Hayley's Pilates 海莉皮拉提斯

Hayley's Pilates 海莉皮拉提斯

Project Type｜Pilates Studio Interior

Focus｜Spatial Concept · Interior Design · Visualization

Year｜2024

Design Concept｜設計意象Pilates is a form of movement that emphasizes control, balance, and precision rather than intensity alone. Its appeal spans across age groups and lifestyles, offering a physical experience that feels both grounded and light—strong yet elegant at the same time.

This sense of refined lightness forms the conceptual foundation of Hayley’s Pilates. The design translates the physical and mental qualities of Pilates into a spatial experience, allowing users to gradually release tension and reconnect with their bodies upon entering the studio.

The phrase “Fly Me to the Moon” serves as the guiding metaphor of the project. It represents a temporary departure from everyday gravity, imagining the space as a calm, floating environment where the body and mind can slow down, reset, and regain balance.皮拉提斯是一種強調控制、平衡與精準度的運動形式，相較於高強度與速度導向的訓練，它更關注身體在力量與優雅之間所取得的細緻平衡。這項運動橫跨不同年齡與生活型態，帶來一種同時穩定且輕盈的身體經驗。

這份「輕盈卻有力量」的特質，成為 Hayley’s Pilates 空間設計的核心出發點。設計試圖將皮拉提斯的身心感受轉化為可被感知的空間經驗，使使用者在進入教室的瞬間，逐步放下日常的緊繃與重力感。

「Fly Me to the Moon」作為本案的概念隱喻，象徵暫時脫離日常節奏與地心引力的狀態。空間被想像為一個安靜、漂浮的場域，讓身體與意識得以放慢、重置，重新回到平衡與專注。

Design Translation｜設計轉化The moon becomes the primary source of spatial inspiration. Its quiet presence and soft geometry are abstracted into architectural elements throughout the interior.

Circular and semicircular forms, along with fragmented arcs, are translated into spatial lines that define boundaries, guide movement, and shape visual perception. These curves are not decorative gestures, but integral components that organize space and create layered visual experiences.

As users move through the studio, shifting viewpoints reveal different relationships between form and space—echoing the way the moon appears from different perspectives. Through this approach, the interior becomes a spatial interpretation of Pilates itself: controlled, fluid, and effortlessly elegant.本案以「月亮」作為主要的空間意象來源，其安靜而柔和的形象被抽象轉化為室內的建築語彙。圓形、半圓形與被切割、延展的弧線，成為空間中重要的構成元素。

這些曲線不僅是視覺表現，更實際參與空間的分界、動線引導與層次建立。隨著使用者在空間中的移動，不同觀看角度所產生的視覺關係，呼應了月亮在不同視角下所呈現的變化。

透過這樣的設計轉化，室內空間成為皮拉提斯精神的延伸——穩定、流動且輕盈，而不流於裝飾。