Flora Alpina花园丨意大利米兰丨BUREAU（Daniel Zamarbide等）

瑞士是一座花园。若将政治边界视为一个国家真实的边缘，那么瑞士可以被定义为“Hortus Conclusus”——这一拉丁术语指涉西方园林的起源。正如所有花园一样，它拥有边界，界定清晰，却又多孔而开放，向自然要素敞开——生命在其中进出，气候、风、阳光与雨水自由往来。大多数文化都曾发展出作为世界缩影的花园形式。若在西方语境中，最为人熟知的是日本园林、法国园林与英国园林，那么在这一历史类型之下，仍存在着丰富多样的文化变体。

▼绿植分布，Distribution of green plants ©BUREAU

Switzerland is a garden. If we consider that the political borders are the real edge of a country, then Switzerland can accept the definition of an “Hortus Conclusus” the Latin term that defines the garden origin in occident. As any garden, it has limits, it is well defined yet porous and open to the elements, to life coming in and out of it, to climate, wind, sun, rain.Most cultures have developed gardens as representational fragments of the world. If the most well known in occident are Japanese, French and English, there are numerous cultural variations of this historic typology.

▼项目周围环境，The surrounding environment of the project ©Dylan Perrenoud

▼花园中央舞台装置，A stage installation in the center of the garden ©Dylan Perrenoud

▼花园全景，Panoramic view of the garden ©Dylan Perrenoud

花园关乎植物的聚集——在一个精确而充满生命力的环境中，通过特定植物群落营造构图与体验。但这并非全部。作为对世界的精确再现，花园汇集了生命与非生命的要素。例如岩石与建筑性装置（follies），便是不同园林文化中极具代表性的角色。这些“装置”存在的意义在于陪伴体验、强化或组织特定的时刻与景观，并营造可引发想象的小型庇护空间。

▼草稿，Sketch ©BUREAU

Gardens are about gathering a certain group of plants to create compositions and experiences in a precise and living environment. But not only. As a precise representation of the world, they gather living and non-living features. Rocks and architectural follies, for example, are very well-known characters of different garden cultures. These follies exist to accompany the experience, enhance or articulate certain moments, sceneries and create small shelter that can trigger imaginary moments.

▼休息区，Resting area ©Dylan Perrenoud

▼座椅细节，Chair detail ©Dylan Perrenoud

▼室外桌子，Outdoor table ©Dylan Perrenoud

作为一种三维呈现，花园与艺术世界保持着紧密联系，其特殊之处在于，这是一种必须与生命体——植物世界——展开对话的艺术。这些多孔而围合的空间唤起想象，因为它们既是世界的提炼，又在其间创造出距离，使人得以冥想、反思、以不同方式观察——仿佛轻轻退后一步。正是在这一对花园的理解之下，“Flora Alpina”花园应运而生。在瑞士中心（Centro Svizzero）的庭院内，一座高山花园构成“瑞士之家”（House of Switzerland）装置的核心。从象征意义上看，它回应了连接瑞士与意大利等国家的阿尔卑斯文化。通过这一主题路径，它为冬季奥运会与残奥会期间的人们提供一种可亲身体验的场所。

▼场地轴测图，Site axonometric diagram ©BUREAU

As a three-dimensional representation, gardens have a very strong relation to the art world with the particularity of an art that has to dialogue with living creatures, the world of plants. These porous enclosed spaces appeal the imaginary, as they are an extract of the world, yet they create a distance from it, to meditate, reflect, observe differently, as a small step aside.It is following this understanding of gardens that the Flora Alpina garden emerges. Within the Centro Svizzero’s courtyard, an alpine garden is at the heart of the installation of the House of Switzerland. Symbolically, it addresses the alpine culture that links two countries, Switzerland and Italy, as many others. Through this thematic approach, it proposes an experience to be lived during the Winter Olympic and Paralympic games.

▼花园标志，Garden brand ©Dylan Perrenoud

▼周围街道的装饰，The decoration of the surrounding streets ©Dylan Perrenoud

“瑞士之家”本身就是一座花园。在短暂的两周时间里，它将成为一个不断变化的社区中心——人们在此庆祝赛事，或仅仅停留片刻，感受这一在米兰市中心发生的独特时刻，然后再前往其他地方。这种“另一种生活”的状态已被嵌入设计过程之中。花园之家营造出一种颇为愉悦而轻松的氛围，用以迎接来访者。精致的装饰与图案、色彩模块化构件承载着多样功能：舞台、看台、阶梯座席、售卖亭与集市摊位。其他自由绘制的图案则转化为照明装置，由米兰人熟知的街头“panettone”路桩支撑。这些元素构成了一组“家具家族”：坐凳、桌子与标识支架等。

▼模块装置类型，Modular installation catalogue ©BUREAU

House of Switzerland is a garden. For a short moment, two weeks, it will be the center of a variable community that comes to celebrate the games or just to hung around and live this singular moment in the center of Milano before they find another place to stay. This other life is imbedded in the design process. The garden-house proposes a certain mood, rather gay, for a welcoming moment. Precis décor and patterns, colored modules that host diverse functions: stage, tribunes, bleachers, kiosks, market stalls. Other freely drawn pattems become lighting features, supported by the famous Milano street panettones that the town knows so well. They are part of a family of fumiture: seating stools, tables, signage support.

▼室外花园，Outdoor garden ©Dylan Perrenoud

花园也向内延展，进入既有餐厅空间——“Swiss Corner”。摄影艺术家 Dylan Perrenoud 的作品通过一系列灯箱环抱访客，展现来自20世纪80年代古老幻灯片收藏中的神秘岩石片段与构成化的植物世界。与灯箱相对，在橱窗深处陈列着140盆真实花卉。空间既有的特质营造出多重反射效果，并进一步延伸至外立面，在那里，建筑与街道之间的关系被重新定义。

▼橱窗设计轴测图，Store window design axonometric diagram ©BUREAU

The garden also develops inside, within the existing restaurant space, the Swiss Comer. The photographic artwork of Dylan Perrenoud embraces the visitor with a series of lightboxes showing mysterious rock pieces and composed flora universes coming from an ancient collection of slides of the 1980s. Facing the lightboxes, a collection of 140 potted physical flowers is displayed within the depth of the show windows. The existing character of the space helps to create a multiplicity of reflexions that are pushed further to the exterior façade where the relation to the street is redefined.

▼室内公共区域，Indoor public area ©Dylan Perrenoud

▼室内绿植，Indoor plants ©Dylan Perrenoud

▼街道橱窗，Store window ©Dylan Perrenoud

“Flora Alpina”在设计上追求无缝适应性，其灵感源于花卉在体育、医学与文化中的重要角色。植物具有疗愈力量；植物与花卉是奥林匹克精神的象征，既庆典又含蓄。它们伴随奖牌与成功的笑容，也帮助我们欢庆、生活与呼吸。

Flora Alpina is designed for seamless adaptability, drawing inspiration from the vital role of flowers in sports, medicine, and culture. Plants are healing, plants and flowers are Olympic signatures, celebrative and discreet. They accompany medals and smiles of achievement. They help us rejoice, live and breathe.

▼灯光下的绿植，Plant under the light ©Dylan Perrenoud

▼室外表演，Outdoor performance ©Dylan Perrenoud

▼项目区位图，Site plan ©BUREAU

Project: BUREAU (Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide) | | @daniel_zamarbide

Concept design: Daniel Zamarbide, Carine Pimenta

Competition: Finia Sonderegger, Valentin Racine, Beatriz Duarte, Carla Stein

Project execution: Daniel Zamarbide | Carine Pimenta (project managers), Niklas Schuknecht, Beatriz Duarte, Maria do Mar

Cavaleiro

Construction supervision: Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide, Maria do Mar Cavaleiro

Publication drawings: Yannis Tsourlos, Beatriz Duarte

Context: Scenography and furniture design

Location: Milano, Italy (IT)

Program: “House of Switzerland” for the Olympic and Paralympic Winter Games in Milano-Cortina 2026

Area: 825 m2

Status: Completed, 02-2026

Photography: Dylan Perrenoud

Client: Presence Switzerland

Producer: Altofragile

Graphic design: BASE design