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《音顿》秀场设计丨中国上海丨好似飞行
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发布时间:2021-12-16
设计亮点
该设计以诗中的“音顿”为灵感,巧妙运用装置艺术,营造出独特的视觉节奏和空间关系,使观众在欣赏时尚秀的同时,也能感受到生活的诗意与停顿之美。
在信息轰炸的时代,专注的视角成为稀缺。好似飞行建筑事务所第四次为YINGPEI STUDIO进行秀场设计,对应“此刻如诗”的主题,引入我们认为在诗中最有魅力的“音顿”,即诗行中间的停顿。在较以往更局促的布置及拆除的限制时间内,挑战用悬挂的装置将观众视角用匀质的节奏切成片段,使得被观察到的模特行走流线如虚线般断开,从而捕捉服装系列在整体和局部之间的转换。

▼秀场概览,“音顿”变化,Overview, movement of “caesuras” ©GAO Hanzhi

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《音顿》秀场设计丨中国上海丨好似飞行-2

In the era filled with “information bombs”, a focus vision has become scarce. Corresponding to the theme of “Full of Spring”, House Fiction introduced the concept of ‘caesura’, the pause in the middle of a verse line, which would be the most charming feature of poem for us, into the fourth fashion show designed for YINGPEI STUDIO. In a more limited time of assembly and disassembly than ever before, the architects challenged to design a hanging installation to ‘cut’ the audiences’ views into segments with a constant rhythm, to break the walking streamline of the models into a dotted line, and it veered audiences’ views between the whole and the part of the fashion collection.

▼现场视频,The show video ©好似飞行
先将完整的秀场空间一分为二,使得两侧观众在同一时刻拥有正好相反的观察视角。当一侧观众视线被局部遮照时,另一侧观众视线被局部强调,反之亦然。U形的模特流线使两侧的观众均可获得这两种观看体验。
▼空间切割概念,“Cutting” the space ©好似飞行
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《音顿》秀场设计丨中国上海丨好似飞行-7

Firstly, the whole installation horizontally divided the entire space into two, so that the audiences on the two sides could have exactly opposite viewing angles at the same time. When the sight of the audience on one side was partially obscured, the sight of the audience on the other side was partially emphasized, and vice versa. The U-shaped flow of the models made it possible for the audience on both sides to obtain the two mentioned viewing experiences eventually.

▼开场,Beginning of the show ©GAO Hanzhi

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