工作占据绝大部分时间，俨然成为当代人的生活常态。

冷峻不苟的黑色塑料转轮办公椅，整齐划一的洁白电脑桌，黑与白的搭色...这是我们对于“办公室”的刻板印象。

The fact that most of time is occupied by work has obviously become the normal life of contemporary people. For us, the stereotyped image to the office includes the rigid, meticulous office chair with black plastic wheels, uniform white computer desks, the palette of simply black and white colors.

如何能让工作着更有尊严和欲望在办公空间里度过每天至少 8 个小时的光阴，成为设计师思考空间的重点。

For the designer, the space design is focused on how to make employees spend at least 8 hours a day in the office space with more dignity and full of work enthusiasm.

"人闲桂花落，夜静春山空"这恰恰是《木空》设计师想要表达的理念诉求——将「木」赋予整个空间氛围，让「空」解释一禅一静的东方智慧，木头温润而极具生命感的，设计师希望用一种简单的方式在这城市的纷乱中觅得一方净土。

"Osmanthus falls by the side of the idle poet. The spring mount is empty in the quiet night."The poem is exactly the concept that the designer of "Empty Design in Wood" wants to express, in which he designs the whole space with the "wood" and allows the "empty" to explain the Oriental wisdom of "Zen and silence". Wood is a material with a warm feeling and full of life, so the designer hopes to find a pure land in the chaos of the city in a simple way.

现代人对空间的追求不只是舒适与美观，渐渐将对工作空间的思考转变对空间艺术的态度。设计师认为办公区域的设计最终不仅是一个功能齐全的工作与协作空间，更是灵感迸发的催化剂。

For the modern people, they not only demand for a comfortable and beautiful space, but also gradually transform their thinking on the working space into their attitude towards the spatial art. The designer believes that the office design leads not only to a fully functional space for work and collaboration, but also a catalyst for inspiration.