意式海景别墅设计

架构师提供的文本描述。这座别墅，就像花园里的亭子，悬挂着壮观的海景，是位于拉古萨航海村Marina di Ragusa的一座建筑群的一部分，坐落在一块地势优美的土地上，可以俯瞰地中海和马耳他岛方向的一段海岸，距离马耳他岛大约60英里远，在一个晴朗的日子里，你可以清楚地看到。别墅的设计源于约翰·恩滕扎(JohnEntenza)和他创办的“艺术”杂志在上世纪50年代实施的案例研究室(CSH)项目的影响。

Text description provided by the architects. This villa, like a garden pavilion hung with a spectacular view of the sea, is part of a complex of houses located in Marina di Ragusa, the seafaring village of Ragusa, on a plot of land with beautiful views overlooking the Mediterranean and a stretch of coast in the direction of the island of Malta, distant about sixty miles off, and that in a bright day you can see clearly. The design of the villa derives from the influence exercised by the program of the Case Study Houses (CSH) implemented in the '50s by John Entenza and the magazine he founded "Art & Architecture". The house is more representative of the program is certainly the case study houses of Pierre Koenig's Stahl House, masterfully photographed by Julius Shulman, became an icon of American lifestyle in the famous photo of the living room of the house with the background on the amazing night view of Los Angeles. The position of the batch of the project and the cultural similarities with that program became the essence of contemporary absolutely present after more than fifty years, has determined the main choices that affect the architecture of the house.

别墅有一个L形的地面平面形状，是设置在一个大型游泳池周围的太阳露台铺有落叶松板处理的白色底漆。客厅内部的连续性，并由一堵玻璃墙固定，这面墙继续围绕着面向海景的房子的周边。与花园相比，房子几乎是悬空的，因为一条连续而光滑的边缘，与地面分离，围绕着房子，确定了覆盖线，这条线与底座相连，是由垂直侧壁定义的。

The villa has an L-shaped ground plan shape, is set around a large swimming pool with sun terrace paved with planks of larch treated with a white primer. The continuity of the interior of the living room and is secured by a glass wall that continues to spread around the perimeter of the house facing the sea view. Compared to the garden the house is almost suspended, because a continuous and smooth edge, detached from the ground, surrounds the house, determine the line of coverage, the line connects with the base, is defined by vertical sidewalls.

© Moreno Maggi

莫雷诺·马吉

划分入口处和水池相对边界的两堵墙与结构无关，通过一个高窗与其相连，连续认为是滑板，与土体和构筑物的线相距太远。建筑是干燥和清澈的，由经济的材料，钢和木框架，玻璃为侧壁和水泥地板为内部和外部。唯一的干扰因素，在一个由薄薄的折叠床单组成的比例尺上举行在红地毯上，以标志入口处。

Two walls demarcating the inlet side and the opposite border of the pool are independent of the structure and connected with it through a high window and continuous thought of as individual plates that slide, too detached from the line of soil and structure. The architecture is dry and clear, made so well by the economy of the materials used, steel and wood frame, glass for the side walls and cement floors for both internal and external. The only element of disturbance, at a scale consisting of a thin folded sheet which is held at a red carpet to mark the entrance.

© Moreno Maggi

莫雷诺·马吉

这座花园被设计成地中海植物的集合，边缘的海域由仙人掌、棕榈树构成，这里有一些潜在的有机形态，其中材料的白色砾石被清楚地勾勒出绿色草坪。内部是必不可少的港口是设计为全高度面板的相同厚度的隔墙，然后回到墙壁上的内部和外部的房间走廊是白色漆不透明的墙壁，房子的墙壁，白色的木梁的屋顶。白色的流体包围了内部的尺寸，白色也是厨房的岛屿，面向大海和游泳池。灰色是生活的座位，白色的家具和灰色的水泥地板上有一层浅灰色的阴影。

The garden was designed as a collection of Mediterranean plants with the edge of the sea area defined by a sinuously to the cacti, palm trees here and there are some underlying organic forms in which the white gravel of the materials are clearly delineate the Green lawns. The interiors are essential ports are designed as full-height panels of the same thickness of the partition, and then back to the wall on both the internal and the external room hallway are white lacquered opaque white as the walls the house, white as the wooden beams of the roof. The white fluid that surrounds the dimension of the interiors, white is also the kitchen island facing out to sea and pool. Gray are the seats of living a light gray shading into the white furniture and the gray cement floor.

© Moreno Maggi

莫雷诺·马吉

餐桌是萨里宁郁金香，椅子是阿恩雅各布森的系列7，而桌子上方的灯光是一个玻璃球，如斯塔尔的房子。Stahl别墅的魅力决定了别墅的特点、平面形状、设计理念以及使用裸露结构的选择。整个房子是对它的建筑师皮埃尔·科克的致敬，也许是与克雷格·埃尔伍德(CraigEllwood)一起的最杰出的建筑师，他们给了当代美国和世界的伟大建筑。

The dining table is the Saarinen Tulip, the chairs are the Series 7 by Arne Jacobsen, while the light above the table is a ball of light in glass such as the Stahl house. The charm of the Stahl house determined the character of the villa, its planimetric shape, its design philosophy with the choice of using the exposed structure. The whole house is a tribute to its architect Pierre Koeing, perhaps the most brilliant architects with Craig Ellwood Americans who have given it a great contemporary American and world architecture.

© Moreno Maggi

莫雷诺·马吉

由Architrend架构提供的文本。

Text provided by Architrend Architecture.