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英文名称:America Thompson Exhibition Hall
位置:美国
设计公司:Centerbrook Architects and Planners
摄影师:Jeff Goldberg, ESTO Photographics
这是由Centerbrook Architects and Planners设计的汤普森展示馆。该项目是为神秘港、美国博物馆与大海而设计的,是面积达19樱木的河滨园区的核心建筑。该项目的任务是改造海港北部尽端用地,从而大大提升展览空间的品质,并为游客提供全年度的展览体验。该建筑坐落于海港内向式的旧展览空间里,并与新的Donald C. McGraw画廊形成一个四边形整体。可提供社交活动的草坪空间,提供了可欣赏神秘港全景,并可容纳户外音乐会、即兴野餐等各种活动,成为极具吸引力的场所。
The Thompson Exhibition Building was designed for Mystic Seaport, Museum of America and the Sea, as a keynote building for the 19-acre riverfront campus. The project’s mission was to transform the north end of the Seaport to greatly enhance the quality of exhibition space and to offer a more robust year-round experience for visitors.
The building is located where the Seaport’s previous indoor-oriented exhibit spaces were concentrated, and forms the new Donald C. McGraw Gallery Quadrangle. This sociable greensward, with a panoramic view of the Mystic River, provides an appealing venue for activities ranging from outdoor concerts to impromptu picnics.In addition to a 5,000-square- foot exhibition gallery with a high ceiling for displaying boats, the building features visitor reception and events space, a retail shop, a café and outdoor terraces overlooking the Mystic River. Energy-efficient components and geothermal heating and cooling are also incorporated in the design.
The flexible exhibition space features soaring ceilings and demountable walls to accommodate objects of varying size and installations of all types, from watercraft to priceless works of fine art and gallery-based educational programs. A riverfront gathering room graces the west side of the building and can be reconfigured for conferences, additional gallery space, or educational programs, adding to the new building’s versatility.The Thompson Exhibition Building incorporates a wraparound deck that allows visitors to enjoy the riverside setting and serve as a covered overlook to the Quadrangle green.
Overall, the building stands for what we came to regard as “the geometry of the sea” – the spiral shape of sea life, the kinetic movement of ocean swells, the crash of waves on the shore, the billow of sails, and the faring of wooden hulls. Wood was the ideal material for these purposes because it can economically enclose a large clear-span space while forming complex organic geometries.The intention overall was a wooden structured volume that would suggest a hull’s interior architecture. To support a long porch along the north edge of a new quadrangle, wooden columns and struts give the effect of sailing vessels’ masts and spars. Railing cables and turnbuckles provide detail around the deck to conjure ship’s rigging.
For the building’s structure, curved glued-laminated wood ribs were utilized to imply a sailing ship’s top timbers, the curving members that delineate a hull’s shape. Wood purlins between the ribs bring to mind planking that forms the skin of a hull. Douglas Fir was specified for the glued-laminated structural members as it was the species New England ship builders preferred after the Civil War once the western forests had been opened up.The building’s overall form was also designed to recall natural phenomena, too, like a wind-driven wave crashing onto the shore. On its interior, the curled the structural ribs at either end inward all the way down to the floor to suggest the spiraling vertebrae of marine creatures.
美国汤普森展示馆外部实景图
美国汤普森展示馆内部实景图
美国汤普森展示馆平面图
美国汤普森展示馆剖面图
美国汤普森展示馆模型图