克劳斯王子音乐学院

架构师提供的文本描述。在更新的，广泛的，防震的克劳斯王子音乐学院，所有课程都集中在一个屋檐下：爵士乐系和古典音乐系。BDG建筑师已经将这座面向内部的老建筑改造成了一所显眼的学校，既体现了国际地位，也体现了音乐学院的热情。

Text description provided by the architects. In the renewed, extensive and earthquake-proof Prince Claus Conservatory all courses are brought together under one roof: the Jazz department and the department for Classical music. BDG Architects has transformed the old inward-facing building into a visible school that both shows the international standing and the warm-heartedness of the conservatory.

© Gerard van Beek

C.Gerard van Beek

在新校舍里，所有的课程都集中在一个屋檐下：爵士系和古典音乐系。BDG建筑师已经将这座面向内部的老建筑改造成了一所显眼的学校，既体现了国际地位，也体现了音乐学院的热情。在街道层面，古典浮雕的设计，指的是曾经矗立在那里的建筑物。上面的现代外观，带有黄色的金色阴影，给建筑以字面和象征性的金色边缘。大量使用玻璃，向城市展示建筑物内正在发生的事情。

In the new school building, all courses are brought together under one roof: the Jazz department and the department for Classical music. BDG Architects has transformed the old inward-facing building into a visible school that both shows the international standing and the warm-heartedness of the conservatory. On street level classical reliefs were designed that refer to the buildings that used to stand there. The modern façade above it, with yellow golden shades, gives the building literally and figuratively a golden edge. Glass is used in abundance, to show the city what is happening inside the building.

© Gerard van Beek

C.Gerard van Beek

设计一座既能满足声学条件又能同时抵抗地震的建筑，似乎几乎是不可能的。房间之间的隔音需要大量的质量，而抗震建筑则需要灵活的结构.BDG建筑师设计了一种“地震建筑”，其地面和承重墙能够在地震中移动。两个音乐厅、练习室和咖啡厅都是按照盒装结构建造的.这些房间就像地板上放着橡胶弹簧的松散盒子一样，用厚厚的绝缘材料包装。由于这些房间的墙壁相对较轻，不接触任何地方的“地震建筑”，所以温室成功地建造了抗震建筑，同时达到了声学质量。

It seemed almost impossible to design a building that both meets acoustic conditions and simultaneously is resistant to earthquakes. Mass is necessary for sound insulation between rooms, while earthquake-resistant buildings require flexible constructions. BDG Architects designed a 'seismic construction' with floors and load-bearing walls, that are able to move during a quake. The two concert halls, the practice rooms and the café were built following a box-in-box construction. These rooms are placed like loose boxes on the floor with rubber springs and packed in thick layers of insulation material. Because the walls in these rooms are relatively light and do not touch the 'seismic construction' anywhere, the conservatory has succeeded in building earthquake-resistant and meanwhile achieving acoustic quality.

Ground floor plan

Upper floor plan

上层平面图

醒目的石面也构成了挑战。在地震期间，你如何在外墙上创建一个必须保持直立的详细砖石的图像？我们把石头贴在混凝土上，解决了这个问题。这些元素都附在建筑上。这一解决方案减少了外观的脆弱性。2018年1月初，格罗宁根面临地震。因此，在建筑工程结束后，我们便可以确定工程运作良好。克劳斯王子音乐学院的设施经理杰克·西哈亚(Jack Siahaya)说：“我们能清楚地感受到这里的冲击。我们立即寻找墙壁和地板上的裂缝。我们检查了双层玻璃。但一切都是应该的，幸运的是！”

The striking stone facade formed a challenge as well. How do you create an image of detailed masonry on a façade that also has to stay upright during an earthquake? We solved this issue by attaching the stones to concrete elements. And these elements are attached to the construction. This solution makes the façade less vulnerable. At the beginning of January 2018 Groningen was confronted with an earthquake. So immediately after the construction works ended, we could determine that the construction functions well. Jack Siahaya, facility manager at the Prince Claus Conservatoire: "We could clearly feel the shocks here. We immediately looked for cracks in the walls and floors. And we checked the double glass. But everything is as it should be, luckily! "

© Gerard van Beek

C.Gerard van Beek

Architects BDG Architects

Location Meeuwerderweg 1, 9724 EM Groningen, The Netherlands

Area 2200.0 m2

Project Year 2017

Photographs Gerard van Beek

Category Interpretation Center

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