Rest餐厅丨韩国京畿道丨Pezo von Ellrichshausen等

2026/02/02 23:18:47

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项目位于一片受保护森林的边缘，坐落在一处俯瞰繁茂植物园的缓坡之上。这里矗立着一座大胆而克制的基础设施建筑——如同一座沉默的纪念物，几乎不指向明确的记忆、功能或尺度。建筑被设想为承载多样化的餐饮活动空间，从私密而随性的用餐，到大型的社交聚会皆可发生。其背后由一座完全埋入地下、配置完善的专业厨房所支撑，使建筑在功能组织上对“开放平面”的传统原型提出了挑战。

Cornered against a protected forest, on a gentle slope that overlooks a lush botanical garden, there is a bold infrastructure, a mute monument, almost without memory, function and scale. The building is meant to host culinary activities; from intimate, informal dines to large social events. Supported by a generous specialized kitchen totally buried underground, the building challenges the archetype of an open plan.

▼外观，exterior view© Pezo von Ellrichshausen

▼架空步道，aerial walkway© Pezo von Ellrichshausen

▼步道近景，closer view of the walkway© Pezo von Ellrichshausen

建筑由十六根矩形柱构成规则阵列。由于柱体尺度被刻意放大，其间以及柱体内部本身都形成了可被占用的空间。整体开放平面被清晰地划分为三个层次：下层顺应自然地形展开，形成一处被覆盖的露天剧场，空间逐渐收束并指向下方的山谷；中层悬置于一块厚重的平台之下，通过位于对角两端的开放式转角露台，构成一种对角线式的对称关系；上层则位于无明确方向性的水平平台之上，十米高、如方尖碑般独立矗立的柱体从多个方向框定出全景视野。▼水彩画，water-color drawing© Pezo von Ellrichshausen

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With a regular formation of sixteen rectangular columns, given their exaggerated thickness, there is inhabitable space among and within each column. This open plan is explicitly characterized into three strata; the lower one, following the natural topography, with a covered amphitheater funneled towards the lower valley; the intermediate one, suspended under a thick platform, with a diagonal symmetry formed by open corner terraces at opposite ends; and the upper one, over the non-directional horizontal platform, with a panoramic view framed in multiple orientations by ten meters tall, obelisk-like, free-standing columns.

▼建筑由十六根矩形柱构成规则阵列，regular formation of sixteen rectangular columns © Pezo von Ellrichshausen

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▼屋顶平台，rooftop © Pezo von Ellrichshausen

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▼屋顶细部，details of the rooftop© Pezo von Ellrichshausen

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厚重的柱体与楼板以其强烈的物质性，营造出一种持久存在的感受——静默的沉思、幽深而神秘的阴影，在一种介于不透明与通透之间的空间氛围中展开（用尼采的话说，这是一种始终不可触及、不可定义的“X 因素”）。因此，整体空间形式看似高度抽象，实则是对某种原初感受的有意延展，某种程度上也再次印证了建筑作为“第二自然”的理解。

▼水彩画，water-color drawing© Pezo von Ellrichshausen

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The massive columns and slab, in their boldness, promote a sense of enduring presence, of discreet contemplation, of arcane shadows, within an opaque and transparent milieu (the X factor in Nietzsche’s words, which remains inaccessible and undefinable for us). Thus, the apparent abstraction of the whole spatial form, in fact, is a deliberate extension of a native feeling, somehow confirming our understanding of architecture as a “second nature”.

▼平台下的半室外空间，semi-outdoor space under the platform© Pezo von Ellrichshausen

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▼模糊的室内外界限，blurred exterior and interior boundaries© Pezo von Ellrichshausen

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▼圆形天井，circular patio© Pezo von Ellrichshausen

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▼室内概览，overall of interior© Pezo von Ellrichshausen

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▼餐厅，restaurant© Pezo von Ellrichshausen

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正因为柱体本身保持着近乎无表情的中性状态，它们在物理与精神层面上都为使用者留下了一片可被填充的空白。无论漂浮般的沙龙空间中摆放的是用于日常用餐的桌椅，还是为特殊场合而设的布置；位于上下层的柱体都可以成为悬挂花环、烛台或篷幕的支点，承载传统仪式或热烈庆典。整座建筑以钢筋混凝土建造，整体呈现柔和的绿色调，并辅以深色橡木与水磨石饰面。

In as much as the columns remain inexpressive, there is a vacant space, both physical and mental, to be filled. If on the floating salon tables and chairs will configure a regular or extraordinary event, the columns on the lower and upper strata will serve as supports for garlands, candles or canopies, for traditional rituals or lively celebrations. The entire structure is made out of reinforced concrete, with a soft green tint, and dark claddings of oak and terrazzo.

▼外观夜景，night view of exterior© Pezo von Ellrichshausen