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2020/01/28 19:43:57

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罗马遗址公园的现代诠释 · 钢与玻璃的对话

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Estudio MMX：El ECO公司每年都会组织一次设计竞赛，即在由艺术家Matthias Goeritz1953年设计的建筑的中央庭院中建造一个实验展馆。

Estudio MMX：The experimental museum: El ECO organizes a yearly competition to design and build a pavilion in the central patio of the building, designed by artist Matthias Goeritz in 1953.

2011年，Studio MMX的获奖方案是对该建筑已经具备的惊喜和品质空间的一种意料之外的补充。它是一场特定该庭院背景的与Goeritz建筑的干预对话，一个没有预先规划程序的、可支持人们灵活使用的、多样化的空间配置和读取方式的自由空间。

2011 winning proposal presented by Studio MMX is a spatial addition to the surprise and unexpected qualities that the building already has. The intervention dialogues with Goeritz’s experiment, it is specific on the context of the patio, and formalizes a democratic space without a preconceived program, where the options of spatiality only suggest and allow for flexibility of use, diverse spatial configurations, and readings.

该作品由两个绳子制作的平面构成，以一种微妙而恒定的方式修改了空间的方向、流动和视角。该绳索平面的介入，使得空间中产生了新的物理和视觉方向，即通过不同密度的绳索平面引导观众的视线和身体穿过这个博物馆内部和庭院之间的过渡空间。

The piece is shaped trough a system of two planes generated with rope, in response to a system in which directions, flows and perspective points of the space are modified in a subtle but constant way. The new generated physical and visual directions in the space are possible due to the insertion of the rope planes, with a varying density that guides the spectator gaze and body through the transition between the museum interior and the patio.

这里的光影变化为人们创造了一个可进行静态自然活动的封闭空间，而且不同时间段的光影，会在空间中产生不同的变幻，改变人们对空间的感知。而展馆所创造的空间体验本就是由其物理性质和观众移动时的感知共同产生的。

Shadowplay creates a contained space where activities of static nature can be held, furthermore it changes the perception, as the day passes by and the shadows move and travel in the space. The spatial experience of the pavilion is produced by both, its physical qualities and the perception of a moving spectator.