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曲水风和丨中国重庆丨KD室内设计事务所

2026/04/02 08:14:29

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以素净之色、原生之材、建筑之形，勾勒出温暖与静谧的治愈场域。生活从来不是最赶时间的赛跑，而是满赏每一寸光阴的馈赠。

设计师以“逆向自然”的思维，让居住与自然情境互换。重塑原始空间，将客厅降至负二楼，家庭图书馆逆向空间变革，连接一楼的大花园，抬至一楼；尽显自然亲和力，这种收放将自然不受限于在空间中“拿来主义”，不是通过室内的一植一物来体现，而是流动在尺度铺陈之间，纵向延展的空间张力，踏入瞬间喧嚣悄然隐退……

Using pure colors, natural materials, and architectural forms, outline a warm and peaceful healing field. Life is never a race against time, but a gift that rewards every inch of time.

Designers use a "reverse nature" mindset to exchange living environments with nature. Reshaping the original space, lowering the living room to the negative second floor, reversing the spatial transformation of the home library, connecting the large garden on the first floor, and lifting it up to the first floor; Showing natural affinity, this kind of expansion and contraction will not be limited by the "appropriation" in space, not reflected through a single plant or object indoors, but flowing between scales, vertically extending spatial tension, and quietly fading away from the noise in an instant

负二层

负一层

全开放的采光井打造成下沉式花园，设计师关注家与自然内在的联系，强调“Land Design”，用最纯然的状态呈现自然，避开繁杂的装饰，通过大地色系的材质收敛自然的气息，呈现出质朴的美。

The fully open lighting well is designed as a sunken garden, and the designer pays attention to the intrinsic connection between home and nature, emphasizing "Land Design", presenting nature in the purest state, avoiding complicated decorations, and using earth colored materials to converge the natural atmosphere, presenting a simple beauty.

保留的挑高，为负一楼留了一扇全落地采光窗。不同于传统的走廊式设计，设计师利用“框景”的视觉收缩理念，悬插了一个大的屋中屋。从颜色上，材质上区别于周围的空间，却用隧道式的视觉快速抓住眼球，极具艺术氛围的融合，相互联动却独立，互不干扰的静谧氛围，将向内造景的概念推向极致。

从负二楼向上看，无疑是给挑高留白的空间构建了一幅灵动的景；而从负二楼向下看，则是将天井的光影气息悄然的照进，垂直延展的空间张力，构筑起一方超脱凡俗的精神栖居之境。

The reserved height has left a fully floor to ceiling skylight window for the basement floor. Unlike traditional corridor style design, the designer utilized the visual contraction concept of "framed scenery" and suspended a large house within a house. Different from the surrounding space in terms of color and material, but quickly catching the eye with a tunnel like visual effect, the fusion of artistic atmosphere is highly interconnected yet independent, with a quiet atmosphere that does not interfere with each other, pushing the concept of inward landscaping to the extreme.

Looking up from the negative second floor, it undoubtedly creates a dynamic landscape for the elevated space with blank space; Looking down from the second basement, the light and shadow atmosphere of the courtyard quietly shines in, creating a vertically extended spatial tension and constructing a spiritual dwelling that transcends the mundane.

如果说悬空落地窗让两个空间相映成趣，那么楼梯间的过渡浮台则如点睛之笔照亮了这个空间的角落，看似穿插了一块简单的木板，其实是一种空间的语言。它把石材的厚重与木材的温润串联起来，让居住者从细腻木纹的自然，慢慢踏入静谧的氛围。本质上是地面层级的转换，把不同功能的空间关系巧妙地柔和地衔接起来，实质上是让人心情过渡的桥段；这样的巧思不刻意地把行走变成一段体验，再叠加过渡浮台的“低位照明”，通过楼梯下方的一小段横向向上的光线，让过渡本身变得值得停留。

If the suspended french window makes the two spaces interesting, the transitional floating platform in the stairwell lights up the corner of the space like a finishing touch. It seems to be interspersed with a simple board, but it is actually a language of space. It connects the thickness of stone with the warmth of wood, allowing residents to gradually step into a peaceful atmosphere from the delicate wood grain of nature.

Essentially, it is a transformation of the ground level, cleverly and gently connecting the spatial relationships of different functions, which is essentially a scene that makes people’s emotions excessive; This clever idea deliberately turns walking into an experience, combined with the "low-level lighting" of the transition platform. Through a small section of horizontal upward light below the stairs, the transition itself becomes worth stopping for.

设计的用心之处在于细节，负二楼入室圆弧形线条，削弱了空间里转角多的凌厉感，低位照明再次将三种不同的材质相融共生，于素雅浪漫中暗藏巧思。

最为巧妙的是高处的横向长窗，它源于纯粹主义与柯布西耶对比例和光的信念。把光分成层次延展，将自然请入室内，让空间即安定又充满探索的渴望。

The focus of the design lies in the details. The curved lines of the second floor entrance weaken the sharpness of the space with many corners. The low-level lighting once again blends and coexists three different materials, hiding ingenuity in the simple and romantic atmosphere.

The most ingenious feature is the horizontal long window on the high ground, which originates from purism and Corbusier’s belief in proportion and light. Divide the light into layers and extend it, bringing nature into the room, making the space both stable and full of the desire for exploration.

一层

在一楼的复合空间中，融合了餐厨区和家庭图书馆，餐饮之趣与生活雅韵并存。

设计师利用承重墙延续“向内造景”的设计理念，将原本的入户走廊变成室外向内延伸的过渡，正面的木质吊顶与悬插在承重墙的书桌呼应，书桌的尽头指向一整面墙的开放书柜，横向的线条将室内外趋于无界自然的状态。移动的书架楼梯又给整个空间增添了生趣。

而承重墙的石材质地，又给空间增加了沉稳的气息，让一大面的木质吊顶不压抑沉闷，另一侧的餐厨区透过一整面转角落地窗的光灵动自然，一呼一吸间，自然而然的达到自然无界的状态。

In the composite space on the first floor, the dining area and home library are integrated, where the fun of dining and the elegance of life coexist.

The designer uses load-bearing walls to continue the design concept of "inward landscaping", transforming the original entrance corridor into a transition that extends inward from the outside. The wooden ceiling on the front echoes the desk suspended in the load-bearing wall, and the end of the desk points to an open bookshelf on the entire wall. The horizontal lines bring the interior and exterior to a natural and boundless state. The moving bookshelf staircase adds liveliness to the entire space.

The stone texture of the load-bearing wall adds a sense of calmness to the space, so that a large wooden ceiling is not depressed and dreary, and the kitchen area on the other side is flexible and natural through a whole corner french window, breathing in and out, naturally reaching a state of natural boundlessness.

二层

三层

设计师重新整合三间卧室，令其皆享大面的阳光。整面落地窗似自然画框，揽光景入室，简洁几何线条勾勒优雅，垂直间划出秩序，温柔联结各层。

The designer has reorganized the three bedrooms to allow them all to enjoy the abundant sunlight. The whole french window looks like a natural picture frame, taking the scenery into the room. The simple geometric lines outline the elegance, draw order vertically, and gently connect each floor.