蒙特纽斯泰德酒吧丨澳大利亚布里斯班丨Studio Plenty

We’ve been watching Studio Plenty’s hospitality trajectory with great interest—from the relaxed Asian-inflected warmth of Light Years in Byron Bay (and later Perth), to the spirited gin-soaked character of Burly Bar, each project has marked a clear step forward in the Byron studio’s thinking. Bar Monte Newstead is their fourth hospitality project to land on our radar, and it feels like another coming-of-age moment.

Located in a Brisbane laneway in the inner suburb of Newstead, Bar Monte is the sibling venue to Bar Monte Miami—same convivial DNA, but a decidedly different personality. Where the Miami original is neighbourhood-easy, light and unpretentious, Newstead is its more sophisticated city cousin: deeper, moodier, and designed to keep you at the table well into the evening.

Studio Plenty drew from several eras of Italian interior design to build the atmosphere, anchoring the project in the optimism of post-war Italian café culture—a period characterised by confidence, creativity, and the beauty of everyday life—and layering it with the geometric rigour of Italian Rationalism.

The bar anchors the floor plan as a performative focal point—a nod to its role in post-war café life—with dining areas radiating outward in varying proportions to create a spectrum of intimate experiences. Custom spotted gum banquettes, adorned with coloured geometric patterning, snake the ground floor, finding cosy pockets and cheeky corners. Warm timber meets high-gloss glazed ceramic tiles in three muted tones—earthy browns, burgundies, ochres, and baby blue accents—all set against exposed concrete columns. Above it all, a natural cellulose fibre spray treatment (80% recycled content, ultra-low VOC) wraps the upper walls and ceiling, providing both a monumental textural quality and meaningful acoustic comfort, reducing reverberation so conversation flows easily, and your nervous system can chill.

Lighting is central to the design philosophy here. Studio Plenty’s director Will Rathgeber notes he aims to “plunge patrons deep into an immersive atmosphere, to inspire wonder and awe”—and light is the primary instrument. The specified pendant lights, Big Glow by Studio Truly Truly for Rakumba, are a standout: bio-composite wool shells, pressed and thermo-formed into softly translucent diffusers, grown, processed and assembled entirely in Victoria. They synthesise the sharp luminosity of the Australian sun with the diffused warmth of European interiors—emotionally resonant, materially considered, and entirely innovative.

The previous tenancy (designed by Twohill & James) has been honoured through careful intervention rather than erasure—the grand structure retained, the atmosphere rebuilt. Studio Plenty haven’t bulldozed what was there; they’ve found the bones and given them a new, richer life. That kind of restraint is its own form of sophistication.

Bar Monte Newstead is a space that rewards lingering, which, of course, is the entire point.

[Images courtesy of Studio Plenty. Photography by Jessie Prince.]