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爱情之泉庭院丨印度新德里丨MOFA Studio

2026/03/27 08:45:10

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“爱情之泉”（Fonte d’Amore）的故事始于一次在罗马特莱维喷泉的求婚——那段旅程成为这一委托的起点。随后在巴塞罗那的经历，又让这对夫妇对安东尼·高迪的加泰罗尼亚建筑产生了浓厚兴趣。当他们找到建筑师Manish Gulati及其事务所MOFA Studio时，任务是将其位于新德里的一个约600平方英尺的闲置庭院转化为一个能够承载这些记忆的空间体验：水声的回响、文艺复兴式的空间气质，以及一种让过去在当下延续的环境。

The story of Fonte d’Amore begins with a wedding proposal at Rome’s Trevi Fountain, a moment the couple shared from a trip that became the seed for this commission. Their travels through Barcelona had sparked an added fascination with Antoni Gaudí’s Catalan architecture. When they approached architect Manish Gulati and his firm, MOFA Studio, the brief was to transform an unused 600-square-foot courtyard in their New Delhi home into something that amalgamated those memories into a physical experience to be lived with, every day: the sound of water, a spatial quality that felt Renaissance, an environment where the past could live in the present.

从记忆到空间

From Familiar Memories to a New Space

在建筑师看来，记忆并非一张静止的照片，而是不断变化、叠加并重组的过程。因此，MOFA Studio并未复制特莱维喷泉或模仿高迪，而是将这对夫妇的经历转译为空间与构造语言。

Memory, the architects reasoned, is not a photograph. It shifts, layers, and recomposes itself through time. With this consideration, MOFA Studio’s response was not to replicate Trevi or imitate Gaudí, but to translate the couple’s experience into spatial and tectonic terms.

▼项目概览，overall of the project© Ekansh Goel

庭院中央设置了一座雕塑般的石质喷泉，作为对特莱维喷泉的梦幻式回应。底部以文艺复兴式的对称秩序为基础，高耸拱券界定地面层空间。随着结构向上延展至五层，这些拱逐渐转化为受高迪启发的悬链线形态，如同从理性秩序中生长出的流动云体。石材表面扭转、起伏，形成统一各层的连续雕塑界面。当视线抵达顶部穹顶及其开孔时，原本严谨的几何完全消融，转化为轻盈而近乎云状的抽象形态——秩序让位于想象的自由。

▼轴测图分析图，analysis diagram© MOFA Studio

A sculptural stone fountain, a dreamy reminiscence of the Trevi Fountain, serves as the focal point of the courtyard. The Renaissance sense of symmetry anchors the base, with tall arches framing the ground level. As the structure ascends through five storeys, these arches undergo a metamorphosis into Gaudí-inspired catenary forms, appearing as a fluid cloud emerging from the rigour of Renaissance formalism. Stone surfaces twist and arc in a sinuous dance, creating a sculptural envelope that visually unites each floor. By the time the gaze reaches the dome and its punctuating oculi, the rigid geometry of the base has dissolved entirely into ethereal, cloud-like abstraction. Here, strict order surrenders to the realm of pure possibility.

▼庭院顶视图，top view of the project© Ekansh Goel

▼庭院，the courtyard© Ekansh Goel

系统性的流动：AI与手工的协作

Systemic Fluidity: AI and Human Craft as Creative Collaborators

在建筑讨论中，AI与工艺常被视为对立：算法与手工、理性与直觉。但“爱情之泉”打破了这一二元对立，将设计过程构建为计算与工艺之间的持续对话。项目始于AI生成的情绪板，以特莱维喷泉置入超现实加泰罗尼亚语境为参考，通过超过200次迭代探索形式可能。这些结果并非终点，而是激发设计的“线索”。▼AI生成的情绪板，AI-generated mood boards© MOFA Studio

A prevailing assumption in architectural discourse positions AI and craft as opposites: the algorithmic versus the handmade, the logic versus the intuition. Fonte d’Amore breaks away from this binary. The entire design process is structured as a continuous exchange between computation and craft, each informing the other at every stage. The process began with AI-generated mood boards that used the Trevi Fountain in a surrealistic Catalan setting as a reference. With more than 200 iterations of art and its context, exploring formal possibilities at a speed and scale that hand-sketching alone could not achieve. The outputs served as provocations: starting points that opened up unexpected directions.

▼夜景，night view© Ekansh Goel

▼雕塑，the sculpture© Ekansh Goel

在建造层面，一个轻质钢结构参数化网壳构成空间骨架，如同叶脉般支撑整体形态。网壳采用直线构件拼接而非曲面构件，既简化施工，又减少材料浪费，使计算精度服务于经济性与表现力。

The next challenge was its physical manifestation through actual structure. A lightweight steel parametric gridshell forms the skeleton of the fluid envelope, conceived as the ‘bone’ or ‘leaf-vein’ of the space. The gridshell uses straightened segments rather than curved members, simplifying fabrication and reducing material waste. Computational precision was utilized to serve economy alongside expression.

▼仰视天窗，looking up to the skylight© Ekansh Goel

▼细部，details© Ekansh Goel

算法与匠作的融合

A Synthesis of Algorithm and Artisan

MOFA Studio 的设计过程在数字计算与传统工艺之间建立了一种流动的对话关系，这一过程由两条既独立又并行的工作路径共同构成。

空间语境与结构优化：建筑背景通过高强度的迭代过程逐步生成。石材表面在人工智能探索与计算建模的辅助下经历了超过25轮优化，以达到理想的美学比例、光影之间的平衡关系，以及私密性与开放性之间的功能协调。这些数字化迭代成果进一步转化为三维数控铣削模板，为手工打造的石构件提供了精确的结构逻辑。

▼3d数字模型，digital modeling© MOFA Studio

MOFA Studio’s design process established a fluid dialogue between digital computation and traditional craftsmanship, defined by two distinct yet parallel workflows.

Spatial Context and Structural Refinement: The architectural backdrop was forged through an intensive iterative process. Stone surfaces underwent more than 25 refinements via AI exploration and computational modelling to achieve the ideal aesthetic proportion, a balanced interplay of light and shade, and a functional harmony between privacy and visibility. These digital iterations informed 3D-milled formwork, providing the structural logic for the hand-crafted stone elements.

▼庭院概览，overall of the patio courtyard© Ekansh Goel

▼灯光设计，lighting design© Ekansh Goel

▼夜景，night view© Ekansh Goel

艺术构件的演化：与此同时，雕塑与水景作为定制化的“艺术嵌入物”，遵循一套严谨的“物理—数字（phygital）”流程推进。人工智能生成的构图首先被制作成3D打印的小型模型，随后放大为等比例的实体黏土原型。这些实体模型再通过三维扫描回到数字环境中进行精细修正，从而在数字模型与实体原型之间形成持续的反馈循环。▼3d数字模型，digital modeling© MOFA Studio

The Evolution of Art Inserts: In parallel, the sculptures and fountain—integrated as bespoke ‘Art Inserts’—followed a rigorous ‘phygital’ pipeline. AI-generated compositions were first realised as 3D-printed miniatures before being scaled up into life-size clay prototypes. These physical models were 3D-scanned back into the digital environment for precision refinement, creating a continuous feedback loop between the digital model and the physical mock-up.

▼浮雕细部，details of relief© Ekansh Goel

▼石壁上光影，light and shadow on the stone wall© Ekansh Goel

人的最终介入：这一工作流程实际上颠覆了传统从数字到实体的单向逻辑。人工智能所生成的方案仅作为形式上的“线索”，由来自德里的工匠Shersingh——一位出身于视觉艺术世家的匠人——进行再解读与转化。并非技术决定结果，而是人工智能激发工艺的发挥；Shersingh通过手工将这些构想最终雕刻于石材之中。算法与匠作之间的反复往复，形成了一种流动的协作机制：计算提出可能性，工艺完成最终表达，从而实现二者单独都无法达成的形态。借助人工智能在分析推理、材料选择以及既有建筑结构系统优化方面的辅助，整个项目在6个月内得以完成；而若缺乏这些计算技术，同样的过程可能需要至少24个月。

The Human Resolution: This workflow effectively reversed the typical digital-to-physical hierarchy. AI concepts served merely as formal ‘clues’ for Shersingh, a Delhi-based artisan from a distinguished lineage of visual artists. Rather than the technology dictating the solution, the AI prompted the craft; Shersingh interpreted each composition by hand, carving the final resolution into stone. This back-and-forth between algorithm and artisan produced a fluid system where computation proposed and craft resolved, achieving forms that neither could have created in isolation. Using the aid of AI in analytical reasoning, material selection, and optimising structural systems of the existing house, the entire project was completed within 6 months. Without AI and computational technologies, the same process might have needed at least 24 months.

▼石材表面扭转、起伏，the surface of the stone is twisted and undulating© Ekansh Goel

▼圆窗，the circular opening© Ekansh Goel

冥想般的超现实体验

A Meditative, Surrealist Experience

步入庭院之中，德里的喧嚣逐渐退去，时间仿佛被悬置。石质喷泉随着水流的律动轻柔苏醒，层叠绿墙上的茉莉藤蔓向上攀爬，弥散出淡淡香气。视线被引导穿越五层高的空间直达穹顶，四个天窗（oculi）将自然光引入其间——白昼引光入室，夜晚则映入月色与星辰。原本平凡的环境被重塑为一个超现实的“茧”，时间在此似乎不断折叠。▼改造前后对比，before and after© Ekansh Goel

As one enters the courtyard, the clamour of Delhi recedes and time feels suspended. The stone fountain awakens with the soothing cadence of cascading water, while jasmine vines ascend tiered green walls to scent the air. The eye is drawn upwards through the five-storey volume to a dome punctuated by four oculi, allowing light to flood the space by day, and the moon and stars by night. This formerly mundane environment is reimagined as a surrealist cocoon where time appears to fold in on itself.

▼庭院与喷泉，the patio and the fountain© Ekansh Goel

▼天窗，the skylight© Ekansh Goel

同一套塑造超现实几何形态的计算体系，也同时定义了该空间的被动气候策略。面对德里夏季的极端高温，庭院通过设计实现无需机械设备即可保持适宜温度。四个天窗作为当代“捕风器”，其朝向通过环境模拟精确优化，将凉爽气流引入空间深处。

▼改造前后对比，before and after© Ekansh Goel

▼改造前后对比，before and after© Ekansh Goel

The same computational framework that sculpted the surrealist geometry also defines the passive climate strategy for the space. Given the searing intensity of Delhi’s summers, the courtyard is engineered to remain temperate without mechanical intervention. The four oculi serve as contemporary wind-catchers; their orientation was precisely optimised through environmental simulations to draw cooling breezes deep into the volume.

▼阳台，the balconies© Ekansh Goel

石质喷泉不仅是对特雷维喷泉的隐喻，其水雾还通过蒸发冷却将体感温度降低约6至8摄氏度。同时，层叠种植的绿植构建出微气候环境，并柔化石材表面的触感。在这里，诸如烟囱效应通风、蒸发冷却与景观策略等在地经验，并非附加性的技术手段，而是被编织进形式与体验之中的核心要素。

▼改造前后对比，before and after© Ekansh Goel

The stone fountain offers more than a mere allusion to the Trevi; its mist facilitates evaporative cooling, reducing the perceived temperature by some 6–8°C. Furthermore, tiered planters foster a bespoke microclimate whilst softening the tactile presence of the stone surfaces. Here, vernacular strategies- stack ventilation, evaporative cooling, and strategic landscaping- are not merely functional ‘add-ons’, but are woven into the very formal and experiential fabric of the design.

▼庭院近景，closer views of the patio© Ekansh Goel

通过对生活经验的空间性转译，而非对历史范式的简单再现，MOFA Studio 创造了一个在复杂性中依然保持亲密尺度的空间。该项目重新界定了人工智能在建筑中的角色——不再只是自动化工具，而是能够放大人类感知、想象与工艺潜能的创造性协作者。▼改造前后对比，before and after© Ekansh Goel

Through an innovative spatial translation of lived experiences, rather than the reproduction of historic precedents, MOFA Studio creates a space that remains intimate despite its complexity. The project reframes AI in architecture not simply as an agent of automation, but as a creative collaborator for amplifying human sensitivity, imagination, and craft.

▼夜景，night view© Ekansh Goel