厦门中骏·天宸 · 古韵新尚的景观艺术

广亩景观：厦门，地处闽南片区。作为近代以来第一批开埠的城市之一，深受兼收并蓄的闽南文化熏陶。它承百越文化，纵贯五千年，因而得以沉淀历史的深度；它吸纳西方文化，面向四海，因而又得以张扬现代的广度；不同于北洋皇都的礼序制约，厦门的南方气质，体现在不失东方底蕴、同时向外开拓的先锋感。

GM landscape design: Xiamen is located in Minnan area. As one of the first cities to open port in modern times, it is deeply influenced by the eclectic Minnan culture. It inherits Bai Yue culture and spans five thousand years, thus allowing it to precipitate the depth of history. It absorbs western culture, faces the four seas, thus can make public the modern breadth. Different from the order restriction of the North-ocean imperial capital, the southern temperament of Xiamen is embodied in the pioneering sense of opening up to the outside without losing the Oriental heritage.

中骏·天宸，位于这“四海白鹭皆归心”的鹭岛中心——厦门岛上。这是一个对景观设计有极高要求的项目，我们如何为它营造出属于厦门的古今意境？

Zhongjun·Polaris Palace, located in the “all the egrets of the four seas return to the heart” of the egrets island center – Xiamen Island. This is a project with high requirements for landscape design. How can we create an ancient and modern artistic conception of Xiamen for it?

一进 | 一方印玺，大家之有 Private seal of the nobility 往昔先王，乃设印章。是铭是刻，归乎玄默。 · 傅玄《印铭》

带着仿佛跨过门槛的仪式感，进门，站定，有扑面而来的古铜质感。

With a sense of ritual as if crossing the threshold, enter the door, stand still, there is a blow on the face of the bronze texture.

用千千万万的印章元素打造出的景墙，每一方印章的大小高低都进行了严格的参数化把控，整面景墙起伏有致，体现了极强的节奏感。

The landscape wall is built with thousands of seal elements. The size and height of each seal are strictly controlled by parameters. The whole landscape wall has ups and downs, reflecting a strong sense of rhythm.

▼参数化图纸 Parametric drawing

偶有印章正面向上，点缀“天宸”字样于万印从中，仿佛“闲敲棋子”般轻松，却掷地有声。

Occasionally has the seal front upward, adorns “Tian Chen” the inscription in the ten thousand seals, as if “the idle knocks the chess piece” as relaxed, but resoundlessly sound.

斧凿匠心渗透于这里的角角落落。是一座质朴自然的雕塑，是一块经受自然洗礼的景石。岁月在其上留下痕迹，如奇石淬火，迸出金子般的光辉。

Chisel ingenuity permeates the corners here. Is a simple natural sculpture, is a piece of natural baptism of the stone. The years left traces on it, such as the strange stone quenching, the brilliant gold.

转折 | 山水演绎，不露声色 Hills, River, Sunshine, Moonlight 花路入溪口，际夜转西壑。潭烟飞溶溶，林月低向后。唐 · 綦毋潜《春泛若耶溪》大家，从来都不显山露水，从来都沉稳自如。在一进与二进的景观连接空间中，我们以镂空的金属网帘垂下，起到视线的转折作用，彰显透而不露的朦胧质感。

The nobilities, never show off, always calm and free. In the landscape connecting space between one and two, we hang down with hollow metal net curtain, which plays a turning role in the line of sight and highlights the hazy texture of transparent but invisible.

光线透过，在不同的天气中，在一天的不同时段中，演绎“风光四时皆不同”的山水画卷。

Through the light, in different weather, in different times of the day, the interpretation of the “four different scenery” landscape scroll.

二进 | 府邸深门，铜声阵阵 Ancient Latch of the Gate 朱门高耸铜环，中天楼观共跻攀。 映绿阴朱户，斜拖素练沧湾。宋 · 葛胜仲《西江月》穿过网帘画卷，就来到了二进空间。走入堂屋前的最后一进，大家风范尽显无遗。

Through the net screen scroll, came to two space. The last entrance into the main room was a perfect demonstration of their manners.

整个空间中的视觉焦点便集中在这仿铜质感的金属格栅上，以门闩元素融入景墙。

The visual focus of the entire space is on this imitated bronze metal grid, with the latch elements into the landscape wall.

凑近，插销锁扣细节雕琢。门闩咚咚落下，与铜质大门的撞击声历历在耳。

Close up, the latch lock details carved. The bolt fell with the crash of the bronze gate.

施工手记 | 细节灼见，真知方显 Parametric Design Makes Perfect

细节才能出真品质，是我们在这个项目中秉持的原则。从材质的选择，到呈现的形式，以及以何种手法打造——在设计过程中都进行了深度地讨论与研究，细细打磨。

The real quality comes from the details, which is our principle in this project. From the choice of material, to the form of presentation, as well as the way to create — in the design process have been deeply discussed and studied, fine polishing.

好的方案也许需要经过 12 道轮回，推敲反复，方可落定。

在最初的设计中，我们想以更加现代的形式打造项目中最为重点的两座景墙。以金属板加电子跌水屏打造一进空间，以玻璃砖打造二进空间。

A good plan may need to go through 12 metempsychosis, deliberate repeatedly, can be settled.

In the initial design, we wanted to create the two most important landscape walls in the project in a more modern form. Metal plate and electronic drop screen are used to create the first space and glass block is used to create the second space.

现代手法相对抽象。为了更直接地展现项目的东方意蕴，经过了近十二版方案推敲，才最终确定了现在的印章元素与门闩元素景墙。

Modern methods are relatively abstract. In order to show the Oriental implication of the project more directly, the seal element and the bolt element landscape wall were finally determined after nearly 12 versions of the scheme deliberation.

金属推敲 Metal Scrutiny

在两面景墙的打造过程中，为了增强整个项目的“阅历”，在金属材质的选择上、表面肌理的处理方式上，我们坚持使用手工凿制，从而达到最为还原从前慢生活中的效果，无处不体现匠心。

In the process of building the two sides of the landscape wall, in order to enhance the “experience” of the whole project, in the choice of metal material and the treatment of the surface texture, we insist on using the hand chisel system. So as to achieve the most restore the effect of the slow life in the past, and reflect the ingenuity everywhere.

先用相同质感的金属板进行颜色推敲。结合不同样品进行颜色与表面肌理的综合推敲，得出最适合本项目的颜色与肌理效果。

First with the same texture of the metal plate for color elaboration. Combined with different samples, the color and texture of the surface were studied comprehensively, and the most suitable color and texture effect of the project was obtained.

两块以金属重点打造的景观点：远观，可见厚重，方知春秋漫；细品，可见匠心，方知从前慢。

Two landscape points with metal focus: Far view, can be seen thick, just know the spring and autumn diffuse; Fine, you can see the ingenuity, that was slow.

石材推敲 Stone Scrutiny

石材在本项目中也上演重要角色。如果说金属的可塑性较强，对于金属的把握更多的是后期，对如何达到预期效果的过程反复打磨，那么对于石材的把握，更多的便是在前期，对如何挑选到合适的石材的我们的眼光严厉考验。我们秉持的总体方向是：深色、带有厚重感的品质石材。

Stone also plays an important role in this project. If the plasticity of metal is strong, the grasp of metal is more late, to how to achieve the desired effect of the process of repeated polishing, so the grasp of stone, more is in the early stage, how to choose the right stone of our vision severe test. We uphold the overall direction is: dark, with a heavy sense of quality stone.

大面积石墙 · 纹样打磨

▼水景侧边石·拉槽做工

▼拼接景墙·自然面质感

最终呈现出的景石，保留了原本的自然质朴感，又经过雕琢，让其与项目的气质符合，增添历史洗礼的痕迹。

Finally, the landscape stone retained the original natural and plain sense, and was carved to make it conform to the temperament of the project and add traces of historical baptism.

在整个过程当中，甲方团队与我们同心协力，景石的挑选，雕塑的渐变喷漆，橘皮面金属的琢磨与敲打，无一不充分参与其中。为鹭岛呈现匠心作品，是我们的共同心愿。

In the whole process, the team of party a worked together with us, including the selection of landscape stone, the gradual painting of the sculpture, the polishing and beating of the orange leather surface metal. It is our common wish to present craftsmanship works for egret island.

▼施工现场 Construction Process

广亩寄语 GM Wishes

作为研创型景观设计机构，通过参数化的手段，达到对空间的推敲、对材料、施工等各个细节的把控，以最大化地实现项目预期呈现的效果，是我们在这一项目中的实践。虽历经数次修改调整，最终满意呈现，便是我们最大的成果。

As a research and innovation landscape design agency, through the means of parameterization, to achieve the elaboration of space, materials, construction and other details of the control, in order to maximize the expected results of the project, is our practice in this project. After several modifications and adjustments, the final satisfaction is our biggest achievement.

景观设计：广亩景观设计部门：王嵩嵩工作组设计总监：王嵩嵩设计团队：徐天龙、田竹、蒋灏、刘宥铭、岳凡琪、乔盟盟、刘德欣、蹇祎岚、朱海明、白延红、张文、宋蒙芸植物团队：何文红、赵兴运水电结构：宋旭阳、韩维、任立、王俊睿甲方团队：钱丽云（设计）、何婧琪（设计）、陈峰（工程）、林毅伟（工程）景观面积：3987㎡（示范区）开发单位：中骏集团控股有限公司施工单位：厦门宏旭达园林环境有限公司摄影机构：南西建筑空间影像、直译摄影

Landscape design: GM landscape

Design department: songsong wang working group

Design director: songsong wang

Team member: tianlong xu, zhu tian , hao jiang , yu Ming liu, fanqi yue, mengmeng qiao, dexin liu , yilan jian, haiming zhu , yanhong bai , wen zhang, mengyun song

Planting design: wenhong he , xingyun zhao

Hydropower & structure: xuyang song, wei han, li ren , junrui wang

Client’s team: liyun qian(design), jingqi he(design), feng Chen(engineering), yiwei Lin (engineering)Landscape area: 3987㎡ (demonstration area)Client: SCE

Construction: xiamen hongxu garden environment co., LTD

Photography: Nancy studio, Zhiyi Photography