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© Víctor Hugo Navarro
c.Víctor Hugo Navarro
架构师提供的文本描述。在热带地区,房子的房间可能是内外重叠的,自然和房子无处不在。
Text description provided by the architects. In the tropics, the rooms of a house may be inner and outer spaces overlapping each other; nature and the house are everywhere.
© Víctor Hugo Navarro
c.Víctor Hugo Navarro
它还寻求在家里表达一种方式,其特点是理解家庭的内外,甚至在公众和开放的情况下;在这里,外部和内部是连续的,作为一种表达,没有这种扩大的家庭生活的障碍。
It also seeks to express in the house a way of being characterized by understanding the inner and outer as domestic, even in the public and the open; where the exterior and interior are continuous as an expression without barriers of that expanded domesticity.
Ground Floor
这座房子位于委内瑞拉工业之都巴伦西亚的一家老电影院的地面上。这部电影已经塑造了东西向的地形,切割了一座山坡的一部分,并向电影院的屏幕引入了一个斜坡。这所房子坐落在这片土地的一条路旁,在斜坡的高处。
The house is located on the grounds of an old drive-in movie theater in the city of Valencia, industrial capital of Venezuela. This drive-in movie had already shaped the terrain in an east-west direction, cutting part of the slope of a hill and introducing a slope toward what was the screen of the cinema. The house is located next to one of those cuts of the land, on the high part of the slope.
© Víctor Hugo Navarro
c.Víctor Hugo Navarro
其基本思想是提供与外界直接互动的空间,把人和周围的自然联系起来,这样房子就不会成为一个与外界失去联系的密室,同时也尊重大部分地形的自然起伏。
The basic idea is to provide the construction of spaces that can interact with the outside directly, linking the people with the surrounding nature and so the house does not become an airtight case that loses its connection to the outside, and also respecting the natural relief of most of the terrain.
在瓜帕罗大厦实施的战略是将内部空间设想为外部空间,反之亦然;因此,它被呈现为一系列未折叠的内部和外部滑动室:
The strategy implemented in Guaparo House is to conceive the interior spaces as external and vice versa; therefore it is presented as a succession of unfolded interiors and exteriors sliding rooms:
其中两个露台指出,自然和光明,私人和社会之间的边界。在它的纵向过程中,有一个游泳道伴随着它。
Two contained patios point out, with nature and light, the border between the private and the social. A swimming channel accompanies it in its lengthwise course.
© Víctor Hugo Navarro
c.Víctor Hugo Navarro
室外露台,以不同的方式布置在其所有的立面上:房间旁边的露台会复制一个封闭的空间,当打开门时会产生一个通向游泳池和室外的空间;厨房旁边的露台会产生一个服务出口空间,但同时,由于与外界的连接,这个空间将使厨房的工作变得更加愉快;和私人露台旁边的房间,融合了绿色从外面到休息的空间。
Outdoor terraces, arranged in all its facades in different ways: the terrace next to the room generates the duplication of a closed space and when opening the doors generates a space open to the pool and outdoors; the terrace next to the kitchen generates an exit space to services but at the same time a space that will make working in the kitchen much more pleasant thanks to the connection with the outside; and the private terrace next to the rooms that incorporates he green from outside to the space of rest.
© Víctor Hugo Navarro
c.Víctor Hugo Navarro
作为一个广场,一个半地下和有盖的露台将是多项活动的现场,在这些活动中,与绿区直接接触的露天电影院的意图普遍存在。
© Víctor Hugo Navarro
c.Víctor Hugo Navarro
这一系列的内部和外部是伴随着一个水平的丝带,进进出出,定义和显示滑动的房间,使内部-外部家庭生活。在彩带下面,房子房间的内部-外部膨胀是有框架的,而在上面,丝带只用玻璃来定义,室内与房子所在的自然环境的关系:在山的边缘和上面的天空,与来世的关系。
This succession of interiors and exteriors is accompanied by a horizontal ribbon that comes in and out, defining and showing the sliding rooms, enabling the interior-exterior domesticity. Underneath the ribbon, the interior-exterior dilation of the rooms of the house is framed, while, above, the ribbon defines exclusively in glass, the relationship of the interior with the natural environment where the house is located: on the skirt of the hill and the sky above, the relationship with the afterlife.
Architects NMD NOMADAS
Location Naguanagua, Venezuela, Bolivarian Republic of
Category Houses
Design Directors Claudia Urdaneta, Farid Chacón, Francisco Mustieles, Víctor Martínez
Design Team Betzy Fernández, Paola Márquez, Angélica Cerero
Area 527.0 m2
Project Year 2016
Photographs Víctor Hugo Navarro
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