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位于曼哈顿、唯一专注于当代艺术的机构——新当代艺术博物馆——近日重新向本地社区成员、支持者及民选官员开放,并举行了剪彩仪式。由重松象平与雷姆·库哈斯领衔的OMA设计团队,联合执行建筑师Cooper Robertson完成的这座约60,000平方英尺(约5,600平方米)的扩建建筑,将于2026年3月21日正式向公众开放。
The New Museum, Manhattan’s only museum dedicated exclusively to contemporary art, reopened its doors to members of its local community, supporters, and elected officials for a ribbon-cutting ceremony. The 60,000 sq ft building expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas in collaboration with Executive Architect Cooper Robertson will open to the public on March 21, 2026.
▼项目概览,overall of the expansion part of the new museum©Jason Keen
▼街景,street view©Jason Keen
这是 OMA 在纽约的首个文化建筑项目,作为对由 SANAA 设计、位于235 Bowery 的原有博物馆的补充,新建筑为机构不断扩展的项目与公共愿景提供了急需的空间——在紧邻原址的地块上实现了面积与功能的双倍扩展。
OMA’s first cultural institution in New York, a new addition to the SANAA-designed museum building at 235 Bowery, provides much-needed space for its expanded activities and increasing public ambitions-doubling the program and square footage on a site immediately adjacent to the existing building.
▼夜景半鸟瞰,half aerial view of the project©Jason O’Rear
▼此次扩建在美术馆紧邻原址的地块上实现了面积与功能的双倍扩展,this expansion has achieved a doubling of both the area and functionality on the plot adjacent to the original site of the art gallery©Jason O’Rear
新建筑回应了当代博物馆角色的转变:它不再仅仅是展览的生产者,更是公众参与的场所——既包括策划性的活动,也包括非预设的自发使用,并能够与城市建立更加开放甚至“渗透式”的联系。其立面通过呈现内部流线与活动片段,将灵活多变的内部空间暴露于街道之中。
The new building acknowledges a changing role for museums, beyond their function as producers of exhibitions. Today, museums are spaces for public participation, both programmed and unprogrammed, and they can foster new connections and even porousness with the city. The building’s façade reveals the circulation and slices of the activities taking place within its flexible interior and exposes them to the street.
▼立面,facade©Jason Keen
▼外观细部,exterior details©Jason Keen
此次扩建在 Bowery 与 Prince Street 的交汇处打造了一个室外广场,不仅邀请公众进入,也成为新的城市聚集节点。由此形成了一座更加“外向”的博物馆——作为城市连续体的延伸,积极参与公共生活。
The New Museum’s expansion creates an outdoor plaza at the intersection of the Bowery and Prince Street, which invites the public to enter and also acts as a gathering point. The result is an extroverted museum, one that is an extension of a continuous city and that participates in its public life.
▼顶部的层叠开口,terraced openings at the top ©Jason O’Rear
▼露台,terrace©Jason O’Rear
扩建后的整体规模使展览空间翻倍,并通过新增三部电梯、一个中庭楼梯以及入口广场,实现更为流畅的空间流线。同时,项目引入了多种公共活动与特别事件的空间,包括扩大的七层 Sky Room,以及一个拥有74个座位的全新论坛空间。高层部分设有驻地艺术家专用工作室,以及博物馆文化孵化平台 NEW INC 的新场所。一层则设有扩展后的入口大厅、书店以及由 Oberon Group 运营的全服务餐厅。
The expanded footprint doubles the museum’s gallery space; provides fluid circulation through the addition of three elevators, an Atrium Stair, and an entrance plaza; and introduces new venues for public programs and special events, including an enlarged seventh floor Sky Room and a new 74-seat Forum. On its upper floors, the expanded building will feature a dedicated studio for artists-in-residence and a home for the museum’s cultural incubator NEW INC. On the ground level, visitors will be welcomed into an enlarged lobby, an expanded bookstore, and a full-service restaurant operated by the Oberon Group.
▼楼梯,staircase©Jason Keen
▼楼梯,staircase©Jason O’Rear
▼楼梯中庭与艺术品,the atrium and the art work©Jason O’Rear
▼展览空间,exhibition space©Jason Keen
▼办公空间,office©Jason Keen
博物馆馆长 Lisa Phillips 表示:“自近50年前创立以来,新当代艺术博物馆始终致力于呈现当代最具突破性的艺术,并为艺术家提供创作的庇护所。位于 Bowery 的全新120,000平方英尺建筑,标志着我们对新艺术与新思想的进一步投入,以及将博物馆作为一个不断演进的实验场——用于冒险、协作与创新。”
Lisa Phillips, Toby Devan Lewis Director of the New Museum: “Since our founding nearly 50 years ago, the New Museum has been a home for the most groundbreaking art of today and a haven for the artists who make it. Our new 120,000 sq ft building on the Bowery signals our redoubled commitment to new art and new ideas, and to the museum as an ever-evolving site for risk-taking, collaboration, and experimentation.”
▼展览现场:Klára Hosnedlová:Shelter,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: Klára Hosnedlová: Shelter, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
OMA 合伙人 重松象平 表示:“新当代艺术博物馆是新文化视角与生产方式的孵化器,而此次扩建正是这种开放态度的空间体现。新建筑被设想为与原有建筑的垂直性与实体感形成既关联又区分的对位:它提供更为横向展开的展厅以支持多样策展方式,同时引入开放的垂直交通与多种用于聚集、交流与创作的空间。建筑形体亦被塑造为一个积极的公共界面——包括地面的开放广场、中庭中的多处透明节点以及顶部的层叠开口——以更直接地与周边社区乃至更广泛的城市互动。”
Shohei Shigematsu, Partner-in-Charge, OMA: “The New Museum is an incubator for new cultural perspectives and production, and the expansion aims to embody that attitude of openness. Imagined as a highly connected yet distinct counterpart to the existing museum’s verticality and solidity, the new building will offer horizontally expansive galleries for curatorial variety, open vertical circulation, and a diversity of spaces for gathering, exchange, and creation. The building is further shaped to create an active public face - including an outdoor plaza at the ground, moments of transparency throughout the central atrium, and terraced openings at the top - that will openly engage the surrounding community and beyond.”
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
▼展览现场:New Humans:Memories of the Future,2026年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
OMA 合伙人 雷姆·库哈斯 表示:“这是我们在纽约的首个公共建筑项目,与新当代艺术博物馆的合作意义非凡——这是一家我们长期以来深感认同其前瞻理念的机构。在此前与 妹岛和世 与 西泽立卫 的合作基础上,能够与他们的原作展开对话,是一项难得的机会——这座原有建筑本身也是这座城市中极具感染力的建筑之一。最终完成的项目既是对这一遗产的延续,也是其拓展。”
Rem Koolhaas, Partner-in-Collaboration, OMA: “Marking our first public building in New York City, the project with the New Museum is especially meaningful—an institution whose forward-thinking ethos we have long admired. Building on past collaborations with Kazuyo Sejima and Ryue Nishizawa, it has been a privilege to engage in dialogue with their original building, one of the most resonant works of architecture in the city. The completed project stands as both a continuation and an expansion of that legacy.”
▼展览现场:Tschabalala Self:Art Lovers,2025年,纽约新当代艺术博物馆,摄影:Dario Lasagni,Exhibition view: Tschabalala Self: Art Lovers, 2025. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
项目建筑师 Jake Forster 表示:“新建筑旨在支持、补充并丰富现有博物馆,从而形成一个整体‘校园’。我们通过多样的空间、结构与材料策略,创造新的使用可能与互动方式。项目的实现离不开一支多元化设计师、工程师与建造者团队的共同投入。如今这一阶段性成果即将向公众开放,令人期待。”
Jake Forster, Project Architect/Associate, OMA: “The new building aims to support, complement, and diversify the existing museum to establish a campus. We have enjoyed engineering a variety of spaces, structures, and materials to create new opportunities and engagements. It has relied on the passion and expertise of a diverse group of designers, engineers, and makers to get to this milestone. I’m excited to see our collective effort come to life as it welcomes the public in.”
▼一层平面图,F1 Plan©OMA
▼二层平面图,F2 Plan©OMA
▼三层平面图,F3 Plan©OMA
▼四层平面图,F4 Plan©OMA
▼五层平面图,F5 Plan©OMA
▼六层平面图,F6 Plan©OMA
▼七层平面图,F7 Plan©OMA
▼纵剖面图,Longitudinal Section ©OMA
▼横剖面图,Transverse Section©OMA
PROJECT DATA
Project: New expansion connected to the existing museum at 235 Bowery
Site: 231 Bowery in Lower Manhattan
Status: Complete
Program:
New Building (231 Bowery)
Total square footage (gross) 61,930 sf 5,750 sm
Gallery (net) 9,600 sf 890 sm
Education, Event, Artist Studios (net)* 3,210 st 300 sm
NEW INC (net)** 3,850 sf 360 sm
New and Existing Building Combined
Total square footage (gross) 119,700 sf 11,120 sm
Gallery (net) 20,240 sf 1,880 sm
*Includes F6 artist studio, F7 Sky Room expansion, and F6 - 7 Forum
*Not inclusive of F5 terrace or bathrooms
CREDITS
Lead Design Architect: OMA New York
Partner in Charge: Shohei Shigematsu
Partner in Collaboration: Rem Koolhaas
Associate/Project Architect: Jake Forster
Senior Architects: Jackie Woon Bae (Design), Ninoslav Krovic (Technical)
Team: Francesco Rosati, Richard Nelson - Chow, Clement Mathieu, Kaegan Walsh, Jan Casimir, Carly Dean, Vincent Parlatore, Tamara Jamil
Executive Architect: Cooper Robertson (now Corgan)
Project and Cost Management: Gardner and Theobald, PML
General Contractor: F.J. Sciame Construction, Co., Inc
Structural Engineer: ARUP
Mechanical Systems: ARUP
Façade: Front
Geotechnical: Langan
Civil Engineer: Philip Habib & Associates
Wayfinding and Signage: 2×4, T - Squared Design Studio, Visual Graphic Systems
Lighting Design: Dot Dash
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