弗里兹纽约艺术展

We bring you all the highlights from the invitation-only preview for Frieze New York, held on Randall’s Island. Pictured: François Morellet at Galerie Hervé Bize

5月4日，成千上万的经销商、收藏家、记者和其他重要人物乘坐渡船、汽车或公共汽车，穿越寒冷的气温，不断下着毛毛雨前往兰德尔岛，参加仅限于弗里兹纽约的预演。第五届博览会的主要部分有来自26个国家的130多个画廊。游客们在过道之间来回飞奔，有着压倒性的巨大空间。

一些游客正在享受一种惊喜，艺术家大卫·霍维茨(DavidHorvitz)和他的反扒手团队将小艺术品放入随机的游艺袋，作为Frieze项目的一部分。莫里齐奥·卡泰伦(Maurizio Cattelan)向丹尼尔·纽堡画廊(Daniel Newburg Art)关闭的上世纪80年代和90年代的市中心空间表示敬意，他重拍了一幅“冒着风险进入”的画像，这是一只年轻的驴在吊灯下的一支钢笔里表现出来的。与此同时，玛哈拉姆·蛇纹石画廊墙纸又回到了集市上，马克·卡米尔·柴莫维茨、比阿特里兹·冈萨雷斯和约翰·巴尔德萨里的图案装饰了北门、南门以及埃尔·雷伊和罗伯塔的餐厅。

展位的亮点包括总部位于科隆的加利丽·吉塞拉·凯廷(GalerieGisela Capitain)，她获得了展台奖，该展览以2013年居内瑟·弗尔格(Günther F rg)去世前的画廊的同名吉塞拉·凯廷(Gisela Capitain)说，我们想把重点放在Günther F rg的壁画创意上，然后我们试着做一个展位来回应这一点，所以我们有一个对称的建筑和布局。

德斯皮纳·斯托库的朗格朗日在德里克·埃勒的作品中给出了一个无尽的数学方程式。在位于首尔的Kukje画廊和纽约的Tina Kim画廊的展位上，Kyungah Ham刺绣的枝形吊灯带有一种政治色彩；它是由朝鲜女裁缝秘密缝制而成的，他们在针线活中加入了信息。同时，米切尔-英尼斯

Maurizio Cattelan paid homage to the shuttered 1980s and 90s downtown space of Daniel Newburg Gallery, by restaging 'Enter at Your Own Risk', a portrait of the artist as a young ass made manifest as a donkey in a pen beneath a chandelier. Courtesy Frieze New York

Booth highlights include Cologne-based Galerie Gisela Capitain (pictured), which took the Stand Prize, for an exhibition that was centred around Günther Förg’s last painting before his death in 2013

Over at Andrea Rosen, a mirrored installation featuring cracked glass and beguiling sculptures by David Altmejd intrigued visitors

The paintings and installations of Beatriz Milhazes draw on both Latin American and European traditions at James Cohan's booth

Mary Kelly's Corpus, Preliminary Artwork (1984) was on show alongside early work from the 1970s as part of Pippy Houldsworth Gallery's solo presentation of the artist, in the 'Spotlight' sector

Despina Stokou’s new work Langrangian spelled out an endless mathematical equation at Derek Eller. Courtesy Derek Eller Gallery, New York

Mitchell-Innes & Nash, which just announced the representation of Monica Bonvicini, showed off eight of her works, including the cheeky So Male, So Male (pictured) – a red neon piece that played on the gender and the Italian meaning of male (bad)

Altman Siegel’s solo booth of Matt Keegan cutouts made for a graphic display

Galerie Perrotin's booth, from left: Hernan Bas, Jesús-Rafael Soto, Heinz Mack, Toilet Paper (aka Maurizio Cattelan and Pierpaolo Ferrari). Photography copyright Heinz MACK / ADAGP, Paris, 2016. Courtesy Galerie Perrotin

Untitled (When we collide), by Jim Hodges, 2001, at Stephen Friedman Gallery

Dr Caligari, by Sarah Morris, 2016. Courtesy the artist and White Cube London

keywords:Frieze Art Fair, Art fairs

关键词：弗里兹艺术展，艺术展