结构的一体化重构设计，实现新旧结构的有机拼合与功能适配。

The original building was constructed as a reinforced concrete frame structure, with a roof composed of both flat and pitched sections. To accommodate the spatial requirements of the Chinese- and Westernhalls and to create the desired visual corridor, the design selectively removed portions of the existing enclosure components and flat roof structure, while retaining the primary structural framework of the pitched roof. On this basis, an integrated redesign of space and structure was carried out, enabling the organic combination of new and old structural systems and ensuring their functional compatibility.

▼保留与拆除结构示意图，Diagram of retained and removed structures © NODE

▼新旧结构，New and retained structures © James Young

中式颁证厅

Chinese hall

中式颁证厅的两个主立面分别朝向城市道路和垂虹公园，为削弱城市道路的噪音干扰，核心使用空间采用大斜坡屋顶，屋顶向公园一侧呈昂起姿态，最大化引入自然景观与南向采光。新建大斜坡屋顶与保留的原有小斜坡屋顶形成交织布局，构成两个不同坡度的屋顶形态，强化空间层次。在空间与结构的统一中呈现了“轻”与“稳”的平衡。

The two primary façades of the Chinese hall face the urban street and Chuihong Park respectively. To mitigate noise interference from the street, the main functional space is covered by a large sloping roof, which rises toward the park side to maximize views of the natural landscape and introduce ample southern daylight. The newly added large sloped roof interweaves with the retained smaller original pitched roof, forming a composition of two roof forms with different inclinations and reinforcing the spatial hierarchy. Through this integration of space and structure, the design achieves a balanced expression of both lightness and stability.

▼中式颁证厅轴测图，Chinese hall axonometric © NODE

▼概念剖面，Conceptual section © NODE

中式颁证厅以竹钢为主材搭配玻璃，传递轻盈温暖的空间氛围。交错布置的竹钢梁通过金属节点拼合成的桁架体系，实现力学性能与美学效果的平衡。

The Chinese hall employs bamboo-steel as its primary material, complemented by glass, to create a light and warm spatial atmosphere. The staggered bamboo-steel beams are assembled into a truss system through metal joints, achieving a balance between structural performance and aesthetic expression.

▼中式颁证厅，Chinese hall © James Young

▼中式颁证厅沿公园的界面，facade along the park © James Young

竹钢优异的强度-重量比在保障结构稳固性的同时，赋予建筑灵动轻盈的视觉感受；其独特的纹理与色泽在光线照射下呈现自然美感——既是核心受力构件，也成为空间的视觉核心，延续中国传统建筑的韵味和质感。

With its excellent strength-to-weight ratio, bamboo-steel ensures structural stability while imparting a sense of visual lightness and agility to the architecture. Under natural light, its distinctive texture and color reveal an inherent natural beauty. Serving as both the core load-bearing element and the visual focus of the space, the material continues the spirit and tactile quality of traditional Chinese architecture in a contemporary form.

▼交错布置的竹钢梁，Staggered bamboo-steel beams © James Young

▼中式颁证厅室内，Chinese hall interior © James Young

西式颁证厅

Western Hall

西式颁证厅基于原建筑由北向南逐步收缩的平面条件，通过加高体量塑造出具有竖向张力的空间。建筑主体采用平屋顶与白色基调，呈现封闭内向的空间形态，凸显空间的精神性与庄重感。

The design of the western hall responds to the original building’s plan, which gradually tapers from north to south. By elevating the volume, the renovation creates a space with strong vertical emphasis and a heightened sense of spatial tension. The hall adopts a flat roof and a predominantly white palette, forming an enclosed and inward-focused environment that underscores a sense of spirituality and solemnity.

▼西式颁证厅，Western Hall © James Young

▼西式颁证厅沿街界面，Façade along the street © James Young

立面设计上，两个面向城市道路的立面采用白色实体墙，强化隔音和内向属性；面向公园的一侧设置高窗，在保障采光需求的同时维持空间的神秘感。原有坡屋顶区域改造为走廊空间，与中式颁证厅的走廊空间相呼应。

▼西式颁证厅轴测，Westernhall axonometric © NODE

▼概念剖面，Conceptual section © NODE

In terms of façade design, the two elevations facing the urban streets adopt solid white walls to enhance acoustic insulation and reinforce an inward-oriented character. On the side facing the park, high-level windows are introduced to ensure adequate daylight while maintaining a sense of spatial intimacy and subtlety. The area beneath the original pitched roof has been transformed into a corridor space, corresponding to the corridor of the Chinese hall and establishing a coherent spatial dialogue between the two.

▼西式颁证厅沿公园的界面，Façade along the park © James Young

此外，在面向中式颁证厅的一侧墙体设计局部掀起，既丰富了建筑立面表情，更以此作为西式颁证厅的主入口，实现两个颁证厅之间的衔接。

In addition, a portion of the wall facing the Chinese hall is lifted to create an articulated opening. This gesture not only enriches the expression of the façade but also serves as the main entrance to the Westernhall, establishing a direct connection between the two halls.

▼掀起的立面，Lifted facade © James Young

▼西式颁证厅保留坡屋顶连廊，Retained pitched-roof corridor © James Young

▼天井，Lightwell © James Young

▼西式颁证厅室内，Western hall interior © James Young

戏台

Open-Air Stage

戏台区域由原建筑西侧门球场改造而成，以连续成环的开放式回廊作为空间串联与界定元素，形成独具特色的戏台景廊。

The open-air stage area is transformed from the former gateball court on the western side of the original building. A continuous looped open corridor is introduced as the key element to organize and define the space, creating a distinctive scenic gallery that integrates circulation, viewing, and performance functions.

▼戏台面向公园的一侧，Stage facing the park © James Young

戏台面向城市的一侧为开放式出入口，入口为双月门洞设计，致敬意大利建筑师Carlo Scarpa的双椭圆环（Vesica piscis），既起到入口空间的提示与标识作用，又与建筑作为婚礼堂的核心功能寓意相契合。戏台二层平台与中西颁证厅实现连通，形成一体化的观景空间，并在运河一侧设置观景平台。▼戏台轴测图，Stage axonometric © NODE

The side of the stage facing the city is designed as an open entrance, marked by a pair of moon-shaped openings. This design pays homage to the Italian architect Carlo Scarpa’s concept of the double oval ring (Vesica Piscis), serving both as a spatial marker and as a symbolic gesture that resonates with the building’s function as a wedding hall. The second-floor platform of the stage connects directly with the Chinese- and Westernhalls, forming an integrated viewing space, with an additional viewing terrace overlooking the canal.

▼面向运河的观景平台，canal viewing platform © James Young

▼戏台面向城市的出入口，Stage entrance facing the city © James Young

▼透过景廊看向中厅，View toward the central hall through the scenic corridor © James Young

结语

Conclusion

吴江婚礼堂是在既有结构与场地条件中，通过空间重组与结构拼合，将闲置空间转化为连接城市与垂虹景区的公共枢纽。婚礼堂以开放的姿态融入垂虹景区，参与塑造垂虹桥历史的传承与延续。

Within the constraints of the existing structure and site conditions, Wujiang Wedding Hall transforms a long-vacant space into a public hub that connects the city with the Chuihong Scenic Area through spatial reorganization and structural integration. With an open and welcoming attitude, the Wedding Hall becomes an integral part of the scenic context, contributing to the preservation and continuation of the historical legacy of Chuihong Bridge.

▼吴江婚礼堂夜景，Night view © James Young