先锋汤山矿坑书店丨中国南京丨东南大学建筑学院&艺合境建筑事务所

先锋汤山矿坑书店位于南京汤山矿坑公园内。矿坑公园是近年来南京乃至国内城市双修的重要典范，这里曾是汤山最大的废弃矿坑龙泉采石场的所在地，经过整体的生态修复和景观重塑，现已重生为集观览体验与休闲游乐为一体的开放性主题公园。

Tangshan Mine Bookstore of Librairie Avant-grade is located within the Tangshan Mine Park in Nanjing. Tangshan Mine Park is an important model of double repair in Nanjing and even domestic cities in recent years. It was once the location of Longquan Quarry, the largest abandoned mine in Tangshan. After the overall ecological restoration and landscape reconstruction, it has been reborn as an open theme park integrating viewing experience and recreation.

▼书店全景鸟瞰，aerial view © 时差影像

项目缘起于矿坑公园入口处靠山而建的一座废弃多年的20米高双筒砖窑，在公园后期的规划建设过程中，先锋汤山矿坑书店确定落户于此。先锋书店是南京乃至全国的一张重要的文化名片。如何在结合场地特色、尊重遗址风貌的前提下，在新旧之间创造和谐交融的共生状态，并为已确定的书店业态创造具有商业适应性的文化体验空间，是该项目创作的动力和挑战。

The project originated from a 20-meter-high double-barrel brick kiln that had been abandoned for many years at the entrance to the Mine Park. And it was during the later planning and construction of the park that the Tangshan Mine Bookstore of Librairie Avant-grade was decided to locate there. Librairie Avant-grade is an important cultural card for Nanjing and the country as a whole. The project was driven and challenged by the need to create a harmonious symbiosis between the old and the new, and to create a commercially adaptable cultural experience space for the identified bookstore business, while incorporating the characteristics of the site and respecting the landscape of the site.

▼书店屋顶与矿坑宕口，the roofline of the bookstore dialogues with the hillside of the pit park © 时差影像

▼北侧沿路人视，view from the north side © 时差影像

砖窑位于园区入口附近，毗邻游客服务中心和生态停车场，在整个公园中位置显要。为了应对复杂的场地现状，设计的总体策略是在提取砖窑双筒原型的基础上，把竖向的垂直形态转化为水平形态，将筒转化为拱。拱不仅在形态上与砖窑形成呼应，且其形式的古典性和精神性恰与先锋书店的内在气质相匹配。进而依据书店的基本功能对水平双拱进行拉伸、分离、切割、旋转等操作，来设计和布局相应的平面。

▼北侧看书店与砖窑，north facade © 时差影像

The brick kiln is located near the entrance to the park, adjacent to the visitor center and the ecological car park, and is prominently positioned within the whole park. In order to deal with the complex site situation, the overall strategy of the design is to extract the prototype of the double barrel of the brick kiln as well as transform the vertical form into a horizontal form and the barrel into an arch. The arch not only echoes the form of the brick kiln, but also has a classical and spiritual form that matches the inherent ethos of the Librairie Avant-grade. The horizontal double arches are then stretched, separated, cut and rotated to design and lay out the corresponding planes according to the basic function of the bookshop.

▼从公园入口看书店，view from the entrance of the park © 时差影像

▼书店与砖窑，the bookstore and the brick kiln © 时差影像

首先，我们对场地中的山体坡面进行了开挖和修补。场地的高差丰富了建筑竖向上的空间层次。一层的局部屋顶将前广场、北面的草坡，以及后面的山体草坪联系成一个整体，建筑、景观和山体得以彼此融合。

Firstly, we excavated and repaired the slope of the hill in the site. The difference in height of the site enriches the spatial hierarchy in the vertical orientation of the building. The partial roof on the ground floor links the front square, the grassy slope to the north, and the hill lawn behind it into a whole, where the building, the landscape and the hill are integrated into each other.

▼场地的高差丰富了建筑竖向上的空间层次，the difference in height of the site enriches the spatial hierarchy in the vertical orientation of the building © 时差影像

▼二层屋面露台，the roof terrace on the second floor © 时差影像

高约20米的废弃砖窑在竖向上已经形成了视觉上的制高点，新建筑便以水平方式介入，利用“拱”的形态与原本孤立的废弃砖窑建立起某种类型学的联系，并过设计元素的同构将新旧建筑完好拼贴成富有层次的整体，从而形成平衡且完整的视觉构图。

▼轴测分解图，axon exploded ©东南大学建筑学院 & 艺合境建筑事务所

The abandoned brick kiln with a height of about 20 meters has formed a visual commanding height in the vertical direction. The new building intervenes horizontally, using the ‘arch’ form to establish a typological link with the originally isolated brick kiln, and collating the old and new buildings into a layered whole through the isomorphism of design elements, thus forming a balanced and complete visual composition.

▼书店入口看混凝土拱，view to the concrete arch from the entrance © 时差影像

原有砖窑呈现出一种“废墟”的美感，在设计中试图用“红砖+混凝土”的组合强化这种美学倾向。新建筑的墙身和场地的景观片墙采用红砖为主要的建筑材料来延续砖窑的质感，而拱则用混凝土浇筑而成，与矿坑公园山体上裸露的采石宕口相呼应。

The original brick kiln had a ‘ruined’ aesthetic and the design attempts to reinforce this aesthetic tendency with a combination of ‘red brick + concrete’. The walls of the new building and the landscape wall of the site use red brick as the primary building material to continue the texture of the brick kiln, while the arches are cast in concrete, echoing the exposed quarry outcrops on the hillside of the pit park.

▼书店入口，bookstore entrance © 时差影像

在设计中，我们试图弱化书籍的物质性和装饰性，而强调其真实性和主体性，由此“塑造具有先锋精神向度的诗意阅读空间”。书店总体由三个拱形筒体构成，它们在一层相互连通。一层高的筒体作为入口灰空间以及新书展销、书店收银和文创产品展销的场地，其跨度为8米。两层高的两个筒体，其一用于展览、演讲厅和书籍销售，其二用作咖啡厅，二者的跨度均为10米。

▼剖透视，sectional perspective ©东南大学建筑学院 & 艺合境建筑事务所

In the design, we have tried to reduce the materiality and ornamentation of the books and to emphasize their authenticity and subjectivity, thus ‘shaping a poetic reading space with a pioneering spiritual orientation’. The bookstore consists of three arched cylinders, which are interconnected on the ground floor. The one-story high cylinder serves as the grey space for the entrance and the venue for the exhibition and sale of new books, the bookshop cashier and the exhibition and sale of creative products, with a span of 8 meters. The two two-story high cylinders, one for exhibitions, lecture theatres and book sales, and the other for the café, both spanning 10 meters.

▼入口处看展售空间，exhibition and sale space © 时差影像

▼咖啡厅与台阶主厅，café and the lecture theatre © 时差影像

▼咖啡厅全景，view to the café © 时差影像

在空间的处理上，书店将文化空间（阅览空间）和精神空间相结合。一方面，依据人体尺度将“文化空间”内部的书架均设置为触手可及，为读者的选取和阅读提供便利。另一方面，在竖向上以大面积的混凝土拱及天窗塑造高大震撼的“精神空间”，超越单一的功能性，在物质和精神之间试图创造均衡和共振。

In terms of space, the bookstore combines a cultural space (reading space) with a spiritual space. On the one hand, the bookshelves within the ‘cultural space’ are set within easy reach according to the human scale, providing convenience for readers to select and read. On the other hand, the large concrete arches and skylights in the vertical direction create a tall and striking ‘spiritual space’, which transcends a single function and tries to create a balance and resonance between the material and the spiritual.

▼大台阶与二层展廊，the lecture theatre and the gallery on the upper floor © 时差影像

▼书架与台阶，bookshelves and stairs © 时差影像

▼室内书架，bookshelves © 时差影像

书店的室内墙体没有额外装饰，凸显了材质的自身色彩。双层墙体不仅节能，且很好的隐藏了设备管道和雨水管。书店的吊顶和走廊栏板部分都采用了黑色的拉丝网板制作，大台阶栏板及咖啡厅吧台和相应的楼梯栏板采用黑色的烤漆钢板进行形态的一体化处理。黑色钢材、素混凝土及红砖的搭配使整个空间深沉而又极具冲击力。

The interior wall of the bookshop has no additional decoration, highlighting the color of the material itself. The double wall not only saves energy but also hides the equipment ducts and rainwater pipes. The ceiling and corridor balustrade are made of black brushed wire panels, while the large step balustrade and the café bar and corresponding staircase balustrade are integrated in the form of black lacquered steel panels. The combination of black steel, plain concrete and red brick makes for a deep and impactful space.

▼图书与文创展售空间，exhibition and sale space © 时差影像

基于采光和排烟的要求，设计中在混凝土拱上开了若干的天窗，室内光影因此随时间变化而斑驳、交错、重叠。回眸间，阅读、空间和光线的感动交织在一起，文化空间获得了精神的重塑，这或许正是先锋品牌追求精神崇高之美的建筑外化。

The design includes a number of skylights in the concrete arches for light and smoke extraction, so that the interior light and shadows are dappled, interlaced and overlapped over time. In retrospect, reading, space and the touch of light are intertwined, and the cultural space is reshaped in a spiritual way, which is perhaps the architectural externalization of Librairie Avant-grade’s pursuit of spiritual sublime beauty.

▼夜景鸟瞰，night view © 时差影像

▼总平面图，site plan ©东南大学建筑学院 & 艺合境建筑事务所

▼模型照片，model ©东南大学建筑学院 & 艺合境建筑事务所

▼一层平面，plan 1F ©东南大学建筑学院 & 艺合境建筑事务所

▼二层平面，plan 2F ©东南大学建筑学院 & 艺合境建筑事务所

▼立面图，elevations ©东南大学建筑学院 & 艺合境建筑事务所

▼剖面图，sections ©东南大学建筑学院 & 艺合境建筑事务所

▼墙身大样，wall detail ©东南大学建筑学院 & 艺合境建筑事务所