deTour 2025设计展丨中国香港丨Napp Studio & Architects

临时展览所产生的建筑与施工废弃物问题，在几乎每一个项目中都持续存在并构成挑战。尽管项目团队尝试通过多种策略减少展览结束后的废弃物，例如减少材料使用、采用可重复利用的构件，以及将部分物品再利用为赠品等，但在迈向“零废弃”的过程中仍面临诸多障碍。其中关键问题包括预算限制、人力资源不足，以及材料“第二生命”管理方式的不确定性。

The issue of construction waste from temporary exhibitions poses a persistent challenge in every project. Despite exploring various strategies to minimize post-exhibition waste—such as reducing materials, utilizing reusable components, and repurposing items for giveaways—numerous obstacles hinder progress toward zero waste. Key barriers include budget constraints, limited manpower, and uncertainties regarding the management of materials’ second life.

▼展览空间整体视图，Overall view of the exhibition space ©Jimmy HO

为此，项目制定了一套贯穿全过程的综合方案——从设计、制作到施工、回收与再分配——以实现尽可能少的废弃物产生。在设计展览空间系统时，团队优先考虑其未来使用的适应性与材料回收的潜力。目标是在展览结束后尽量减少大规模的再改造需求，从而降低“后生命周期”阶段所需的成本、人力与时间。未来的结构形式也将在前期进行规划与测试，并与潜在的新使用者及相关利益方展开沟通，以确保材料生命周期能够被有效延续与完成。

A comprehensive plan is developed to encompass the entire process—from design and fabrication to construction, recycling, and distribution—aiming for minimal waste. When designing the exhibition spatial system, adaptability for future use and recycling potential are prioritized. The objective is to minimize the need for extensive reconstruction, reducing costs, manpower, and time associated with the ‘afterlife’ process. Future structures will be planned and tested in advance, facilitating engagement with new users and stakeholders, which ensures effective completion of the material lifecycle.

▼可循环利用的材料系统，Reusable material system ©Jimmy HO

项目同时强调佛教哲学中的“相依共生”（Interbeing）概念。这一思想将材料视为在其生命周期中不断转化与流动的存在实体。通过重新理解与利用这些不同的状态与形态，项目尝试构建出所设想的空间环境。在这一持续的转化过程中，展览空间被视为经过设计的“中介阶段”。

Emphasizing the concept of ‘Interbeing’ from Buddhist philosophy, which views materials as conserved entities that interchange throughout their lifecycle, the aim is to reappropriate these states and forms to construct envisioned spaces. The exhibition spaces will act as designed intermediates in this ongoing process.

▼相依共生，Interbeing ©Jimmy HO

▼展览装置细部，Detail of exhibition installation ©Jimmy HO

正如威士忌在木桶中陈酿会逐渐形成独特风味一样，本次活动所制作的家具也将承载其独特的气质与记忆。每一件作品都拥有各自的个性与故事，并在不断转换与流动的过程中延续其价值。

Just as whisky develops unique flavors in barrels, the furniture created for the event will embody its essence, each piece carrying its own character and story. As they transition

▼长椅，Bench ©Jimmy HO

▼座椅，Chair ©Jimmy HO

Date: November 2025

Location: PMQ, Hong Kong

Exhibition Designer: Napp Studio & Architects

Design Team: Aron TSANG, Catharina PUTRI, Jeannie QIN, Jihoon KANG, Sam HUI, Sean LAM, Tom KAM, Wesley HO, Valdy INDRAWAN

Curator-at-large: Shin WONG

Curator: Adonian CHAN

Graphic Designer: RGBK

Builder: Hattrick Creative, Screw Up Studio

Photographer: Jimmy HO