葡萄牙RENOVA商店及剧院丨Phyd Arquitectura

Portugal RENOVA Store & Theatre

设计方：Phyd Arquitectura

位置：葡萄牙

分类：商业建筑

内容：实景照片

建筑设计负责人：aulo Henrique Durão

结构工程师：Pedro Viegas, Engineer

合作方：Architect Daniel Gil Tomé, Architect Inês Belmarço, Architect Inês Sá, Architect João Ricardo Dias

委托方：Renova – Fábrica de Papel do Almonda, SA

图片：22张

摄影师：Fernando Guerra | FG+SG

这是由Phyd Arquitectura设计的RENOVA商店及剧院。设计灵感来自时间机器，受到场地条件、文脉及工业精神等因素自然形成。空间中的时间和光线流动，体现了建筑捕捉时间以及捕捉时间流动的意像。为了达到这样的效果，建筑师使用了独特的解决方法，从表皮和穿孔两方面着手。通过表皮设计，赋予建筑连续性与表情，准确地将项目分成两个功能区，内部与外部。外表皮使用了钢铁，而内表皮则使用了色彩。连续使用单一色彩或单一材料，赋予了该项目高度的抽象性而通过穿孔设计，如同工业建筑中常见的剖切，形成通透的空间。

译者： 艾比

There was, from the beginning, the intent to work this project as a machine, a TIME CAPTURING MACHINE. This condition was naturally the result of the place, the context and the industrial spirit, that penetrated the imagination. Condition to which it was added the will to capture, within the project, time and its flow. A flow of time and light into the spaces that would say – the architecture captures time, architecture captures the flow of time.

Its will originated from two different questions. How is it possible for matter with such low density matter, like air and light, to capture time within a space? Can space be captured through Architecture? Or are these abusive reflections, which unduly take over elements that cannot relate between them? Space, Time and Architecture. How is it possible, through Architecture, to articulate these different concepts?The solution took shape from the moment we confronted ourselves with the possibility of Architecture being a TIME CAPTURING MACHINE itself, a decision which demanded a specific approach methodology for all of the project’s decisions. It constituted itself by this fundamental fact which divided the issue into two main areas of activity, SURFACE and PERFORATION.

Thinking the project through surface, endowing it with continuity and antagonising expression, which accurately demarcate the boundaries between two of the project’s fundamental surfaces, interior and exterior. The demarcation was done not only through matter and its own expression but also through drawing and assessing the point of transition between the two SURFACES. We decided that the exterior surface would be built and characterized by the steel’s own expression. As opposed to that, the interior surface would be characterized by colour and its expression. The continuous use of a single colour or of a single matter endows the project with a high level of abstraction. It qualifies it through two surfaces, of antagonising character, which give contrast and simultaneously emphasize another fundamental premise, perforation.

Perforation over the surface, which is obtained from two different mechanisms, the cut and perforation itself. The cut can be seen in the sectioning we did in the pre-existing industrial building, which resulted in the space’s transparent extremities. The PERFORATION mechanism can be seen in the remaining operations, shifting only in its scale and dimension, according to the qualification intended of each of the spaces.We tried, through architecture and this time machine, to build spaces where people could experience the lightness and density of time and its different temporalities.

葡萄牙RENOVA商店及剧院外部实景图

葡萄牙RENOVA商店及剧院外部局部实景图

葡萄牙RENOVA商店及剧院外部夜景实景图

葡萄牙RENOVA商店及剧院内部实景图

葡萄牙RENOVA商店及剧院实景图

葡萄牙RENOVA商店及剧院模型图

葡萄牙RENOVA商店及剧院平面图

葡萄牙RENOVA商店及剧院分析图

葡萄牙RENOVA商店及剧院立面图

葡萄牙RENOVA商店及剧院剖面图