纽约的艺术家住所与工作室丨美国丨Horizontal Design

Architects:Horizontal Design

Area:1026m²

Year:2025

Category:Houses

Lead Team:Bing Ju, Ling Yang, Qinchao Pan

Design Team:Horizontal Design

Engineering & Consulting > Other:Praetorius and Conrad, P.C. Professional Engineering & Land Surveying

City:Catskill

Country:United States

Text description provided by the architects. At the end of 2018, during a gathering in New York, director Bing Ju met artist Emily and her husband Wolf. The couple, with extensive overseas experience and a deep understanding of Eastern philosophy, instantly connected with Bing's appreciation of Asian culture. Discussing their vision for a new home marked the beginning of a six-year design journey.

The project is located in upstate New York, about a two-hour drive from Manhattan. The 500-acre site, rich with trees and vegetation, occasionally hosts deer and other wildlife, offered an exceptional natural environment that became one of the primary inspirations for the project. Equally important were the clients themselves: one an artist deeply engaged in Buddhist and Daoist philosophy, and the other with an academic background at Harvard University. Their shared desire for a home with cultural depth, serenity, and a strong connection to nature shaped the key concepts of the design, guiding it toward an architecture that merges Eastern philosophical thinking with the physical landscape.

The project commenced in 2019 but soon encountered its first major setback with the global pandemic, which significantly delayed construction and extended the timeline until 2025. In addition to these external challenges, the early design phase required nearly a year of close collaboration with the clients, including three rounds of floor plan iterations before reaching a solution that balanced artistic vision, functional needs, and spatial clarity. Budget constraints and construction feasibility also posed challenges, particularly when the original concept of exposed concrete proved impractical, requiring a shift in material strategy without compromising the design intent.

The final construction adopts a hybrid steel and timber structure, combining strength with warmth. Instead of exposed concrete, insulated concrete forms (ICF blocks) with a finishing coat were used to address cost and efficiency concerns. Lightweight timber-framed partition walls define interior spaces, while a multi-sloped wooden roof responds to heavy winter snowfall, ensuring durability and safety. Concrete walls serve as windbreaks and visual screens, and light-toned wood surfaces capture and reflect the changing natural light, subtly marking the passage of time. These construction techniques and materials work together to create a balance between robustness and sensitivity to the environment.

Spatially, the house is conceived as a continuous sequence inspired by the idea of "wandering in a garden." Rather than a rigid layout, volumes are arranged to interweave with courtyards, preserving existing vegetation and creating shifting relationships between interior and exterior spaces. A central gallery acts as the primary circulation spine, connecting functional areas while doubling as an exhibition space for artworks.

Public zones such as the living and dining areas are open and fluid, encouraging daily interaction, while private areas like the master bedroom, study, and meditation room are placed more centrally and enclosed by courtyards to ensure tranquility. This configuration was accomplished through careful orientation, iterative planning, and precise framing of views, allowing each space to maintain a direct or indirect connection to nature. Ultimately, the project integrates inspiration, challenges, materials, and spatial organization into a unified architectural experience that reflects both cultural meaning and everyday life.

Project gallery