Grid Arthub商业与文化中心丨波兰格但斯克丨Filip Kozarski（IPA事务所）

31B号厂房曾隶属于格但斯克船厂——这里不仅建造过船舶，也孕育了深刻影响东欧历史进程的“团结工会”运动。如今，这座历史建筑在被重新激活的屋顶之下，汇聚建筑、艺术与可持续理念，形成了一个多元而活跃的文化生态系统。

Once part of the Gdańsk Shipyard, where both ships and the Solidarity movement that reshaped Eastern Europe were born, Hall 31B now houses a vibrant cultural ecosystem — blending architecture, art and sustainability under one reclaimed roof.

▼31B号厂房外观，exterior view of the 31B Hall© PION Studio

31B号厂房建于19世纪末，是格但斯克船厂历史建筑群的重要组成部分。其功能在不同历史阶段不断变化，曾作为木材烘干厂、食堂、拳击训练中心及办公空间使用，所幸在近年城市更新浪潮中免于拆除。

Originally erected in the late 19th century the 31B hall, a part of the historical Gdańsk shipyard, served in its lifetime as a wood drying plant, a mess hall, boxing training center, and office space amongst many other functions. Luckily in recent years it managed to avoid the tragic fate of being demolished.

▼底层入口，entrance of the ground floor space© PION Studio

▼信息栏，information board© PION Studio

自2023年起，厂房启动全面改造，并于2025年夏季正式对外开放。更新后的空间呈现出复合使用模式：二层为非营利文化平台 Grid Arthub；一层则引入低浪费素食餐厅 Dust Kitchen、Plot Social Club，以及格但斯克旅游局办公空间。首层公共与商业功能为上层艺术家和创意工作者提供了可负担的租金条件，同时支撑起一套面向波兰创意产业的文化活动体系。

Since 2023 the entire hall underwent a thorough renovation and opened its door in the summer of 2025 – hosting a non-commercial, cultural space called Grid Arthub upstairs, supported by a less waste vegetarian restaurant called Dust Kitchen, Plot Social Club and the offices of The Gdansk Tourism Organization on the bottom floor. Activities on the ground level enable preferential rent rates for artists and creatives working on the first floor, as well as an extensive cultural programme designed to foster the growing creative sector in Poland.

▼底层空间概览，overall of the interior© PION Studio

▼首层公共与商业功能，the ground floor’s public and commercial functions © PION Studio

▼金属网制成的可移动隔墙，

movable partition wall made of metal mesh© PION Studio

▼座位区，seating area© PION Studio

▼低浪费素食餐厅Dust Kitchen、Plot Social Club，less waste vegetarian restaurant called Dust Kitchen, Plot Social Club© PION Studio

▼底层空间一角，corner of the ground floor© PION Studio

Grid Arthub的室内设计以再利用材料为核心策略。最具标志性的木地板来自切特涅沃（Cetniewo）奥林匹克训练中心。建筑师 Filip Kozarski（IPA事务所）回忆道：“从同一来源找到超过1000平方米、无胶且状态良好的木地板极为困难。最终，我们回收了体育馆正在更换的地板，但这一过程远比购买新材料复杂——需要人工拆除、存放、逐块清洁，再重新铺设。我们决定不进行打磨，保留其不平整的状态和彩色运动场线条，使其成为讲述自身历史的载体。”

Grid Arthub’s interior relies heavily on reused materials. The spectacular wooden flooring was sourced from the Olympic Training Center in Cetniewo. “It was a true challenge to find over 1,000 square meters of healthy flooring, free from adhesive, from a single source. Luckily, we found a contractor who was replacing the flooring in the Cetniewo sports hall, and we were able to acquire it. A stroke of luck. Unfortunately, it’s not as simple as buying new – it involves careful manual removal, storage, cleaning each plank by hand, and finally, reinstalling it. Many people were skeptical about this approach; we decided not to sand the floor, which means it’s uneven. But by keeping the colorful sports field lines visible, it has character and tells its story – recalls the architect Filip Kozarski (IPA studio), responsible for the interior design of the 31b hall.

▼Grid Arthub的室内设计以再利用材料为核心策略，Grid Arthub’s interior relies heavily on reused materials © PION Studio

▼非营利文化平台 Grid Arthub，the non-commercial, cultural space called Grid Arthub© PION Studio

▼通高置物柜，floor to ceiling shelves© PION Studio

▼标志性的木地板来自切特涅沃（Cetniewo）奥林匹克训练中心，the spectacular wooden flooring was sourced from the Olympic Training Center in Cetniewo© PION Studio

▼木制地板与瓷砖的拼接，the jointing of wooden flooring and ceramic tiles© PION Studio

▼封闭式空间单元，closed space block© PION Studio

Grid Arthub 为本地艺术家提供了稳定而安全的创作环境。除集中供暖、自来水等基础设施外，更罕见的是长达十年的租约保障——在高度绅士化的区域尤为难得。入驻者包括以“m-city”项目享誉国际的街头艺术家 Mariusz Waras，以及建筑事务所 PB/Studio，该事务所近期与 Ipreferanalog、studiomania 一同入围密斯·凡·德·罗奖提名。Grid Arthub 与 Plot Social Club 创始人 Alicja Jabłonowska 表示：“我们的目标，是创造一个让创造力得以持续生长的场所，并建立一个能够跨代流动的创意社区。我们已经迈出了坚实的一步。”

Grid Arthub provides a new level of security and comfort for local artists. Not only do they finally have central heating, running water, etc. but also a ten year contract, which is uncommon in heavily gentrified areas. Some of our residents include Mariusz Waras – a street artist known globally for his project called m-city or PB/Studio an architecture company, which recently got nominated with Ipreferanalog and studiomania for the Mies van der Rohe prize – adds Alicja Jabłonowska, the founder of Grid Arthub and Plot Social Club – our goal is to create a place where creativity can truly flourish and a community in which it can easily flow intergenerationally. We are off to a great start.

▼办公空间，office space© PION Studio

▼艺术家工作室，artists’ studio© PION Studio

▼细部，details© PION Studio

除地板外，空间中大量构件亦来自回收再利用：工作室窗户的玻璃取自屋顶拆除的天窗；地面铺设旧陶砖与石材边角料；门把手、卫生间台面与隔墙由再生塑料制成。室内可见的红、绿色元素，则由附近酒吧废弃的可口可乐与雪碧塑料箱粉碎后再造而成。多数家具同样由建筑师亲自挑选并循环使用。

Many other elements have also been reclaimed and reused: the glazing of the studio windows was made from dismantled skylight panes from the hall’s rooftop, while old stoneware tiles and stone offcuts grace the floor. Door handles, bathroom countertops and partition walls are made of recycled plastic. The visible red and green elements are shredded Coca-Cola and Sprite crates – waste from a nearby bar. Most furniture is also handpicked and reused by the architect.

▼厨房与餐厅，kitchen and dining area© PION Studio

▼厨房细部，details of the kitchen© PION Studio

▼半透明的门窗，semi-transparent door and opennings© PION Studio

▼空间细部，details of the space© PION Studio

▼门把手细部，details of the handrail© PION Studio

▼书架细部，details of the shelves© PION Studio

▼卫生间门细部，details of the door of the toilets© PION Studio

▼卫生间细部，details of the toilets© PION Studio

项目的核心目标在于构建一个具有开放性与成长潜力的文化空间——作为一种框架，既可承载当下的使用需求，也为未来尚不可预见的变化预留空间。Kozarski认为，真正的公共文化空间应当具备演化的可能性。对于无法回收的构件，制作团队采用现场 D.I.Y 方式完成，部分设计参考了开源项目，如 Enzo Mari 的椅子。另一些家具与装置则被刻意设计为可拆解、可再利用的结构，例如由模板板与脚手架钢管构成的红色长桌、黄色书架，以及覆以波纹金属板的公告墙。

The main goal was to create a welcoming space for various cultural activities, a place with potential – a good framework, with an open design – adaptable, offering possibilities and flexibility. I believe that a space like this must be able to grow, to evolve; there has to be room left for life and for future, yet unforeseeable, uses and changes – explains Kozarski, the head of Ipreferanalog studio. Elements that couldn’t be reused, were built on-site by the production team using D.I.Y methods, construction materials and sometimes open source projects, like the Enzo Mari chair. Other designs were created by Kozarski with the intent to easily be disentangled, repurposed and reused – like the big, red table or yellow bookshelf made from formwork panels and scaffolding pipes, or the bulletin board clad in corrugated sheet metal.

▼家具细部，details of furniture© PION Studio

▼Enzo Mari的椅子，the Enzo Mari chair© PION Studio

▼地板细部，details of the floor© PION Studio

Architect: Filip Kozarski

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Area: 1500 m²

Year: 2025

Photographs: PION Studio

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