“仰观宇宙之大,俯察品类之盛，所以游目骋怀，足以极视听之娱，信可乐也”

—— 王羲之《兰亭集序》

“Facing upwards to the blue sky, we behold the vast immensity of the universe; when bowing our heads towards the ground, we again satisfy ourselves with the diversity of species.Thereby we can refresh our views and let free our souls, with luxuriant satisfaction done to both ears and eyes. How infinite the cheer is!”

—— Wang Xizhi ‘The Orchid Pavilion’

东晋著名书法家王羲之在他开创性的著作《兰亭集序》中以此描述融万物之乐的心境，它也承载了设计师想营造一个人与人不受约束、舒畅胸怀的对谈与交流空间的初衷，设计以自然的手法，细腻的布局，最洗炼的笔触，去叙述最融合、极致通透、人文气息的空间，静默而有力量，一个简练、和谐深具文化底蕴的办公空间跃然于眼前。

Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty, described the mood of blending all things in his pioneering work, "the Orchid Pavilion". It also carries the original intention of the designer's desire to create an unrestrained and unrestrained conversation and exchange space. It is office of cultural designed in a natural way, the most Baptist strokes to describe the most fusion, the extreme and the humane atmosphere, quiet and strength.a delicate layout, a concise, harmonious and deep set.

入口处：开宗明义，开门见山

前台：简单的白灰色调大理石，即是水的另一种表达；蓝色的“宝石”（前台）浮于水上，前台上方的logo以印章、印信的表现手法，从视觉的打动，纵深到对企业的经营理念“诚与信”的无声传达。