2026年喀拉拉邦文学节德国馆丨印度班加罗尔丨The Purple Ink Studio

Architects:The Purple Ink Studio

Area:11000m²

Year:2026

Photographs:Saurabh Suryan,Stories of Kunju, Advait Vinod

Category:Pavilion

Project Team:Akshay Heranjal, Arpita Pai , Aditi Pai, Nishita Bhatia, Jaikumar, Aravind Vankadaru , Priyanka Joshi, Nivya Joseph, Santhan Kerlepalli, Prajakta Barve, Swaraj Jadhao, Jaival Kansara, Mrunalni Vijay, Aziz Rajani, Janav Parekh, Siddharth Waze, Babitha Yeldho

Partner In Structure Execution:Nirmiti Collective

Installation & Execution:Pandal Planners

Program Lead And Functional Operators:Sandbox Collective, Seagull books, DC books, Sanskriti Bist (Berlin kitchen), Atelier Prati (Printing studio), On the jungle floor (Vinyl- listening room)

Client:Goethe Institute

City:Bengaluru

Country:India

Text description provided by the architects. For the past nine years, the city of Kozhikode has come together to celebrate the Kerala Literature Festival (KLF). The festival unfolds across four days against the dramatic backdrop of the Arabian Sea. KLF draws over 5 lakh visitors, transforming the coastline into a vibrant cultural landscape. With Germany being the guest nation this year, it opened a unique opportunity to reimagine the deep-rooted relationship between Germany and Kerala.

Origins and Exchange – Challenging the notion of the pavilion as fleeting, we turned towards the roots, to the early beginnings of Indo-German connections. Tracing the path of arrival of the Basel missionaries in Calicut in 1830, we return to a moment that initiated this relationship. Following this were a series of transformative engagements with the Commonwealth tile and textile factories and the literary contributions of German scholar Hermann Gundert. These stories of craft, knowledge exchange, and transition that the city and its culture underwent became the conceptual anchors for the pavilion.

Reimagining the Pavilion – With memory becoming the form, we reimagined the pavilion to be a temporal home by the beach — a space that holds stories, craft, and moments in quiet continuity. The contrast between the ephemerality of the pavilion and the enduring elegance of a home lends the space a sense of warmth and familiarity within the vibrant intensity of the festival. Drawing from the geometry of the sail, the pavilion unfolds through angled planes responding to the openness of the beachfront. The warmth of Kerala homes is reflected in the pavilion through an imaginative coming together of movement, memory, and shelter.

Craft as Culture – Locally sourced bamboo forms the primary structural layer of the pavilion. The soft partitions with rope screens (woven cotton ropes in 'Plaine weave' technique), korra fabric (Calico cloth drapes), terracotta floor tiles, and Woven paaya (dried grass mats) form the roof covering. These are heavily rooted in the historic past of the Commonwealth Weaving Factory and the Commonwealth Tile Factory, set up by the Basel Mission in Kozhikode. Each layer was assembled through local skill, always allowing the natural form to come through. The materials allowed the pavilion to be constructed in a very small time frame on a sand bed by the beach, while also ensuring that most of the materials have a thoughtful afterlife.

Memory to Matter – The pavilion translates memory into space, an encounter into remembrance, and remembrance into a lived experience.

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