蓝色谷仓剧院·博·卡尔 10

© Paul Crosby

C.Paul Crosby

架构师提供的文本描述。作为奥马哈市中心附近一个变化迅速的地区的艺术中心，一个试验性剧院通过一个固定在混合用途建筑上的公共开放空间向户外城市开放。三个相关项目共享一个完整的半街区，将文化设施和公共/私人空间之间的关系转变为集体城市化。这些建筑和空间将通过居住而改变。

Text description provided by the architects. Conceived as an arts hub in a rapidly changing district near downtown Omaha, an experimental theater opens to the city outdoors through a public open space anchored with a mixed-use building. Three related projects share an integrated half-block to transform the relationship of cultural facilities and public / private space towards a collective urbanism. These are buildings and spaces that will transform through inhabitation.

© Paul Crosby

C.Paul Crosby

© Paul Crosby

C.Paul Crosby

© Paul Crosby

C.Paul Crosby

分钟日合并了13，000 SF。蓝色谷仓设施与Boxcar 10，10，000 SF。餐厅/住宅大楼和7 500 SF。公共休憩用地。这些项目是为不同的业主设计的，它们有着共同的语言和统一的场地战略，包括创新的雨水管理和非常规材料。建筑师们设想了一种集体和协作的方法，包括所需的精确编程(剧院、餐厅、住宅…)。以松散的方式组建团队和解决项目(空间和结构将随着时间的推移而改变)。Min\Day和客户举行了一次公开竞赛，为开放空间选择景观设计团队。对于蓝谷仓，该小组委托4名艺术家开发功能建筑元素作为艺术作品。

Min | Day combined a 13,000 sf. facility for Blue Barn with Boxcar 10, a 10,000 sf. restaurant / residential building, and a 7,500 sf. public open space. Designed for separate owners, the projects share a common language and a unified site strategy including innovative storm water management and unconventional materials. The architects envisioned a collective and collaborative approach embracing the precision programming required (theater, restaurant, housing…) with a loose approach to team formation and project resolution (spaces and structures will transform over time). Min | Day and the clients held an open competition to select the landscape design team for the open space. For Blue Barn, the team commissioned 4 artists to develop functional building elements as art works.

为了设计一座建筑以增加剧院的容量，同时保持蓝谷仓的冒险精神，民日的目标是在剧院的高度具体和技术要求之外制定一个令人兴奋的城市环境，同时促进方案和材料的即兴创作。剧院的核心是1000平方英尺。英国“金融时报”。舞台和96个座位的房子，一个前台和黑匣子的混合体。蓝谷仓寻求调解一个现代剧院的技术和功能需求，一个开放的愿望和与城市的接触，以及不断和不可预测的演变的兴奋。

Challenged to design a building to increase capacity of the theaters while maintaining the risk-taking ethos of the Blue Barn, Min | Day’s goal was to enact an exciting urban environment out of the highly specific and technical requirements of the theater while promoting programmatic and material improvisation. At the core of the theater is a 1000 sq. ft. stage and 96-seat house, a hybrid of proscenium and black box types. The Blue Barn sought to mediate the technical and functional demands of a modern theater, a desire for openness and engagement with the city, and the excitement of continual and unpredictable evolution.

© Paul Crosby

C.Paul Crosby

松散设计小组：

Loose Design Team:

民日寻求对这一城市环境采取集体和协作的办法，对团队组建和项目解决采取松散的办法(空间和结构将随着时间的推移而改变)。民日委托4位艺术家开发综合功能建筑元素作为艺术品：迈克尔·摩根的定制砖门廊；吉姆·伍德填充的室内照明和内置家具；丹尼尔·托比尔的回收木材、重型木材和定制水槽；克里斯·肯普的超大后门。这种方法使架构师摆脱了作者的负担。

Min | Day sought a collective and collaborative approach to this urban environment embracing a loose approach to team formation and project resolution (spaces and structures will transform over time). Min | Day commissioned 4 artists to develop integrated functional building elements as artworks: a custom brick vestibule by Michael Morgan; interior lighting and built-in furniture by Jim Woodfill; reclaimed wood, heavy timbers, and custom sinks by Daniel Toberer; and the very large backstage door by Chris Kemp. This approach freed the architects from the constant burden of authorship.

© Paul Crosby

C.Paul Crosby

产品描述。

Product Description.

钢筋墙：Min Day挑战了典型的美国建筑方法，即产品组装优于成型材料。相反，建筑师促进了明确的重要性，并与总承包商合作，并委托4名艺术家来实现建筑的物质密集型部分。最引人注目的例子是RebarWall，这是一种混合包覆系统，包裹着外部。典型的细节，焊接钢筋举行在Corten板金属墙板，转换以适应特殊的条件周围的建筑物。钢筋使剧院既统一又与众不同。

Rebar Wall: Min | Day challenged the typical American construction approach that privileges assemblies of products over formed materials. Instead, the architects promoted an explicit materiality and collaborated with a general contractor and commissioned 4 artists to realize materially intensive parts of the building. The most noticeable instance is the RebarWall, a hybrid cladding system that envelops the exterior. The typical detail, welded rebar held in front of Corten sheet metal siding, transforms to accommodate special conditions around the building. The rebar both unifies and differentiates the theatre.

手工制作的数字架构：试图将系统组件化，Min_Day设计了48“面板的钢筋屏幕，并将其固定在大楼上。然而，由于考虑到相邻的电力线(复杂的吊车镐)和安装所需的额外部件，建筑师们从根本上简化了系统-最后，每一根钢筋都单独焊接到Corten支架上。虽然底层模式是通过算法和数字优化得到的，但部件的安装显然是低技术的。

Handmade Digital Architecture: Attempting to componentize the system Min | Day designed the rebar screen in 48” panels to be bolted to the building. However, given concern about adjacent power lines (complicating crane picks) and the additional parts required for this installation, the architects radically simplified the system – in the end each strand of rebar was individually welded to Corten brackets. While the underlying pattern was derived algorithmically and optimized digitally, the installation of parts is decidedly low-tech.

© Paul Crosby

C.Paul Crosby

Architects Min | Day

Location Omaha, NE, United States

Category Theater

Area 23000.0 ft2

Project Year 2015

Photographs Paul Crosby

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