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Doozy Access 艺术空间改造丨中国上海丨泛式建筑事务所
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发布时间:2022-01-26
设计亮点
异形空间插入、窥视路径实体化、猪嘴镜头装置、对抗性入口设计
Doozy Access 艺术空间最近委托我们做了一个位于上海龙吴路的仓库美术馆改造,同时很实验性的在施工的过程中邀请了艺术家团体马丁戈雅生意(Martin Goya Business)进行了Doozy Access 的艺术展首秀。此项目为一个500平米的工业厂房改造,如同大部分讲究空间效率的厂房建筑,这个曾经的玻璃加工厂建筑及结构也遵循了这种跟经济效益相匹配的尺度和节奏。纵然,这种绝对的秩序和节奏也有其一定的工业美感,但是在这个项目中,我们试图要局部性的扰乱这种节奏,让其变得片段,不联系,不自然且怪异。
改造后人视角,perspective view ©刘松恺
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Doozy Access 艺术空间改造丨中国上海丨泛式建筑事务所-2

We were commissioned by Doozy Access gallery to reshape an industry warehouse located next to Longwu Road in Shanghai. At the same time artist group Martin Goya Business was invited during the renovation to experimentally curate a first art show in the construction site. This is a warehouse renovation project with an area of 500 square meters. The existing warehouse used to be a glass production factory with two massive concrete beam rows sitting along the building internally. Similar to most of the factories pursuing spatial efficiency and economy, the facade of the building reflects its internal rhythm by repeating window frames in each bay. In this project, however, we attempt to disturb such rhythm by weaving completely different spatial language into it and make the facade fragmentally, incompletely and bizarrely.

厂区顶视图,top view ©刘松恺
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Doozy Access 艺术空间改造丨中国上海丨泛式建筑事务所-5
鸟瞰图,bird view ©刘松恺
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Doozy Access 艺术空间改造丨中国上海丨泛式建筑事务所-7
在整个项目中,我们通过强行插入三个与主体建筑的语言不一致的空间构件,从而扰乱原有规整的建筑立面。三个构件本身的语言也有意不统一,而是与内部巨大的展厅(舞台)及黑色帘幕在空间叙事上联系起来。

Three spatial objects are designed to insert into the existing facade. We deliberately make the language of these objects inconsistent but spatially connected in narrative with the internal stage (exhibition hall) and ‘black curtain’ . 

▼插入三个新的空间体量,new volumes inserted ©泛式建筑事务所

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Doozy Access 艺术空间改造丨中国上海丨泛式建筑事务所-11
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