万科理想城,To Three 图石设计

图石设计：图石设计在今年六月的时候接手了宜昌万科理想城项目，他们选择了拥有美好寓意的鱼来作为“理想”的载体，以此构建场地精神。由此完成了这个公共艺术项目，一条“跳动”的万科大鱼。而十月份活跃在网络上的“中国锦鲤”，仿佛是对物理世界中的这条万科大鱼做出的回应，他们都承载了人们对美好的想象与希望。

Tothree: Tothree design took over the Dream city project of Yichang vanke in June this year. They chose the fish with good implication as the carrier of “Dream” to build the site spirit. As a result, this public art project was completed — a “jumping fish”. And the “Chinese fancy carp”, which became active on the Internet in October, seemed to be a response to the big fish in the real world, both carrying the imagination and hope for a better future.

▼点击观看视频，一睹中国锦鲤万科大鱼全貌

中国宜昌是三峡的起点，大江山峡在此形成壮丽美景，而江鱼是其中的精灵，他们为江峡地区带来生气与活力。在中国文化中，鱼是一种图腾，中国民间俗语“年年有余”，取“鱼”与“余”的谐音，用鱼象征富足与美满，是人心目中“理想”的化身。

Yichang is the starting of Sanxia, where the great river gorge forms a magnificent beauty, and the river fish are among the elves, bringing life and vitality to the river gorge region. In Chinese culture, fish is a totem. The Chinese folk saying “every yearget more than you wish for” takes the homonym of ” fish” and “yv” and symbolizes prosperity and happiness with fish, which is the embodiment of ” Dream” in people’s mind.

江峡文化是场地上主导的地理文化背景，景观设计以此为切入点，使用“宜昌古八景”为线索，在场地上塑造了“理想八景”。景观水系穿越整个理想城商街，与外围的景观种植条带在项目入口广场交汇，形成“西陵形胜”，这为万科大鱼的设置提供了绝佳的场地条件。

Jiangxia culture is the dominant geographical and cultural background on the site, and the landscape design takes this as the breakthrough point and uses“eight ancient scenes of Yichang” as the clue to create “eight scenes of Dream” on the site. The landscape water system crosses the entire commercial street of Dream city, and connects with the peripheral landscape planting strips at the entrance square of the project, which provides the excellent site conditions for the setting of fish installation.

为了确保商街的视线通达和动线的连续性，我们在装置设计上主张保持入口的打开状态，让艺术装置分立在入口两侧，保持通畅也强调了商街入口。大鱼装置由 12mm 厚的不锈钢板通过圆柱形钢棒连接而成，大鱼昂首翘尾，一跃而出，将入口广场的地面化作江潭。

In order to ensure the visibility of the commercial street and the continuity of the moving line, we advocate keeping the entrance open in the design of the installation, so that the art installation is separated on both sides of the entrance, and keeping the entrance unobstructed also emphasizes the entrance to the commercial street.

The big fish installation is made of 12mm thick stainless stainless steel plate connected by cylindrical steel rods. The big fish heads up and turns out at one bound, turning the ground of the entrance square into a river pool.

机械转盘带动鱼头和鱼尾不停变化角度，金属面因为角度变化和时间推移呈现出不同的光感，形成在水面活灵活现的生动状态。

The mechanical turntable drives the fish head and tail to change the Angle, and the metal surface presents different light perception due to the change of Angle and time lapse, thus forming a vivid state on the water surface.

扁钢在角度变化中形成强烈的虚实变化，在场地中呈现出不同的状态。在某些时刻，扁钢侧面正对视线，大鱼似乎在场地上“消失”。

The flat steel forms a strong change in the actual situation during the angle change, showing different states in the site. At some point, the steel side is facing the sight line, and the big fish seem to "disappear" on the ground.

鱼头装置开放的内部空间形成了一个休憩场地，两侧设置了座椅，缓缓转动的转盘和序列排布的分割钢板，为其中的休息者提供了一种对外界新的观察方式。

The open interior space of the fish head forms a space for rest, with seats on both sides, rotating rotors and split steel plates arranged in sequence, providing a new way for the rest to observe the outside world.

大鱼拥有丰富的细节，在近人尺度能感受到天光的变化，水面的反射，流动的阴影，如自然在其中写诗。

The big fish is rich in detail and can feel the change of sky light, the reflection of water surface, the shadow of flow, such as nature writing poems in it.

鱼头转盘中央的云朵机在特殊的节日会制造出各种形状的气泡团，气泡团从鱼嘴升起，为项目的商业气氛推波助澜。

The cloud bud machine in the center of the fish head turntable will create bubbles of various shapes on special festivals, and the bubbles will rise from the fish mouth, contributing to the commercial atmosphere of the project.

在夏季炎热时节，鱼头装置顶部的喷淋开启为空气降温，带来丝丝凉爽，也让大鱼有了吐纳的气息。

In the summer, the spray on the top of the fish head turns on to cool the air and give the fish a toasty breath.

进入夜晚，大鱼反射灯光，焕发日间完全不同的光彩，斑斓夺目。

In the night, the big fish reflected the light and glowed with a totally different brilliance during the day.

大鱼装置从人的使用功能角度出发，设计为缓慢匀速旋转，同时增加场地互动性。

The fish installation is designed to rotate slowly and steadily from the perspective of human function, and at the same time to increase the site interaction.

让商街入口从城市界面中跳脱了出来的大鱼，吸引着来自城市的好奇心，营造出充满人气的商业氛围，也将宜昌这座城市的地理文化—江峡胜境在城市中用现代方式得以展现，成为城市文化对外传播的一个载体。

The big fish that makes the entrance of the commercial street jump out of the urban interface attracts the curiosity of the city and creates the commercial atmosphere full of popularity. It also displays the geographical culture of Yichang — Jiangxia Scenic Spot in the city in modern ways and becomes a carrier of the external communication of urban culture.

导示系统&景观家具

在环境中的设计系统强调竖向线条的构成方式，logo 塔使用五毫米厚的不锈钢板呈放射状分布，品牌字体嵌入安装的方式保证了 logo 塔形体的完整性，开放的钢板构造让光线能够穿透其中。视线正对的方向一直保持着通透感。

Guide System & Landscape Furniture

The design system in the environment emphasizes the form of vertical lines. The LOGO tower is radially distributed using stainless steel plates with a thickness of 5mm. The brand fonts are embedded and installed to ensure the integrity of the LOGO tower. The open steel plate structure allows light to penetrate through it. The direction in which the line of sight is facing has always maintained a sense of permeability.

灯具设计中延续切片的方式，这样的构造能够在移动时产生视觉上的变化。透光材料通过钢环的连接形成灯具的主体，纤巧的灯杆弱化垂直方向的连接，夜间灯光亮起，透过层叠的灯罩分外生动。

In the design of lamps, the way of slicing is continued. Such a structure can produce visual changes when moving. The light-transmitting material forms the main body of the lamp through the connection of the steel rings, the slim lamp post weakens the connection in the vertical direction, the lights are lit at night, and the light is particularly vivid through the laminated lampshades.

在项目入口，立体雕刻的总图嵌地安装，让人快速了解自己所在的商街概况，立体构造的小房子也让其成为一个观看节点，为场地提供了多一个层次的细节展现。

At the entrance, The master plan of three-dimensional carving is embedded into the ground, enabling people to quickly understand the general situation of the commercial street where they are. The small house of the three-dimensional structure also makes it a viewing node, providing a more detailed display for the site.

另一处的总图，立体的小房子以透空的形式出现，灯光从内部透射出来，加强了对边线细节的感受。小房子上明确标示的楼栋信息让人一目了然。

The general picture of another place, the three-dimensional small house appears in the form of hollow, and the lights are transmitted from the inside, strengthening the feeling to the detail of the sideline. The building information on the small house is clearly marked.

针对商街建筑的离散式布局，设置大尺寸的立地式楼栋号，强化分布秩序，形成强坐标参照，便于定位找寻。楼栋号标识收边与正面主体闪开 10mm 分缝，凸显设计系统中对边线的强调，分缝形成虚实变化，同时也为夜间灯光设置预留了条件，灯光从细缝流出，勾勒出字体轮廓。

According to the discrete layout of commercial street buildings, large-scale site building numbers are set to strengthen the distribution order and form strong coordinate reference, which is easy to locate and find. The sign of the building number is separated from the front main body by 10 mm, highlighting the emphasis on the edge line in the design system, which forms the actual and virtual changes, and also sets the conditions for the night light, which flows out of the slit to outline the font outline.

室内导示设计以精工制作的黄铜独立字为主导要素，同样通过强调边线的方式建立系统联系，选择纤巧的字型，但是通过厚度控制以显现体量，独立字选择使用厚黄铜板线切割成型，侧面做旧正面抛光，与内装环境充分融合。

The interior guide design takes the brass independent characters made by seiko as the dominant element, and also establishes the system connection by emphasizing the edge line, selecting slim characters, but through the thickness control to show the volume, the independent character chooses to use the thick brass plate line to cut and shape, the side makes the old front polish, and fully integrates with the interior environment.

在整个项目中，图石设计都在强调万科大鱼、环境导示以及景观家具开放的，精巧的，充满细节的设计状态。透过场地上的这些设施，创造出高品质的，具有互动性，蕴含探索价值的环境。也为宜昌万科理想城提供了一个对场地文化感知的载体，让江峡文化有了一个鲜明的视觉化形象，创造出具有城市地标意义的节点。

Throughout the project, Tothree design emphasizes the open, exquisite and detailed design state of Vanke fish, environmental guidance and landscape furniture. These facilities on the site create a quality, interactive and exploratory environment. It also provides Dream city with a carrier for site cultural perception, and gives the jiangxia culture a distinctive visual image, creating nodes with urban landmark significance.

地址：湖北宜昌

客户：武汉万科

设计管理：张信飞、周雨薇、孟欣舒

设计公司：图石设计

设计团队：何杨、张睿、刘文波、高金笑、张沛楠、张琳娜、乐毅、李雨菡、蒋旭慧

艺术指导：孙武

景观设计：沃亚景观

制作单位：上海荣新制造，宜昌前沿标识

设计时间：2018.6

摄影：何杨、张沛楠

Location: Yichang, Hubei, China

Customer: Vanke

Design Management: Zhang Xinfei, Zhou Yuwei and Meng Xinshu

Design Company: To Three Design

Design team: He Yang, Zhang Rui, Liu Wenbo, Gao Jinxiao, Zhang Peinan, Zhang Lina, Le Yi, Li Yuhan and Jiang Xuhui

Art Direction: Sun Wu

Landscape Design: Waya Landscape

Producer: Shanghai Rongxin Manufacturing, Yichang Frontier Logo

Design time: 2018.6

Photography: He Yang, Zhang Peinan