新西兰基督城“城市小屋”

© Stephen Goodenough

斯蒂芬·古德

架构师提供的文本描述。“城市小屋”的概念源于建筑师和客户对早期殖民工人农舍的共同迷恋，以及他们对中央克赖斯特彻奇现有城市环境的魅力和规模的欣赏。传统上，这些建筑规模很小，但体积很大。建筑使用的是当时很容易获得的基本材料。设计过程将进化出这样的想法：创造一个小型的当代独立住宅，以容纳一个年轻的职业家庭，与其历史上的前身不同，它将朝向北方的太阳，并对外界的连接开放-这是一座在适应太平洋环境的同时也会提到它的殖民参照的房子。最重要的是，它需要强大(因为坎特伯雷地区的高地震活动)、干净的衬里和成本效益高的建筑。

Text description provided by the architects. The idea of the ‘Urban Cottage’ stems from a shared fascination between the Architect and Client with early colonial workers cottages, and an appreciation for the charm and scale they offer to the existing urban context of Central Christchurch.  Traditionally these buildings were small in scale but rich in volume, constructed using basic materials that were readily available at the time.  The design process would evolve this idea to create a small contemporary stand-alone-house to accommodate a young professional family that, unlike it’s historic predecessor, would orientate toward northern sun and open to external connections - a house that would speak of its colonial reference while adapting to its Pacific environment.  On top of this it would need to be strong (due to high seismic activity in the Canterbury area), clean lined and cost effective to construct.

Cross Section

Floor Plan

Cross Section

在一个20米长×10米宽的建筑工地的驱动下，传统工人小屋的正方形平面图被分割成两部分，并旋转成直线布局。这两种形式被进一步抵消，以容纳南方的车辆公园和北面的室外居住空间。提供通往主要居住空间的全天候阳光的通道。许多历史村舍的特色是“后屋”倾斜，其顶部是半透明的屋顶，为汽车公园和行人入口创造了庇护所，同时允许阳光穿过。在内部，一直存在的中央入口大厅仍然存在，在公共生活空间和私人睡眠空间之间形成一个过渡空间和视觉缓冲空间。陡峭的屋顶和高倾斜的天花板被用来营造一种空间感，似乎超过了其适中的80平方米足迹。西面的高水平窗户吸引了傍晚的阳光，并在减少边界挫折的监管下吸引了卡巴蒂利(Capatilise)。微妙地提到了传统的传统建筑。殖民农舍的物质性以当代的方式被翻译成，如木材风化板墙面、表现式窗围和再生木地板等。暗黑色的外表与明亮的白色内部形成鲜明对比，与单色主题完全一致。桦木面胶合板被用于一种自然状态来面对所有细木工元素，其中包括在起居空间和主入口大厅之间的一个节省空间的存储隔板。

Driven by a small 20m long x 10m wide building site, the square floor plan of the traditional workers cottage is split in two and rotated to form a rectilinear layout.  These two forms are further offset to accommodate a vehicle park to the south and an outdoor living space to the north, providing access to all day sun to the main living spaces.  The ‘back-of-house’ lean-to that features in many historic cottages is elevated and capped with a translucent roof to create shelter for the vehicle park and covered pedestrian entry, while allowing sunlight to pass through.  Internally the ever-present central entry hall remains, forming a transition space and visual buffer between public living and private sleeping spaces.  Steep gabled roofs and high-pitched ceilings are deployed to create a sense of space that seems to exceed its modest 80m2 footprint.  High-level windows to the west façade draw in late afternoon sun and capatilise on a reduced boundary setback regulation.  Subtle references to the traditional materiality of the colonial cottages are translated in a contemporary fashion, such as timber weatherboard wall cladding, expressed window surrounds and recycled timber flooring.  The dark black exterior is contrasted by a bright white interior, executed with absolute discipline to the monochromatic theme.  Birch faced plywood is used in a natural state to face all joinery elements, which includes a space-saving storage partition between the living spaces and the main entry hall.

© Stephen Goodenough

斯蒂芬·古德

产品描述。历史悠久的克赖斯特彻奇工人农舍，传统上是用水平木板砌成的砖块。鉴于这一特殊场地土壤质量差，坎特伯雷地区地震活动强烈，必须采用轻质包覆系统。建筑师选择了一个方形轮廓的西方红杉树垂直船风向板(由赫尔曼太平洋)参考传统的建筑材料，同时给房子一个更干净和现代的美学。然后，外面被染成‘沥青黑色’的Resene水性伍德士CoolourTM。Resene CoolColourTM技术被用来减少因深色着色而产生的热量积累，从而减少木材墙壁覆层的移动。

Product Description. The historic Christchurch Workers Cottage was traditionally clad in brick of horizontal timber weatherboards. Given the poor soil quality of this particular site and the high seismic activity in the Canterbury area, a lightweight cladding system had to be used. The Architect selected a square profiled Western Red Cedar vertical Shiplap weatherboard (by Herman Pacific) to reference the traditional building materials, while giving the house a more clean and contemporary aesthetic. The exterior was then stained in Resene Waterborne Woodsman CoolColourTM tinted to ‘Pitch Black’. Resene CoolColourTM technology was used to minimise heat build up created by the dark colouring, in turn reducing movement of the timber wall cladding.

© Stephen Goodenough

斯蒂芬·古德

Architects CoLab Architecture

Location Christchurch, New Zealand

Category Houses

Architects in Charge Tobin Smith, Blair Paterson

Area 80.0 m2

Project Year 2016

Photographs Stephen Goodenough

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