对于大体量的住宅项目，首要工作是基于与业主对生活的共同认知，去构建一种适宜的场景及尺度。即便房屋的面积很充裕，但设计师柴若乔仍最大限度地使用了这些空间，而不是留下一些一年仅使用一两次的空房间。

For large-scale residential projects, the primary task is to construct a suitable scene and scale, based on a shared understanding of life with the client. Even with the ample square footage, Designer Ruoqiao Chai maximized the utility of every space rather than creating empty rooms that might only be used once or twice a year.

位于三层的起居室是属于家人的主要活动空间，更加强调适宜近人的尺度。淡紫色的沙发Norton来自Meridiani，Flos的Taccia台灯为空间带来柔和的氛围照明。长凳由柴若乔设计

心游弋(Studio XYYI)由设计师柴若乔先生和代千禾女士于2021年创立于重庆。致力于探索挖掘设计的人文内涵，为商业与住宅项目带来持久生命力。设计师柴若乔的雕塑专业背景为构建空间中复杂的形体关系提供了独特视角，同时为项目设计大量原创的家具及灯饰

花瓣形的茶几是Jorge Zalszupin的代表作品之一，扶手椅P110 Canada Chair来自意大利建筑师Osvaldo Borsani，均为中古品。一旁的落地灯Roattino则是杰出的女性建筑师Eileen Gray的作品，来自Classicon。麻编地毯由柴若乔设计

躺椅是Charlotte Perriand与Le Cobusier合作设计的LC4，来自Cassina。玻璃边几Nemu来自意大利品牌Desiree，落地灯来自Santa - Cole。

所以在这个项目中并没有任何如客房、影院、游戏室、健身房等房间，而是聚焦于如何更好地服务于实际使用需求。这确保了家中的每个人都有合理舒适的动线，考虑隐私距离的同时又能够产生家庭成员间的交互。

So, we don’t have any amenities such as guest room, home theatre, recreation room, or gym, we focused on better serving practical living needs. This ensures that everyone has intuitive pathways to move through, and their own space to relax or interact, while maintaining a comfortable sense of personal distance.

玻璃边几是Eileen Gray的代表作之一来自Classicon，壁灯来自Santa-Cole。中央的纸质吊灯Floatation出自Ingo Maurer，为餐厅沉稳的色彩注入一份轻盈。餐椅Cantu是巴西设计师Sergio Rodrigues的作品，框架采用的玫瑰木(Jacaranda)曾多用于制琴和家具，现已禁止采伐。餐边柜和餐桌均由柴若乔设计，玻璃器物来自壹集。

“ 我们似乎有点享受模糊建筑与艺术的界线，一个融合了二者的空间能让我们建立与内在世界的联系。在这个共识的基础上，委托人给予了我们极大的支持，对此我们十分感激。” 有许多来自如: Sergio Rodrigues, Jorge Zalszupin, and Osvaldo Borsani的杰作是第一次来到重庆——这座位于中国西南的大都市。为了让这幢别墅更加独特鲜明，我们也专门设计了数十件新作品，即使这十分具有挑战性。

‘It’s almost like we’re kind of enjoying blurring the lines between architecture and art. A space that combines them both helps us find a connection to inner worlds. Based on this shared understanding, the client gave us tremendous support, and for that we’re very grateful.’ Many of these masterworks, from designers like Sergio Rodrigues, Jorge Zalszupin, and Osvaldo Borsani, are making their debut in Chongqing, a metropolis in southwest China. We also designed dozens of new works, to make this house unique and specific, even though we knew it would be a very challenging process.

玄关的吊灯和台灯均由柴若乔设计。Mackintosh的名作，绿色座面的Hill House1来自Cassina

专为女主人打造的咖啡空间，藤编中古椅子Oscar来自巴西设计师Sergio Rodrigues。落地灯出自小众品牌Handvark。蓝色织物座面的No.7来自Fritz Hansen。中古边柜由建筑师Ib Kofod Larsen设计

柴若乔钟情于天然的材料，白色的抹灰墙面，莱姆石地面，胡桃木的墙板贯穿了整个空间。保持材料的诚实是与我们与漫长时光相处的方式，也会让这幢房屋经典恒久。

Ruoqiao Chai is passionate about natural materials, with white plastered walls and limestone floor, walnut panels throughout the space. Maintaining the honesty of materials is how we engage with the passage of time, and it will make this house timeless and classic.

位于一层会客厅上方的休息区，通过可开合的格栅与楼下相连。藏蓝色的Capitol Complex来自Cassina。纸质的落地灯Wo-tum-bu来自Ingo Maurer。作为承载社交功能的空间，一层设有宽阔的下沉式会客厅。对柴若乔来说，形式的背后一定是回应业主的生活，而非单纯制造视觉停留。

As a space for social functions, the first floor features a spacious sunken reception area. For Ruoqiao Chai, the form behind it must respond to the owners life, rather than merely creating a visual spectacle.

巨大的枝形吊灯是由Gino Sarfatti设计的名作2097，来自Flos。方形金属茶几由柴若乔设计。小凳子Butterfly Stool是出自柳宗理的设计，半透的黑色的柜子专门收纳茶具，来自Ethnicraft。

家始终会呈现出居住者的真实模样。柴若乔坚信唯有长期的、追寻本质的生活方式，才能让家服务于真实的人，而非扮演出某种状态。

A home inevitably reflects the true nature of its inhabitant. Chai Ruoqiao firmly believes that only a long-term, essence-driven way of living can allow a home to serve the real person, rather than perform a constructed state of being.

黑色书架旁是为多人聚会而特别准备的空间，为此柴若乔特别设计了一款长达4米，可供十二人使用的长桌。整体按照1960年代的风格与工艺打造。椅子则是由Gio Ponti设计的名作699 Superleggera超轻椅，来自Cassina

社交空间并不会分配到更多预算，也不会基于身份认同购置与实际需求无关的产品。对此，柴若乔与委托人有着完全相同的价值判断。希望房屋在经过十年，也许二十年或更久远的时间，因这份真实而显得历久弥新。作为设计师，运用自己的专业能力，去帮助委托人实现内心的图景。

We didnt inflate budgets for social areas or buy things just for image rather than need. Ruoqiao Chai shared this mindset completely with the client. Our hope is that in ten or twenty years, this honesty in design will keep the home looking as fresh and enduring as it does today. Our role is simply to use our skills to turn the clients vision into reality.

胡桃木饰面包裹的洗手间被巧妙地隐藏起来。玻璃屏风将会客区与通往车库的玄关区隔，不同玻璃的交替带来更多的通透感。玄关桌和刺绣工艺的屏风均由柴若乔设计。

The walnut-paneled restroom is cleverly hidden. A glass screen separates the reception area from the entrance leading to the garage, with alternating types of glass providing greater transparency. The console table and the embroidered screen are both designed by Ruoqiao Chai.

茶室的设计意在模糊现代与传统的界线。椅子选择Hans.J.Wegner以中式圈椅为灵感设计的CH24。带有水波纹光泽的金合欢木茶桌由柴若乔设计，金箔屏风是艺术家墨痕的作品。

作为室内外一体化设计的项目，需要着重关切窗外的美丽景色如何作用于业主的生活方式，其核心工作便是建立室内外的交互。在这个过程中，去捕捉美好的情境则是一种乐趣所在：当人们倚门而坐，看着水流落下，静静地感受大自然的变化。于这些细微而美好的瞬间中，寻得治愈的力量。

As a project with integrated indoor and outdoor design, its crucial to consider how the beautiful views outside the windows influence the owners lifestyle; the core task is to establish indoor-outdoor interaction. It brings us great joy to picture those moments: like someone sitting beside the door, watching the water fall, and simply connecting with the dynamics of nature. People always find healing in these small, beautiful moments.

弧形的屏风将沙发包裹，营造出安定惬意的落座环境。扶手椅Lina是Gianfranco Frattini的经典设计，现由Tacchini生产。单边扶手的白色沙发以及格纹地毯均由柴若乔设计

巨大的弧形门窗将庭院景致悉数引入，在天气好时能见到远在嘉陵江对岸的青山。对称而富于变化的设计，也让整个空间兼具松弛与仪式感。

原建筑是市场导向的产物，于业主而言设计得有些浮夸，但重新设计一套新的外观其工程量几乎等同重建。柴若乔选择从门窗与庭院入手，以改善整体观感。尊重现状并不意味着这是一次妥协，而是从项目伊始便不希望突显于周遭环境。但在保留原建筑总体外观的情况下进行设计的确是具有挑战性的。

The original building was a market-driven product, designed somewhat ostentatiously for the owners taste, but redesigning a new exterior would be almost equivalent to rebuilding. Ruoqiao Chai chose to start with the doors, windows, and courtyard to improve the overall appearance. This is not a compromise, but a respect for the present situation. our starting point was the desire not to draw attention from the surroundings. And it was quite a challenge to make these changes appropriately within the building skin.

户外郁郁葱葱的景观与设计带来的舒适感同行，令生活更为惬意自由。黑色的百叶栅栏在提高庭院隐私性的同时保持了呼吸感

凉亭的中央刻意留出了一个供木柴烟气通过的圆孔，形式总是伴随着功能而存在。凉亭之下的长桌可供十余人使用，不论是饮茶休闲还是家庭聚餐都能够从容应对。一旁的水景还可用作垂钓渔获的暂养池使用。

设计除关注功能的完备和个人隐私，亦需要深入体察使用情景。四层的起居室是专为小朋友设计的，意在提供一个可以走出房间，增进彼此间的交流的空间。与三层的挑空位置使用一道悬挂的纱帘相隔。

Design, in addition to focusing on function and personal privacy, also needs to deeply consider scenes. The fourth-floor living room is specifically designed for children, aiming to provide a space where they can step out of their rooms and enhance interaction with each other. It is separated from the third-floor by a suspended sheer curtain.

粉色的椅子DSR是Eames的经典设计，来自Vitra。绿色椅子出自HAY，黑色落地灯是Arne Jacbosen的设计，来自Louis Poulsen。白色落地灯TMM是Santa-Cole最具代表性的产品

蓝色椅子出自HAY，黑色台灯Daphine来自Lumina

毛绒单椅Wulff来自-Tradition

“有一些东西一定是会生长在我们的设计里的，关于功能的实现，比例，各元素的交织的关系，体量的大小，文化内涵等等，所有这些，共同构成了我们设计的基础。”

‘It’s something that has to be part of your design, how well it functions, the proportion, the correlation between each object, the scale of the volumes, and the underlying culture. All of that… that’s the fundamentals of design.’

柴若乔其实并没有把自己当作是室内设计师或建筑师，亦不是艺术工作者。“我们的角色也并非是去打造一间漂亮房子，相比设计师，我们或许更像是以自身的感悟为材料，用雕塑的方式塑造空间。”

Ruoqiao Chai doesnt really consider himself an interior designer or architect, nor an artist. ‘Our role isnt to create a beautiful house. In that sense, we’re less like designers and more like sculptors.’

饶有趣味的落地灯Luminator是Castiglioni兄弟向Gio Ponti致敬的作品，黑色玻璃茶几Infinity来自Arflex，地毯由柴若乔设计

主卧室配套的书房是属于男主人的空间，整体更加硬朗。书桌Table En Forme Libre，书架Nuage，转椅LC7均是Charlotte Perriand的作品，现由Cassina生产。绿色书桌椅Brno是Mies Van der Rohe的经典设计。Murano的玻璃台灯Lesbo来自Artemide

黑色躺椅FK87来自丹麦顶级品牌LangeProduction，一旁的落地灯由柴若乔设计。白色沙发是由Vincent Van Duysen为Arflex设计的。

柴若乔将事务所取名“心游弋”，寓意心离烦恼、通达无碍。其业务主要涵盖住宅和商业类项目，以及大量的原创家具和照明。

Chai Ruoqiao named his studio ‘Xinyouyi’. The name means a free heart built on self-consistency. His work primarily covers residential and commercial projects, as well as a large number of original furniture and lighting designs.

为这栋建筑赋予新的生命是一次十分振奋的旅程，很高兴能够将我们的理念融入到项目中。我们希望通过设计为人们展现更多关于生活方式的可能性，特别是在当下这个快节奏的世界。

‘Giving this house a new life has been a truly amazing journey, and it’s been so fulfilling to express our philosophy in this project. We hope our design can show people more possibilities about the way of living, which feels especially important in todays fast-paced world.’

落地灯Bianca来自Fontana Arte，白色沙发由Vincent Van Duysen为Arflex设计。边柜和黑色茶几由柴若乔设计。

床尾凳与床头柜均由柴若乔设计，白色石材台灯来自Santa-Cole，部分床品来自壹集

项目信息

Information

项目名称：HOUSE AQ

Project Name：HOUSE AQ

设计面积：2000㎡

Cover Area：2000㎡

设计总监：柴若乔

Design Director : Ruoqiao Chai

设计团队：胡睿、鞠瑶

Design Team：Hurui、Juyao

全案统筹：心游弋XYYI

Project Coordinator：StudioXYYI

项目摄影：偏方摄影

Photography：Pian Fang Photo Studio

项目视频：向蜀程

Video: DD

完工时间：2025

Completion Years：2025

特别鸣谢：阿宝悦家、Parfait Gallery、知行墅造、瑞方全屋定制、合拾造园、莫霍林地板、祺兮研涂、尼可多全屋定制、倍果瓷砖、晒德钢构、和致照明、派拉奇软装、爱美艾嘉软装、海唯吉卫浴、黑米

Special Thanks: apo home, Parfait Gallery, Zhixingshuzao, Refound, Heshizaoyuan, WooTech-M, cheeci, Nicodo, Beiguo, Shaide, Hertz, PLQ.J, Aimeiaijia, Haiweiji, Heimi