京都嘉佩乐酒店丨日本京都丨隈研吾建筑都市设计事务所,Brewin Design Office

酒店毗邻京都最古老的禅宗寺庙——建仁寺（Kenninji Temple）。在这里，百年工艺在匠人手中焕发新生，经过悉心重塑，转化为现代的表达形式与感官体验。每一刻都静静回响着千年传承的灵魂。

酒店由隈研吾建筑都市设计事务所（Kengo Kuma&Associates）与 Brewin Design Office 联合设计。每个空间都通过丰富的层次感、柔和的色调以及精心挑选的细节，赞颂这座城市精致的文化遗产，与跨越1,200年的卓越工艺交相辉映。

建筑设计

Kengo Kuma

室内设计

Rober Cheng

嘉佩乐酒店集团总裁

Roland Fasel

日本传统町屋（Machiya）独特的“韵律与递进感”，激发了 Brewin Design Office 的灵感，为这座由隈研吾建筑都市设计事务所担纲建筑设计的京都酒店打造了室内空间。

京都嘉佩乐酒店坐落于祗园（Gion）一所旧小学的原址之上。祗园是京都著名的历史街区，保留着大量被称为“町屋”的传统木制民居。典型的町屋拥有窄而深的布局：临街通常是小店铺，居住空间则深藏其后，其间点缀着庭院或天井。

The unique "rhythm and progression" of Japanese machiya townhouses helped Brewin Design Office devise the interiors of this hotel in Kyoto designed by Kengo Kuma.

The Capella Kyoto hotel was built by Kengo Kuma and Associates on the grounds of an old primary school in Gion, a historic district of the city that's home to a number of traditional wooden townhouses known as machiya. Machiya typically have a deep yet narrow footprint with a small shop at the front and living spaces nestled further towards the back, interspersed by gardens or courtyards.

受布局的启发，总部位于新加坡的 Brewin Design Office 决定赋予酒店室内空间一种类似的交错构图。

宾客穿过一条两侧衬有障子屏风（Shoji）的长廊进入酒店，最终抵达到全木饰面的接待大堂。墙面上伸出一件巨大的扭转雕塑，其形态模拟了神道教净化仪式中使用的“注连绳”（Shimenawa）。

Inspired by this layout, Singapore-based firm Brewin Design Office (BDO) decided to give the hotel's interior a similarly staggered composition.Guests enter the hotel via a lengthy walkway flanked by shoji screens, eventually coming to a wood-lined reception lobby. From one wall protrudes a large, twisted sculpture that's meant to resemble shimenawa – a kind of rope that's used in Shinto purification rituals.

穿过大堂，便是一片开阔的庭院，这里被视为酒店的核心。中心是一汪浅池，池畔点缀着错落有致的岩石与树木。

Just beyond is an expansive courtyard that's meant to be the nucleus of the hotel; at its centre is a shallow pond, fringed by rocks and some trees.

BDO 创始人程汉强（Robert Cheng）：“町屋的迷人之处在于，它的特征并非孤立的存在，而是连贯空间逻辑的一部分。我们特别受到町屋‘韵律与递进感’的启发，通过一系列空间的转换，从开放的公共区域逐渐过渡到私密且具有沉思感的区域。”

"What is compelling about the machiya is that its characteristics are not isolated ideas, but part of a coherent spatial logic ,We were particularly inspired by the machiya's sense of rhythm and progression, expressed through a sequence of spaces that transition from more public, open areas into increasingly private and contemplative zones."

在公共空间中，BDO 运用了他们认为最能代表町屋与京都工艺的元素：从手工抹面的灰泥墙，到精密的木作接榫，再到细腻的编织纹理。

In the hotel's communal spaces, BDO implemented features it felt were synonymous with machiya and Kyoto craftsmanship, from hand-washed plaster walls to timber joinery and delicate woven textures.

“在京都工作既是一种荣幸，也是一种充实的体验，”程汉强解释道。“在这座城市，历史并非作为静止的文物被封存，而是活跃在日常生活的实践中。”

."Working in Kyoto was both a privilege and an enriching experience," explained Cheng. "It is a city where history is not preserved as a static artefact but actively lived and practiced in everyday life."

京都嘉佩乐的宾客休息室被格子屏风包裹。当内部灯光点亮时，整个空间宛如一只巨大的日式行灯（Andon）。

Capella Kyoto's guest lounge is boxed in by latticed screens so that, once lights are switched on within, the room mimics the appearance of a Japanese andon lantern.

SoNoMa餐厅

宾客可在三家不同的餐厅就餐：Sonoma 提供当地特色菜单并设有开放式厨房；Yoi 是一家氛围轻松的深夜场所，内部使用了此前校址拆除后回收的木材进行装饰。

Guests also have the option of dining at three different restaurants. Sonoma features a regional menu and open kitchen, while Yoi is a more casual late-night venue decked out in reclaimed wood from the school that once stood on site.

木质表面与障子屏风贯穿了全店 89 间客房。大部分房间可俯瞰邻近的歌舞练场或京都最古老的禅寺——建仁寺。此外，还有六间套房设有私人浸浴池，以此向日本悠久的温泉文化致敬。

Wood-lined surfaces and shoji screens continue to appear throughout the hotel's 89 bedrooms, most of which have views of the nearby Kaburenjo Theatre or Kennin-ji, the oldest Zen Buddhist temple in Kyoto. Six suites were given their own soaking tub in a nod to Japanese onsen hot springs.

创始人 / 

隈研吾

隈研吾建筑都市设计事务所由日本当代著名建筑师隈研吾于1990年建立。目前KKAA在日本东京、中国和巴黎设有分所，员工人数分别为208/26/33。KKAA主张设计融合自然和文化，提出温和、人性化的建筑观念，他们不断地寻找新材料来取代混凝土和钢材，并在后工业社会寻求新的建造方法。

隈研吾1954年出生于横滨市，1979年获东京大学建筑学硕士学位，1985-86年任美国哥伦比亚大学客座研究员，1990年成立隈研吾建筑都市设计事务所，2001-08年任庆应义塾大学教授，2009年起至今任东京大学教授，并兼任RIBA国际会员，AIA（美国建筑家协会）名誉会员的职务，享有极高的国际声誉。曾获得国际石造建筑奖、自然木造建筑精神奖等。著有《十宅论》、《负建筑》等作品。隈研吾的建筑作品散发日式和风与东方禅意，在业界被称为“负建筑”、“隈研吾流”；又以自然景观的融合为特色，运用木材、泥砖、竹子、石板、纸或玻璃等天然建材，结合水、光线与空气，创造外表看似柔弱，却更耐震、且让人感觉到传统建筑的温馨与美的“负建筑”。

创始人 / 

Robert Cheng

真正的创造力源于纯粹的本真与热爱。在Brewin Design Office，这种特质无处不在：它体现在以手工艺精神雕琢器物与空间，体现在对设计显而易见的热忱，以及对每一个项目独特性的敬畏。我们的工作跨越不同的规模与类型——涵盖但不限于住宅、酒店、商业及文化项目。这种跨界实践让我们能够进行无拘无束的实验，并在每个项目中建立多维度的空间意识；我们的终极追求，是实现一种由秩序、韵律与细节所支配的美感。在程汉强先生的带领下，这支富有激情与好奇心的团队不断探索设计的意义，并沉浸于设计的过程之中——从与客户的深度协作，到构思概念与打磨细节的复杂历程。