ZILART博物馆亲子艺术空间丨俄罗斯莫斯科丨UTRO architectural studio

2025年12月，ZILART博物馆与展览中心在莫斯科ZILART街区正式开放。建筑事务所UTRO在此打造了一处不同寻常的空间，让父母与孩子能够共同度过时光、发现新事物，并在此放松身心。该建筑项目被划分为三个区域：一处游戏化的整体装置——在这里一切看似熟悉却遵循自身规则运作；一处可移动的工作坊空间，用于开展各类活动课程；以及为舒适育儿而设置的设施——用于母婴哺乳的护理舱。

In December, the ZILART Museum and Exhibition Center opened in Moscow’s ZILART district. Architectural studio UTRO created an unusual space where parents and children can spend time together, discover new things, and relax. The architectural project is divided into three zones: a playful total installation — where everything feels familiar yet works by its own rules; a mobile workshop space for workshops; and objects for comfortable parenting — nursing booths for feeding babies.

▼儿童在空间中探索与玩耍，Children exploring and playing in the space © Alexey Ivoninsky

“我们希望创造一个空间，使带着孩子的家庭能够真正获得情感丰富的博物馆体验，与艺术以及博物馆机构建立互动。家庭是当代城市的重要受众，尤其对于像ZILART这样的社区而言更是如此。因此我们创造了一种条件，让孩子能够自然地沉浸于艺术世界之中，感受快乐与好奇，而成年人则可以与孩子一起玩耍，或在附近休憩。”项目作者、建筑师、UTRO联合创始人Olga Rokal说道。

“We sought to create a space that would allow families with children to have a truly emotionally rich experience of interacting with a museum institution and with art. Families are a key audience for a contemporary city, and particularly for a district like ZILART, so we create conditions in which children can naturally immerse themselves in the world of art, feel joy and curiosity, while adults can either play with their child or relax nearby,” says Olga Rokal, the author and architect of the project and co-founder of UTRO.

▼Olga Rokal在互动空间中，Olga Rokal in the interactive space© Alexey Ivoninsky

在这里，一切都像梦境般运作

Everything Here Behaves the Way It Does in a Dream

访客首先会进入互动空间《城市之梦》（Dream of the City），该空间由建筑师、UTRO联合创始人奥尔加·罗卡尔与艺术家迪娜·列奥诺娃（Dina Leonova）共同创作。《城市之梦》是一个多层次的意象场景，也是开展游戏与教育活动的趣味舞台：漂浮的月亮、铜质桥梁，以及装饰着灰泥菠萝与甜甜圈的巴洛克式门洞，共同构成了夕阳背景下的奇幻景观。▼概念草图，Concept sketch © UTRO architectural studio

▼游乐装置模型，Play installation models © UTRO architectural studio

Visitors are first greeted by the interactive space Dream of the City, created by architect and UTRO co-founder Olga Rokal together with artist Dina Leonova. Dream of the City is a multilayered image and a playful setting for games and educational activities: a flying moon, a copper bridge, and a baroque portal decorated with stucco pineapples and donuts — all set against a sunset backdrop.

▼互动艺术空间入口，Entrance of interactive art space © Alexey Ivoninsky

“互动空间《城市之梦》是我在博物馆里最喜欢的地方之一。在我看来，这正是当代博物馆中游乐空间应有的样子。这是一件超现实的整体装置艺术，人们可以从铜制滑梯滑下、搭建自己的城市，或观看家庭式演出。”ZILART博物馆馆长伊琳娜·托尔皮娜（Irina Tolpina）评论道。“我们注意到，这里不仅吸引孩子，也吸引成年人，这说明建筑师成功创造了一件卓越而引人注目的艺术装置。”

“The interactive space Dream of the City is one of my favorite places in the museum. To me, this is exactly what a playground in a contemporary museum should look like. It is a surreal total installation where you can slide down a copper slide, build your own city, or watch a family performance,” comments Irina Tolpina, director of the ZILART Museum. “We noticed that it attracts not only children but adults as well, which means the architects managed to create an outstanding and eye-catching art object.”

▼儿童与空间装置互动，Children interacting with installation © Alexey Ivoninsky

▼梦境主题游乐装置细部，Dreamlike play installation detail© Alexey Ivoninsky

塑造空间的核心元素是一座通向“无处也无所归”的桥。它似乎从游戏景观中生长出来，又仿佛沉入一滩沿墙壁向上蔓延的水洼。桥在底部一分为二：一部分转化为柔软的坡道，另一部分则成为铜质滑梯。更重要的是，桥下的空间在拱之间形成了一条无尽循环的游戏路径，非常适合进行追逐和捉迷藏。

The main element shaping the space is a bridge leading from nowhere to nowhere. It is unclear whether it grows out of the play landscape or sinks into a puddle that seems to climb up the wall. Toward the bottom the bridge splits in two: one part becomes a soft slope, while the other turns into a copper slide. Most importantly, the space beneath the bridge forms an endless play loop within the arches — perfect for games of tag and hide-and-seek.

▼通向滑梯的桥形结构，Bridge structure leading to slide © Alexey Ivoninsky

▼桥上向下望，Looking down from the bridge © Alexey Ivoninsky

▼桥形结构细部，Bridge structure detail© Alexey Ivoninsky

▼拱下游戏空间，Play space beneath the arches © Alexey Ivoninsky

▼儿童与拱下游戏空间互动，Children interacting with play space beneath the arches © Alexey Ivoninsky

这个空间面临的挑战之一在于，两条紧急疏散通道穿过房间。其中一处出口被一个巴洛克式大门框定。拱门上的灰泥装饰被设计成甜甜圈、冰淇淋与菠萝的形状。拱门柱体上的粗面石块可以被轻松拆下，它们同时也是柔软的坐墩。由相同材料制成的城市搭建模块呈现了ZILART街区的建筑，这些建筑正是访客前往博物馆途中所经过的城市景观。

One of the challenges of the room is that two emergency exits pass through it. One of them is framed with a baroque portal. The stucco decorating the arch takes the form of donuts, ice cream, and pineapples. The rusticated stones in the columns of the arch can be easily removed — they function as soft poufs. A city-building set made of the same material features the buildings of the ZILART district that visitors pass on their way to the museum.

▼巴洛克大门，Baroque portal © Alexey Ivoninsky

▼巴洛克大门装饰近景，Baroque portal decorations close view© Alexey Ivoninsky

▼巴洛克大门细部，Baroque portal detail© Alexey Ivoninsky

在游戏景观与柔坡区域，还设置了组织活动的空间，可用于共读、电影放映与动画播放。坐墩可以围合成半圆形，人们的注意力会被墙面上巨大的落日圆形图案所吸引。它同时也可以作为演出的舞台背景，或者在其上放下投影幕布。

In the play landscape and soft slope area there is a place for organized activities such as shared readings, film screenings, and cartoons. The poufs can be arranged in a semicircle, while attention is drawn to a large circle of the setting sun on the wall. It also serves as a theatrical backdrop for performances, or a screen can be rolled out onto it.

▼游戏景观与柔坡区域，Play landscape and soft slope area © Alexey Ivoninsky

▼游戏景观与柔坡区域一角，

A corner of play landscape and soft slope area© Alexey Ivoninsky

▼家具细部，Furniture detail© Alexey Ivoninsky

▼幕帘细部，Curtian detail© Alexey Ivoninsky

空间中散布着许多隐藏的小细节，为整体氛围增添了一丝超现实与神秘感。墙壁上的小门后藏着城市童话居民的微型居所：一个房间里住着被喜爱的画作包围的音乐兔子；另一个房间里是一只正在阅读《金鸡》的母鸡；第三个房间里则是一对热爱咖啡的狗。我们还加入了一些按钮，按下后会播放与街区历史相关的声音：西蒙诺夫修道院的钟声、环形铁路列车的汽笛声、莫斯科河的水声、鸟鸣以及蟋蟀的鸣叫。

▼微型居所概念轴测图，Axonometric concept diagram of theminiature dwellings © UTRO architectural studio

Small hidden details are scattered throughout the space, adding a sense of surrealism and intrigue. Behind small doors in the walls are miniature dwellings of the fairytale residents of the city. In one room there is a musical bunny surrounded by its favorite paintings; in another, a reading hen next to a volume of The Golden Cockerel; and in a third, a pair of coffee-loving dogs. We also added buttons that, when pressed, play sounds reflecting the history of the district: the bells of the Simonov Monastery, the whistle of the circular railway train, the splash of the Moscow River, birdsong, and the chirping of a cricket.

▼童话装置，Fairytale installation © Alexey Ivoninsky

▼儿童与童话装置互动，Children interacting with the fairytale installation© Alexey Ivoninsky

带有“黎明”色幕帘的可变创意岛

A Transformable Creative Island with “Dawn” Curtains

在游戏空间旁边，是一处可移动的工作坊空间，用于举办工作坊与讲座。它延续了“熟悉却又不同”的空间理念：两段半圆形墙体可以滑动分开形成开放区域，也可以在需要时闭合，以将活动与博物馆的整体参观流线分隔开来。

Next to the play area there is a mobile workshop space for workshops and lectures. It continues the concept of “familiar yet unusual” spaces: two semicircular wall segments can slide apart to form an open area and, when necessary, close to separate the activities from the general museum flow.

▼可移动工作坊概览，Mobile workshop space overivew© Alexey Ivoninsky

▼可移动工作坊概览，Mobile workshop space overivew© Alexey Ivoninsky

▼可移动工作坊外观近景，Mobile workshop space close exterior view© Alexey Ivoninsky

外侧墙体覆盖着由金属网制成的轻质幕帘，呈现出类似黎明天空的色调。内部则设置了一层厚重的帘幕，使参与者能够在其中沉浸创作，不受外界干扰。工作区由环形排列的桌子组成，形态类似一个“被咬了一口的甜甜圈”，并配有供参与者使用的凳子。

On the outside, the walls are covered with light curtains made of metal mesh in dawn-colored tones. Inside, a dense curtain allows participants to retreat so nothing interferes with the creative process. The working area consists of tables arranged in a circle in the shape of a “bitten donut,” along with stools for participants.

▼金属网幕帘界面细部，Metal mesh curtain facade detail © Alexey Ivoninsky

▼工作区环形排列的桌子，Working area consists of tables arranged in a circle © Alexey Ivoninsky

▼工作区家具细部，Working area furniture detail© Alexey Ivoninsky

为舒适育儿而设计的空间设施

Objects for Comfortable Motherhood

任何有育儿经验的人都知道，在孩子出生后的头一年半里，母亲往往很难继续参与城市的公共与文化生活。因此，我们特别为ZILART博物馆设计了舒适而美观的母婴哺乳舱，这一独特的设施在莫斯科的博物馆中尚无先例。

Anyone familiar with parenting knows how difficult it can be for mothers to remain part of the city’s public and cultural life during the first year and a half after a child is born. For this reason, specially for the ZILART Museum we created comfortable and beautiful nursing booths — a unique object with no equivalent in any museum in Moscow.

▼母婴护理舱外观，Exterior view of nursing booths for mothers© Alexey Ivoninsky

由冲孔钢板制成、安装在铜框架上的文艺复兴风格拱门，使母亲能够在厚重帘幕后私密地坐在舒适的座椅上陪伴孩子。椅子采用易于清洁维护的材料，并配有可调节的软垫，可用于支撑背部、手臂或婴儿。带有稳固底座的小型圆桌可以放置奶瓶或手机，而无需担心倾倒。这个项目帮助父母在新的角色中更快地重新回到日常生活。

Renaissance-style arches made of perforated steel sheet on a copper frame allow mothers to sit privately with their child in a comfortable chair behind thick curtains. The chair is made of an easy-to-maintain material and complemented with cushions that can be placed under the back or arm, or used to support the baby. A compact round table with a stable base allows visitors to place a bottle or a phone without worrying about it tipping over. This project helps parents return more quickly to their usual life in a new role.

▼母婴护理舱内部，Interior view of nursing booth for mothers© Alexey Ivoninsky

▼母婴护理舱内部近景，Interior close view of nursing booths for mothers© Alexey Ivoninsky

▼护理舱的帘幕开启/关闭时，Nursing booth with curtian open/closed© Alexey Ivoninsky

Year of completion: 2025

Project team: Olga Rokal (architectural studio UTRO), Dina Leonova, Nikolay Luchkiv

Photography: Alexey Ivoninsky, Ilya Ivanov, Sergey Volokitin